Etree - John H - 1447 shows
Last Update: Friday May 08, 2026

[ DIFFERENCE | WANT LIST (10) | COMMENTS (2) | EMAIL ]


I use wetransfer to send shows. I am always looking for Bryan Adams, Barclay James Harvest, Crosby Stills Nash and Young, Manfred Mann's Earth Band, Kayak and Jackson Browne.



I have over a terrabyte of the Allman Brothers and Grateful Dead and all of the shows I have are not all listed.  If you have a date or show your looking for ask and I will see if I or one of my friends 



has it. I also have a lot of Pink Floyd and cover bands. If I don't get back to you right away the possibility is you wound up in the junk folder.  I will always try to help you out.  


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10 CC  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/02/76 City Hall - Sheffield, England a-   1 flac  
2. 04/30/80 Rheingoldhalle - Mainz, West Germany A Lineage: SWR3 Radio broadcast > Unknown recording device > n generation tape > Aiwa Tape Deck TC-WE475 > Creative Sound Blaster Recon 3D > HD > SoundForge Pro 10.0 > CD Wave > FLAC Frontend (level 6) 2 flac  
3. 02/25/82 Apollo Theater - GlasGow, Scotland A cdr rip 1 Flac  
4. 09/30/83 Ahoy - Rotterdam, Netherlands AA FM-tapedeck-comp-you. 1 flac  
5. 06/07/12 Sweden Rock Festival - Norje, Sweden A Equipment: Onkyo AV FM Receiver (TX-SR608) -> Edirol Digital Recorder (R-05) @ 24bit/48khz Lineage: SDHC Card -> PC -> Soundforge 10 (Normalized) -> Audacity (Resample/Dither 16bit/44khz) -> CD Wave Editor (Tracksplits) -> Traders Little Helper (Flac Level 8/SBE Fix) 1 flac  
6. 11/17/18 Orchard Theater - Dartford, UK A Olympus LS-10 - PC - FLAC 2 flac  
7. 03/04/20 Entertainment Center - Darwin, Australia A Recorded & Transfered By: Robert Mullen (lvrwm) Equipment/Lineage: Audience/SP-CMC-25 mics (Croakies)>SP-SPSB-11(Battery Boost Box, with bass-roll-off at 69Hz)>Sony PCM-M10>CD Wave Editor(tracking)> Traders Little Helper flac level 8. Recorder Settings: PCM-M10 at 44.1 kHz/16 bit, low mic sensitivity, manual record, limiter on, mic power off, low cut filter off, speed control off. 2 flac  
8. 08/11/23 Fairports Cropredy Convention - Oxfordshire, UK A+ Core DPA 4060>Core Battery Box>Tascam DR100 MkIII> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 2 flac  
9. 03/26/26 Ipswitch Regent Theater - Ipswitch, UK 9 Lineage. Olympus LS-10/PC/Traders Little Hepler 2 Flac  

AC/DC http://www.acdc.com
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/39 Various - Unknown, Unknown A Bon Scot boots from 1976-1980 varies in quality 3 flac  
2. 06/12/76 Leith Theatre - Edinburgh, Scotland A-   1 flac  
3. 08/22/77 Agora Ballroom - Cleveland, OH A Quality - soundboard (fm, if you want to be pedantic), and a great show For me, this is the best ACDC live recording out there! Great show, great setlist, wild audience, superb recording. Highly recommended! From broadcast on fm radio - announcer's comments have been edited out Broadcast > unknown fiddling about with tape over the years >Torrent > nero > CDR > EAC > flac > Torrent 1 flac  
4. 08/25/84 Rockdepartment - Stockholm, Sweden A- Lineage: WAV > TLH > FLAC (level 8) 2 flac  
5. 08/13/86 Irvine Meadows Amphitheatre - Irvine, CA A   2 flac  
6. 12/06/90 St. Louis Arena - St. Louis, MO 8.5 Lineage: Trade > CDR > EAC "Secure Mode" > Wave > Traders Little Helper > Flac 6 For The St. Louis Arena the way it sounds is excellent. The Arena is now an apartment complex 2 Flac  
7. 03/22/91 Isstadion - Stockholm, Sweden a-   2 flac  
8. 04/13/91 Ostseehalle - Kiel, Germany B++   2 flac  
9. 06/07/91 Sports Arena - San Diego, CA a-   2 flac  
10. 09/05/00 Savvis Center - St. Louis, MO A-   2 flac  
11. 09/13/00 America West Arena - Phoenix, AZ A   2 flac  
12. 06/09/24 Olympiastadion - Munchen, Germany a- Equipment: SP-CMC-8 -> SP-SPSB-11-> Edirol R-09HR -> WAV [96kHZ/24 bit-> dithered to 44kHz/16 bit] Lineage: WAV -> Adobe Audition (Track Splitting) -> FLAC 2 flac  
13. 07/08/25 Merkur Spiel-Arena - Duseldorf, Germany 8 Equipment: SP-CMC-8 -> SP-SPSB-11-> Edirol R-09HR -> WAV [96kHZ/24 bit-> dithered to 44kHz/16 bit] Lineage: WAV -> Adobe Audition (Track Splitting) -> FLAC 2 Flac  

Ace  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/??/76 A Little Night's Music - Univ. of Pennsylvania - Philadelphia, PA A Source : FM Broadcast > Cassette Master (Memorex MRX2 C120) Transfer : Sony TC-WE 475 > Tascam DR-40 Linear PCM Recorder 16/44.1 kHz) Editing : Soundforge (tracking) > Wave > TLH (SB's aligned) Flac level 8 1 flac  

Aerosmith http://www.aerosmith.com
  Date Venue - City, State Sound Rating Notes Media  
1. 04/23/73 Paul's Mall - Boston, MA AA   1 flac  
2. 09/26/73 Counterpart Studios - Cincinnati, OH AA   2 flac  
3. 10/27/73 Orpheum Theater - Boston, MA B++ LINEAGE AUDIENCE ANALOG MASTER CASSETTE>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) Recorded using a Sony TC-110A deck with built in microphone. 1 flac  
4. 04/07/74 Michigan Palace - Detroit, MI B++   2 flac  
5. 04/14/74 Michigan Palace - Detroit, MI A- Lineage - SB - Wav - Flac 1 flac  
6. 07/02/74 My Father's Place - Roslyn, NY A   2 flac  
7. 10/06/74 Renziehausen Park Bandshell - Mckeesport, PA B++ 1320 WKTQ-AM ("13Q") Free Concert 1 flac  
8. 10/20/74 Morris Civic Auditorium - South Bend, IN B++   1 flac  
9. 07/26/75 City Park Stadium - New Orleans, LA B++ aud>unknowngen.cassette>SonyTCWE435>PioneerPDR- O4>CDR>EAC>WAV>Trader'sLittleHelper>FLAC 1 flac  
10. 08/29/75 Wollman Skating Rink - Central Park - New York, NY A   2 flac  
11. 08/29/75 Wollman Skating Rink - Central Park - New York, NY A+ SBD > ? > KBFH Master Disc > EAC > SHN 1 flac  
12. 09/18/75 Kiel Auditorium - St. Louis, MO A   1 flac  
13. 04/30/76 McElroy Auditorium - Waterloo, IA a- "East side West side Blues" Silvers (very limited pressing-3 silver CDs in a fatbox case,Japanese pressing,Shades label, scans of the original artwork included) > EAC > WAV > TLH > FLAC > DIME 1 flac  
14. 07/15/76 Civic Center - Peoria, IL B+   1 flac  
15. 07/24/76 CNE Grandstand - Toronto, ON B++ aud>unknown.gen.cassette>SonyTCWE435>PioneerPDR- O4>CDR>EAC>WAV>Trader'sLittleHelper>FLAC 1 flac  
16. 10/26/76 Stadthalle - Offenbach, Germany B+   0 flac  
17. 10/30/76 Volkhaus - Zurich, Switzerland A This is the remastered version of Swedish Rocks, which recorded the same day's show. This is best version on same day's show. One of the best Aerosmith"s that I have 2 flac  
18. 01/29/77 Gunma Sports Center - Maebashi, Japan A- Original Source Boot Silver>EAC>WAV>FLAC(Lv8) Title:The Wanderer Label:TARANTURA Source:Excellent Audience Recording (by Mr.Peach) 2 Flac  
19. 01/31/77 Nihon Budokan Hall - Tokyo, Japan a- Bootleg title: Let The Rocks Do The Talking Label: Empress Valley Date:Disc 1&2 BUDOKAN, TOKYO, JAPAN : 1977 JANUARY 31, Disc3&4 BUDOKAN, TOKYO, JAPAN : 1977 FEBRUARY 9 Source:Audience recording 2 flac  
20. 02/04/77 Kyu-den Kinen Taiikukan - Fukuoka, Japan A "East side West side Blues" Silvers (very limited pressing-3 silver CDs in a fatbox case,Japanese pressing,Shades label, scans of the original artwork included) > EAC > WAV > TLH > FLAC > DIME 2 flac  
21. 02/09/77 Nihon Budokan Hall - Tokyo, Japan a- Bootleg title: Let The Rocks Do The Talking Label: Empress Valley Date:Disc 1&2 BUDOKAN, TOKYO, JAPAN : 1977 JANUARY 31, Disc3&4 BUDOKAN, TOKYO, JAPAN : 1977 FEBRUARY 9 Source:Audience recording 2 flac  
22. 06/24/77 The Summit - Houston, TX a- Sorta makes me smile to think of Aerosmith at Houston's Summit, which is now "Lakewood Church" and home to Paster Joel Osteen, a snake charmer of a different sort from Steven Tyler. EQ, levels, edits of tiny gaps and cuts, and general audio improvement by TheTooleMan, 2005 & 2009. Designed for playing extraordinarily loud. 2 flac  
23. 03/18/78 Ontario Motor Speedway - Ontario, CA a-   2 flac  
24. 03/23/78 Aragon Ballroom - Chicago, IL 8 Label: Bondage Music Number: BON110 Source: Silver > EAC > WAV > jetAudio > FLAC 2 flac  
25. 01/25/80 Capital Center - Largo, MD A   2 flac  
26. 06/27/02 Tokyo Stadium - Tokyo, Japan A LINEAGE SATELLITE TV>DAT MASTER(48KHZ)>DAT CLONE>SONY PCM R-500 DAT>FIBER OPTIC>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (16/48KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS AND TAPE CHANGE EDIT WAV 16/48> TLH FLAC (LEVEL 8) 2 flac  
27. 04/26/19 Park Theater at Park MGM - Las Vegas, NV A LINEAGE: TASCAM DR-2D (with SONY ECM-719 Microphone [music setting]) > WAV (48KHz 16-Bit) > Cool Edit Pro (mixing & tracking) > FLAC (level 8) 2 flac  
28. 09/14/22 Dolby Theater - Las Vegas, NV A SP-CMC-4U -> A10 -> Soundforge -> FLAC 2 flac  
29. 09/17/22 Dolby Theater - Las Vegas, NV a- SP-CMC-4U -> A10 -> Soundforge -> FLAC 2 flac  
30. 09/02/23 Wells Fargo Center - Philadelphia, PA a- First Night of The Peace Out/Final Aerosmith tour Scheops MK41's > Baby Nbox > Roland r07 > 24/48 WAV (Section 113 Row 11) Recorded by Joe Burns ***16 BIT/44.1Khz Fileset*** WAV>Magix Sound Forge Pro 16 (Fades, clap reduction, gain adjustments,Sampe Rate Conversion to 44.1Khz,POW-r Bit depth conversion to 16 BIT)>Trader's Little Helper (FLAC encoding)>Foobar 2000 (Track Tagging) 2 flac  
31. 09/06/23 PPG Paints Arena - Pittsburgh, PA A Source: SP-CMC-8 (cardioids) > SP-SPSB-10 > Roland R-07 @ 24 bit/48 kHz Mastering: .WAV > iZotope RX11 Advanced v11.0.1.3871 (De-Click) > Sound Forge Pro 14.0 Build 140 [minor edits, normalize, & fades, Boz Digital Labs T-Bone2 plug-in (tilt EQ)] > CDWav (tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.1.17 (tagging) Location: First row, right side, by the catwalk (likely 10 meters right of the center) Recorded by: toshi Mastered by: Dennis Orr 2 flac  

Al Stewart  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/15/77 Orpheum Theatre - Boston, MA A+ Audience Stereo FOB Sony ECM-99A > Sony TC-153SD Master Cassette > Reel > DAT > CD > EAC > FLAC Teac X-2000R > Tascam DA-20 > Tascam CD-RW900 Total Time - 74:26 1 flac  
2. 10/08/84 Late Night Cafe - Davis, CA AA   2 flac  
3. 12/16/85 Valley Forge Music Fair - Devon, PA AA Source: Nakamichi mics > Sony WM-D6 (TDK-MA Metal) (recorded by "Tape Man Joe" vol. 13) Transfer: Kenwood KX-4070 cassette deck > TDK-DA3826 standalone cd burner (44.1 kHz) (transfer by george14k) Editing: Soundforge (tracking) > Wav > TLH (sector boundary aligned) Flac level 8 Traders Den 8/7/17 - Tracked by kingrue upload 1219 1 flac  
4. 09/20/86 Chestnut Cabaret - Philadelphia, PA AA Source: Nakamichi mics > Sony WM-D6 (TDK-MA Metal) (recorded by "Tape Man Joe") Transfer: Kenwood KX-4070 cassette deck > TDK-DA3826 standalone cd burner (44.1 kHz) (transfer by george14k) Editing: Soundforge (tracking) > Wav > TLH (sector boundary aligned) Flac level 8 Traders Den 8/20/17 - Tracked by kingrue upload 1232 2 flac  
5. 11/13/88 Toad's Place - New Haven, CT 8.5 FM Stereo Soundboard 2 Flac  
6. 07/29/89 Cherry Hinton Hall - Cambridge, England A+   1 flac  
7. 07/18/99 Conejo Community Park - Thousand Oaks, CA 9   1 Flac  
8. 05/16/15 Royal Albert Hall - London, England AA Sonic Studios DSM-6>PA6-XP>M Audio Microtrack> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 2 flac  

Alan Parsons  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/15/94 Ahoy - Rotterdam, Netherlands a-   2 flac  
2. 07/28/95 Greek Theater - Los Angeles, CA A   2 flac  
3. 08/04/95 Riviera Theater - Chicagoe, IL A Source: Audience Transfer: CD-R from trade 100 years ago > EAC > FLAC Level 8 > you Sound Quality: A-/B+ in my rating and ears.... 2 flac  
4. 06/18/19 MCC Halle - Muenster, Germany   Lineage recording (2019 06 18, Pittylabelle): -> Position: Stalls/Floor II -> Recorder: Olympus LS-12 via Mic-In jack, plug-in-power "On", sensivitity "High" -> Microphone: Special OKM Rock "Variant" (external binaural in-ear stereo microphone) -> WAV-File: 24 Bit / 88.2 kHz Lineage production (2019 06 20, Pittylabelle): -> Editing: iZotope Ozone 8: Mastering (EQ, Dynamic EQ, Maximizer) -> Conversion: Sound Forge Pro 11.0: 24 Bit / 88.2 kHz to 16 Bit / 44.1 kHz (iZotope at highest quality) -> Editing: Sound Forge Pro 11.0: Track editing -> Coding: TLH, Align on sector boundaries (Level 8): WAV to FLAC To preserve the sound of the original recording as well as possible: NO fade-in or -out, NO track normalisation, NO soundfilter! In short: There is no music left out! 2 flac  
5. 09/17/19 Town Hall - New York, NY AA Recording: CA14 cardioids > Church 9200 Preamp > Edirol R-09HR 96/24 Processing: Sony Soundforge 10 > bit depth conv, resampling to 44.1/16 and track splits > TLH > FLAC level 6 aligned on SB. 2 flac  
6. 02/14/20 Fox Theater - Tuscon, AZ AA ineage: Tascam Dr-05 (int. mics)(24x96) > Audacity (EQ) (16 bit, 44.1 kHz) > split on sectors EAC > WAV to FLAC conversion with flac frontend - md5 checksum with md5summer - Torrent file with Vuze MD5 Checksum included Audience Recording on SDHC Card 2 flac  

Alan Parsons Project  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/04/87 International Forum - Tokyo, Japan A   2 flac  
2. 10/25/90 Sportspaleis - Merksem, Belgium A   1 flac  
3. 05/05/94 CCH - Hamburg, Germany A Lineage:Tape(?) (equipment unknown, taper unknown)-> Fujifilm CD-Rs, obtained in trade (late 2000-ish)-> EAC -> Adobe Audition (speed correction: -1 semitone, stretch about 6% slower than original speed)-> TLH (FLAC level 8) Uploader:geoffers8 (all credit and thanks to the original taper!) Quality: 8 (out of 10), to me (for some tape "warble")... 2 flac  
4. 08/05/95 Riverside Theatre - Milwaukee, WI A+ Transfer: CD-R from trade > EAC > FLAC Level 8 > you 2 flac  
5. 08/24/95 Riverbend Music Theatre - Cincinnati, OH A Lineage: Original radio station CDs from 1996 and 2009 > EAC > Audacity 2.0.2 > CD Wave Editor (splitting) > flac I started by removing the DJ comments on the 1996 tracks. Then I cut out the additional tracks from 2009 (amplified by 1.5 dB). After concatenating all music into one file I noticed a flaw in Sirius and used copy/paste to repair that section (copied 35.807-36.631 over 37.974-38.798). 2 flac  
6. 10/14/96 Mesa Amphitheater - Phoenix, AZ 7 Transfer: CD-R from trade > EAC > FLAC Level 8 > you Sound Quality: A in my rating and ears.... talking near the the recorder the overall sound is great but I can hear the talking 2 Flac  
7. 05/09/97 Shepherds Bush Empire - London, UK A   2 flac  
8. 10/04/97 International Forum - Tokyo, Japan AA   2 flac  
9. 05/17/98 Muziekcentrum Frits Philips - Eindhoven, Holland 8.5 Taper: Unknown Source: Audience Transfer: CD-R from trade > EAC > FLAC Level 8 > you 2 Flac  
10. 07/14/98 Fiddler's Green Amphitheatre - Greenwood Village, CO AA Recording: sonic studios dsm6 > Sony D7 Transfer: Sony DTC-ZE700 > Microtrack II (48/16) > Wavelab (tracking and tweaking) > Flac (level 8) > you ! 1 flac  
11. 07/14/98 Fiddler's Green Amphitheatre - Greenwood Village, CO AA Recording: sonic studios dsm6 > Sony D7 Transfer: Sony DTC-ZE700 > Microtrack II (48/16) > Wavelab (tracking and tweaking) > Flac (level 8) > you ! 2 flac  
12. 07/22/98 San Diego State University - San diego, CA A Lineage: ECM-959DT>WM-D6 (ANALOG)>TC-WE475>RCD-W500C W/SBM (Super Bit Mapping) 1 flac  
13. 09/12/99 Recher Theatre - Towson, MD 8 Lineage:AUD-> Tape(?) (equipment unknown, taper unknown)-> Fujifilm CD-Rs, obtained in trade (late 2000-ish)-> EAC -> Adobe Audition (speed correction: -1 semitone, stretch 5.95% slower than original speed)-> CD Wave Editor to split WAVs-> TLH (FLAC level 8) Uploader:geoffers8 (all credit and thanks to the original taper!) Quality:Disc 1: 9 (out of 10), Disc 2: 8 (for a bit more distortion), and everything after 'Luciferama' is MONOPHONIC... 2 Flac  
14. 09/14/99 The Guvernment - Toronto, ON A Recording: CSB mics > Sony WM-D6C (Dolby C) > Maxell MX-110 metal master cassette Location: 1m from centre stage Transfer: MAC PB on Sony Walkman WM-D6C > CDR via TASCAM CD-RW700 > CDR Lineage: MAC > CDR > wav > edit+track > flac(lvl8) > 2 flac  
15. 05/14/04 Plaza Mayor - Madrid, Spain 8.5 Lineage: DAT Sony 90MR>PC (Audacity 3.1.3)44/16Bit>WAV>Audition 3 (partition tracks)>fre-ac>FLAC 8 2 Flac  
16. 04/19/05 De Boerderij - Zoetermeer, Netherlands A Source: Audience Transfer: CD-R from trade long time ago > EAC > FLAC Level 8 > you Sound Quality: A- in my rating and ears.... 2 flac  
17. 04/23/05 Kremlin Palace - Moscow, Russia A Lineage: Sony ECM-719 -> Sony MZ-NH1 (pcm) -> SonicStage (oma) -> HiMD Renderer (wav) -> CD Architect (mastering n burning) -> CDR -> EAC (wav) -> Frontah (flac 8) 2 flac  
18. 09/13/08 Chrome at Santa Fe Station Casino - Las Vegas, NV A Recorded By: Robert Mullen (lvrwm) Equipment/Lineage: Audience/SP-BMC-12 mic’s (Croakies)>SP-SPSB-1 (Battery Boost Box w/ Bass Roll-Off at 95Hz)>Sony MZ-RH10 HI-MD (PCM) (tracking done on the fly)>Hi-MD[M]>Sonic Stage 3.0>wav>TLH flac level 8. 2 flac  
19. 07/20/12 Coloseum Theatre - Essen, Germany A+ Lineage: OKM II Rock > A3-Adapter > Edirol R-09HR (16 bit, 44.1 kHz) > WAV to FLAC conversion with Foobar2000 - md5 checksum with Traders Little Helper - Torrent file with µTorrent 2 flac  
20. 07/24/12 Theatre Jean Deschamps - Carcassone, France A+ Micro Sony ECM-719 (music) > Zoom H4n (wav 24 bit 48000 Hz) > Card Panasonic SDHC C4 32GB > WaveLab elements 7 2 flac  
21. 03/22/13 Gasometer - Vienna, Austria A Recorded from a balcony a little right from the stage, some meters above it, about 15 meters direct distance. There is overall about 15-20 seconds of chatter during the breaks which was removed from this recording. Apart from that this is the whole show including breaks and announcements from the band. During the intro of 'I robot' I had to adjust the input level, therefore this non-intentional 'fade-in' effect there. ;-) Lineage: OKM II AV/POP A3 > DR2 digital recorder > SD memory card > Cool Edit (equalizing) > FLAC Level 5 2 flac  
22. 12/18/13 Saarlandhalle - Saarbrucken, Germany A Source: Audience Zoom Q2HD Recording Taped by: SF Transferred by: SF Zoom Q2HD > 24/96 > Internal Mics 150 > CD Wave > dbpoweramp > 16/44 > Flac Level 8 2 flac  
23. 05/10/14 Arcada Theater - St. Charles, IL AA Recorded by Roy Martin from the 4th row house right with left & right microphones mounted in hat, point up at the amps. Captured using a set of Sound Professionals SP-CMC-8 mics > Sound Professionals SP-SPSB-11 power supply w/ bass roll off switched off > Zoom H2n (WAV @ 24-bit/96kHz) THIS IS A 24-BIT/96kHz FILESET PROVIDED FOR THOSE SEEKING THE BEST QUALITY No EQ-ing done, so salt & pepper to taste. Cool Edit Pro 2.0 employed only for intro/outro fades and to split the huge WAVs into their own tracks. Encoding to FLAC Level 8 using Trader's Little Helper. 2 flac  
24. 05/13/14 Masonic Auditorium - Cleveland, OH A+ Recorded by: ravingandrooling Location: 1st row, right side Equipment: CA14 cards-CA9200-Sony M10 Processing: 24/48 wave>SoundForge/Izotope>16/44 wave>CD Wave>TLH>Flac Level 6 2 flac  
25. 01/30/15 Kleinhans Music Hall - Buffalo, NY A 16 bit version Taper 2: Bigdaddybflo Gear: CA14's > CA9100 > Tascam DR-07 Location: Balcony, front row center Transfered & mastered by }{eywood Lineage: DR-07 (wav @ 24/48) > USB > Adobe Audition 1.5 (EQ, clap reduction, splits & fades, conversion to 16/44.1, peak limiting) > TLH (SBE fix, flac 8) 2 flac  
26. 03/24/16 Celebrity Theatre - Phoenix, AZ 8.5 Sony M10 > Audacity > xAct > SBE > FLAC 16 bit 44.1 MB 706 MB 1:41:41 2 Flac  
27. 05/07/16 Arcada Theatre - St. Charles, IL a- Recorded by Roy Martin from Section 103 Row K using a set of Sound Professionals SP-CMC-8s (Audio Technica AT943 with hyper-cardioid elements) --> SP-SPSB-8 battery box (bass roll- off @ 107hKz) --> Zoom H2n. 2 flac  
28. 11/18/16 Majestic Theatre - Dallas, TX 8 Source: AT943 Card elements->SP-SB1(no bass roll-off)-> Zoom H4n 24bit 48htz >HDD>Goldwave to split the file> Audacity to resample to 16 Bit /441> traders little helper flac level 8 Taper: whotapes 2 Flac  
29. 05/26/17 Mitsubishi Electric Halle - Dusseldorf, Germany A+ TAPER: METAMARC REMASTERED BY Rick0725 LINEAGE: Church Audio CA-11 (Croakie Mount) > CHURCH AUDIO CA UGLY 2 STEREO PREAMP > Roland R-05 > Created markers for songs of the remastered file with Sound Editor from Roxio WinOnCD 2012 > Converted WAV audio files to flac 8, sector aligned and tested with Traders Little Helper - ffp with Traders Little Helper - Torrent file with Maketorrent ------------------------------------------------------------------------------------------------------ Remastered by Rick0725 Audio Remaster Notes: Adobe Audition 2017 CC Original files from recorder are converted to 48000 hz 32 bit WAV for processing Auto Center Panning The audio file is then volume matched to -20.95 LUFS HarBal 3.7 Performed eq match to pro recorded I robot source as a reference, tweaked, and outputted processed audio files Adobe Audition 2017 CC Eq matched audio files are loaded into Audition Automatic Click Remover - Created a Spike Reduction Preset - Processed clapping spikes Matched volume to -14.86 LUFS with max peak level of .1 dbTP using tru peak limiting Converted audio to 44.1khz 16 bit file Dithered with Izotope MBIT - Medium amount and Higher Noise Shaping ------------------------------------------------------------------------------------------------------ Notes from the taper: A surprisingly good show with the 1977 album I Robot played in it's entirety! Fantastic musicians at work in front of an enthusiastic crowd! Another most excellent remastering job executed by Rick0725. Not to be missed! 2 flac  
30. 01/06/18 Celebrity Theater - unknown, Unknown AA schoeps mk6(c) > actives > baby nbox > r-05 > 24/44.1 wav adobe audition > ozone 6 > xact 2.41 > flac 16/44.1 taper : edtyre 2 flac  
31. 06/08/18 Celebrity Theatre - Phoenix, AZ AA Sony M10 > Audacity > xAct > SBE > FLAC Transfer assisted by: TAKRL - .- -.- .-. .-.. 2 flac  
32. 10/21/18 The Theatre at Grand Prairie - Grand Prairie, TX A Source: AT853 Cards> AT943 bodies- > Church Audio Ugly Box /Roland R 05>24bit 48htz > HDD>Goldwave to split the file> Audacity to resample to 16 Bit /44.1> traders little helper flac level Taper: Whotapes Section: 104 Row J 2 flac  
33. 02/11/19 Into The Blue Cruise - Mariner Of The Seas, Ocean AA Source: CA11(cards)>SPSB-12>Sony M10(24/48) Location: center balcony Transfer: Sony M10>Micro SDHC>PC>Sound Forge 10>WAV 16/44.1>Trader's Little Helper>FLAC(level 8) 2 flac  
34. 02/27/19 Chevalier Theater - Medford, MA A SP-CMC-8c===SP-SPSB-11 (12v) Bass Roll Off set @ 69hz to Sony PCM-A10 (Line In)=== 16GB Built in Memory @ 48/24(Downsampled to 44.1/16) 2 flac  
35. 03/02/19 Fox Theater at Foxwoods - Mashantucket, CT 7.5 Sennheiser ME-104's> Roland R-07 (16/44.1) >USB> PC> GoldWave v5.56> CDWaveEditor v1.96 (track split)> TLH> Flac (6) Taper: Ringfedder some crowd noise factor in rating it lower 2 Flac  
36. 06/19/19 Mitsubishi Electric Halle - Düsseldorf, Germany 8.5 Lineage: SP-CMC-25 with SP-EMC-1 Croakie Mount Option > SP-PREAMP - Sound Professionals - Low Noise Gain-Selectable Portable Stereo Preamp (0db gain) > Edirol R-09HR (16 bit, 44.1 kHz) > WAV to FLAC conversion with Foobar2000 - md5 checksum with Traders Little Helper - Torrent file with µTorrent MD5 Checksum included Audience Recording on SDHC Card NOTES: Special thanks to metamarc for remastering my original file: equalized with Har-Bal; tweaked with Adobe Audition 2.0; cleaned and enhanced with iZotope RX3 2 Flac  
37. 05/04/22 Royal Theater - Cruise To The Edge, Ocean A Cruise to the Edge (Day 3) Royal Theater Royal Caribbean Mariner of the Seas Enroute from Labadee, Haiti to CocoCay, Bahamas Lostbrook 2.0 Volume 329 Source: DPA 4061's > Core Sound Battery Box > Sony M10 (24/48) Location: front row balcony Transfer: Sony M10 > Micro SDHC > PC > Sound Forge 10 > Traders Little Helper > FLAC level 8 Taper/Transfer: Lostbrook Artwork: ethiessen1 1 flac  
38. 03/22/24 GSR Grand Theater - Reno, NV A Lineage: Audio Technica AT831 Cardioid microphones > Sony PCM M10 24/48 recording by Wes Meyette and tracking using CD Wave Editor 2 flac  
39. 08/20/24 Rialto Theater - Tucson, AZ A Lineage: Tascam Dr-05 (int. mics)(24x96) > Audacity (16 bit, 44.1 kHz) > split on sectors EAC > WAV to FLAC conversion with flac frontend - md5 checksum with md5summer - Torrent file with Vuze 2 flac  
40. 07/15/25 GSR Grand Theater - Reno, NV 8.5 Taper: Wes Meyette Lineage: Audio Technica AT831 Cardioid mics > Sony PCM M10 > WAV (24-bit, 48kHz) > CD Wave Editor (tracking) 1 Flac  

Aldo Nova  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/12/82 The Worcester Centrum - Worcester, MA A Source: FM Recording By: asterix2112 Release By: SolitaryPine Lineage: FM (107.3, WAAF) -> Reel to Reel -> Cool Edit Pro (fades) -> Flac Checksums: TLH ~ FLAC checksums in MD5 Artwork: SolitaryPine 1 flac  

Alice Cooper  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/17/71 St Louis Arena - St Louis, MO A lineage: (audio cassette tape) - > Philips DCC optical -> M-Audio Firewire 410 external Audio -> PC Wavelab (Normalized) -> Wav -> Flac7. 1 flac  
2. 02/16/72 Community Center Arena - Tucson, AZ B++ This CD arrived to us as one track direct from the taper. This is a new 2018 Transfer of that cd AUDIENCE ANALOG MASTER RECORDING TO CDR TO EAC SECURE MODE TO AUDIO CLEANING LAB FOR KRW TRACK MARKS EDITS AND VOLUME ADJUSTMENT TO WAV 16/44.1 TO TLH FLAC 8 NO EQ 1 flac  
3. 07/23/72 Hollywood Bowl - Hollywood, Ca B++   1 flac  
4. 06/20/96 Ventura Theater - Ventura, CA a- CSB -> D7 DTC790 -> CDRW700 -> EAC -> FLAC 2 flac  
5. 08/07/96 Bud Light Amphitheater - Harveys Lake, PA A A luvsufo Analog Master Transferred and Presented By Krw_co LINEAGE AUDIENCE ANALOG MASTER>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT) CREATIVE SOUNDBLASTER X FI HD MODEL #SB1240 WAV (24/96KHZ)>AUDACITY FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TLH FLAC (LEVEL 8) 2 flac  
6. 07/04/97 Glasgow Barrowlands - Glasgow, UK A-   2 flac  
7. 08/01/03 House of Blues - Hollywood, CA A DSM6 -> PACLC -> M1 DAT -> CDRW700 -> EAC -> FLAC Rowdy crowd 2 flac  
8. 08/19/07 Oneida Casino-Three Clans Ballroom - Green Bay, WI 8.5 SP-CMC-8 > Church Audio ST9100 > Edirol R-09 > USB > Creative Audigy 2 SB > Cool Edit Pro 2.0 > CDWAV > Flac > You 2 Flac  
9. 09/05/07 Broome County Arena - Binghamton, NY A Lineage: Core Sound Cardioid mics > Core Battery Box > Sharp MT 280 MiniDisc > CD Waveditor (track) > flac8 2 flac  
10. 07/25/08 Guildhalle - Southampton, UK 8.5 Lineage: Sony ECM-717>Yamaha Pocketrak 2G>USB>Soundforge>dBpoweramp Music Converter. Volume boosted in Soundforge but no EQ used. The Guildhall is a 'mare of a venue soundwise. It's an old, ornate municipal building that is basically a concrete rectangle with a high ceiling, the majority of gigs I've attended there sounded terrible. The trick is to keep the volume down and happily Alice's crew knew this so the sound was pretty damned good, not great but good. Love Halo Of Flies 2 Flac  
11. 09/20/08 Wesbild Centre - Vernon, BC A Source: Church Audio CA-11 cardioid mics > Church Audio ST-9100 v3.0 pre-amp with bass roll off turned off > Edirol R-09 @ 24 bit/48 kHz Mastering: .WAV's > Sound Forge Pro 14.0 (Build 65) [minor edits, normalize, & fades; Boz Digital Labs T-Bone plug-in (slant EQ)] > iZotope RX7 Advanced v7.01.315 (De-click) > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper level 5) > FLAC > TagScanner 6.0.35 (tagging) Location: FOB, approximately 15 metres from stage & 1 metre left of centre Recorded by: Seth Meister Mastered by: Dennis Orr 2 flac  
12. 11/14/13 Abbotsford Centre - Abbotsford, BC A+ Source: SP-CMC-8 cardioids > SP battery box > Edirol R-09 @ 24 bit/48 kHz Mastering: .WAV > iZotope RX7 Advanced v7.01.315 (De-click) > Sound Forge Pro 14.0 Build 130 [minor edits, normalize, & fades, Boz Digital Labs T-Bone plug-in (slant EQ)] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.35 (tagging) Recorded by: Chris Bold Mastered by: Dennis Orr 2 flac  
13. 05/14/17 TPAC Andrew Jackson Hall - Nashville, TN a- Aiwa CM-TS22 > Tascam DR-2r Recorder (@16/48000) > SDHC card > PC > WavePad > TLH > Flac 2 flac  
14. 03/28/18 The Palace - Louisville, KY a- Tour name: A Paranormal Evening 2018 Recording type: Audience Taper(s): Chickenwing Media: Lossless; 2 CDs Source information: Digital Master Lineage: Zoom H2N internal X-Y microphones (16 bit, 44.1 KHZ WAV) -> mastered in Goldwave -> track splitting in Goldwave -> encoded to FLAC level 6 using Trader's Little Helper Generation: Master Total running time: 1:33:42 (94 minutes) 2 flac  
15. 08/12/18 Greek Theater - Los Angeles, CA a- CA-11c -> BB -> DR-2d -> Soundforge -> FLAC 2 flac  
16. 09/06/18 Beacon Theater - New York, NY a- Lineage: Sony ECM-717-> Edirol r09-> Goldwave (track splitting, level boost 5%) -> TLH (FLAC level 8) -> Dime 2 flac  
17. 10/28/23 Bakkt Theater - Las Vegas, NV a- Lineage: Audio Technica AT831 Cardioid microphones > Sony PCM M10 24/96 recording by Wes Meyette and tracking using CD Wave Editor 2 flac  
18. 08/07/24 BMO Center - Rockford, IL 7.5 Recorded on an Audio - Tascam DR-05X > Audacity > wav > TLH > flac6 > you No editing or EQ have been applied, these are the raw wav files converted to flac6 2 Flac  

Ambrosia  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/31/76 Syria Mosque - Pittsburgh, PA a-   1 flac  
2. 12/03/76 Calderone Concert Hall - Hempstead, NY A Recording Equipment: Internal Mic>Sanyo M2533 Tape Deck>MRX2 Oxide 90> Alesis TapeLinkUSB>Audacity>WAV 1 flac  
3. 10/29/78 Paradise Rock Club - Boston, MA A+ lineage : WBCN 104.1 FM Boston radio pre-recorded broadcast > Sansui 8 receiver with wire antenna > unknown reel deck @ 3.3/4 ips > Maxell UD 35-90 master reel > 1st gen. maxell UD 90 minute cassette copy > played on tascam 112 into soundforge (wav) > flac (sb's aligned) > torrentially yours. Do not sell this recording. share freely, losslessly and gaplessly. 1 flac  
4. 11/15/78 5th Floor Studios - Cincinnati, OH AA Pre-FM Trade > CDR Transfer: Goldwave (Volume Boost, Compression > Dither to 16b) > Media Monkey (Flac Transfer L8) Tapers Trade List: http://db.etree.org/mylibbydog 1 flac  
5. 12/15/78 Municipal Auditorium - Columbus, GA A+   1 flac  
6. 08/16/06 Pere Marquette Park - Milwaukee, WI 8 Source: Schoeps CCM4V>Lunatec V3>Sony PCM-M1 Transfer: Sony PCM-R500>Samplitude>SF> CDWav>TLH>flac8 taped by jot 2 Flac  
7. 05/24/14 The Canyon Club - Agoura Hills, CA A Source info: AT853 sub-cards(3-wire)>Naiant Tinybox>Sony PCM-M10(24/96)>Adobe Audition CS6(normalize, resample/dither to 16/44.1)>CDWaveEditor 1.96>TLH>Flac Taper: David Sell Location: 60' off right stack Sound Quality: Excellent 1 flac  
8. 07/06/16 AMP by Strathmore - North Bethesda, MD A Lostbrook 2.0 Volume 159 Source: CA-11(cards)>CA-9200>Sony M10(24/48) Location: 15' from stage-left stack Transfer: Sony M10>Micro SDHC>PC>Sound Forge 10>WAV 16/44.1> Trader's Little Helper>FLAC(level 8) Taper/Transfer/Notes: Lostbrook Covers: ethiessen1 1 flac  
9. 09/15/17 Celebrate St. Peters 2017 - St. Peters, MO 8 Source: Schoeps CCM4V>Lunatec V3>Sony PCM-M1 Transfer: Sony PCM-R500>Samplitude>SF> CDWav>TLH>flac8 taped by jot 2 Flac  
10. 04/28/18 Avalon Ballroom, Fallsview Casino - Niagara Falls, NY AA Taper: Binko Gear: AT831s > Teac VR-20 Mastered by }{eyywood Lineage: VR-20 (recording to 24/48 .wav) > USB > Adobe audition 1.5 (EQ, peak limiting, splits & fades) > Xrecode II ( conversion to 16/44.1) > TLH (sector alignment, flac 8) 2 flac  
11. 06/07/19 Bear's Den, Seneca Niagara Casino - Niagara Falls, NY A 16 bit version Taper: Poignant Pros (Binko) Gear: CA14s > Tascam DR-08 Mastered by }{eywood Lineage: DR-08 (recording to 24/96 .wav) > USB > Adobe Audition 1.5 (EQ, peak limiting, splits & fades) > Xrecode II (conversion to 16/44.1) > TLH (sector alignment, flac 8) 2 flac  
12. 04/23/23 Riviera Theater - North Tonawanda, NY A A Poignant Pros Recording by Binko Mastered by }{eywood Lineage: Tascam PR10 > Xrecode II (16 bit flac) > Adobe Audition 1.5 (EQ, peak limiting, splits & fades) > TLH (sector alignment, flac 8) 2 flac  

America  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/15/72 unknown - Bergen, Holland A Recording Information ::: stereo FM broadcast -> off-air master tape -> 1st generation tape -> 2nd generation Maxell XLII-90 cassette, Dolby B on. Playback 2011-07-06 ::: 2nd generation Maxell XLII-90 cassette on Nakamichi BX-300 cassette deck, Dolby B off (after careful deliberation), azimuth & pitch adjusted, heads cleaned & demagnatized -> Tascam CD-RW900SL pro CD recorder -> CD-RW -> computer, EAC secure -> wavs -> Audacity (fades &/or glitches, volume adjustments, no EQ) -> CD Wave (track splits) -> Trader's Little Helper -> yer ears. First uploaded 2011-10-23 Line-up ::: Gerry Beckley - guitar, vocals, bass(?) // Dewey Bunnell - guitar, vocals // Dan Peek - guitar, vocals, bass (?) 1 flac  
2. 11/27/74 Pershing Auditorium - Lincoln, NE A Conversion = 1st gen cassette>Pioneer Stand Alone Burner PDR-609>EAC> Soundforge 9.0>CD Architect 5.2>Wav>Flac 2 flac  
3. 05/04/75 Music Hall - Boston, MA a- LINEAGE AUDIENCE ANALOG MASTER>NAKAMICHI DR 1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)>AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) Sony ECM-99A > Sony TC-152SD FOB 2 flac  
4. 09/25/75 New Victoria Theater - London, UK a- Transfer: 1st Generation Tape > Nakamichi DR-01 (azimuth adjusted) > Audacity > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.39 > FLAC 1 flac  
5. 06/25/77 Merriweather Post Pavillion - Columbia, MD a- Transfer: cassette in Tascam CC-222 MK II > analog out > to SONY- ICD-SX750 PCM / wav recorder 16/44 > USB to desktop > CDWAV (track split) > Stamp ID3 Tag Editor > TLH checksums & torrent. 1 flac  
6. 04/07/78 Universal Ampitheater - Los Angeles, CA A Original CD Silvers > Flac Uncompressed > Rar > You 2 flac  
7. 06/15/79 Auditorium Theater - Chicago, IL a- Source: from trade cdrs Transfer: DBPoweramp Rip / Accurate extraction with ID3 Tag Editing > TLH checksums & torrent. 1 flac  
8. 09/15/82 Pista da Speedway di Santa Marina - Lonigo, Italy A Transfer: 1st Generation .wav file > iZotope RX 8 / ozone 9 (mastered) > xACT 2.50 > FLAC 2 flac  
9. 09/21/82 Stadio Comunale - Torino, Italy a- Transfer: Master .wav file > iZotope RX 8 / ozone 9 (mastered) > xACT 2.50 > FLAC 2 flac  
10. 06/23/86 Performing Arts Center - Saratoga Springs, NY A-   1 flac  
11. 08/24/86 Westbury Music Fair - Westbury, NY A Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Nak 300 Mics > Sony D5 Nak Dragon Tape Deck > Sony Sbm 1 > Creative Extigy Soundcard > Cool Edit > Master Files > Adobe Audition CS6 > Ozone 5 > Traders Little Helper 2 flac  
12. 01/31/95 Grosse Freiheit 36 - Hamburg, Germany A Grosse Freiheit 36 Hamburg Germany FM by NDR 2 analog cable - tape - pc - editing - cuesheet / tracksplit - flac 1 flac  
13. 09/21/97 Central Washington State Fair - Yakima, WA 9 LINEAGE ANALOG SOUNDBOARD MASTER WAV (16/44.1KHZ)TO MAGIX AUDIO CLEANING LAB MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(16/44.1KHZ)>TRADERS LITTLE HELPER FLAC(LEVEL 8) 2 Flac  
14. 07/24/02 Empire State Plaza - Albany, NY A- Source: Schoeps MK4 (ORTF in hat, 20' from stage DFC) > Mod KCY > JK Labs ECMS > SMB1 > DAP-1 > MDAT @ 16/44.1 Transfer: MDAT > Fostex D-15 > Tascam DA-3000 Master: Wavelab 10 (tracking) > FLAC 16 Thanks to Tom Reizes for the DAT! 2 flac  
15. 10/14/04 Ruth Eckerd Hall - Clearwater, FL 8 Source: SP-CMC-4 Sharp MD MT770 Marantz CDR500 wav mkwACT shn > flac 2 Flac  
16. 11/10/07 Colston Hall - Bristol, England 8 Lineage Roland R-07 >> Soundprofessionals TFB-2 >> WavePad (top and tail) Audacity>> Dime. Checked SBE's with Trader's Little Helper Lowered the volume, added quite a bit of treble, numbered the tracks and that's about it. 2 Flac  
17. 03/31/09 Teatro Filarmonico - Verona, Italy a- (MRDR Master Series Volume 168) Recording: Sony ECM717 > Sony MZ-R700 MD Transfer: MD Master File > iZotope RX 8 / ozone 9 (mastered) > xACT 2.50 > FLAC 2 flac  
18. 06/23/09 Artpark - Lewiston, NY A Lineage for this is unknown before the pair of CD-Rs I received in the mail, a copy of another pair of CD-Rs that the trader I received them from also got in a trade. He is unable to provide any info before his generation. At that point it becomes CD-R (^2) > Adobe Audition 1.5 (EQ, track splitting, limiting) > TLH (SBE fix, flac 8) Setlist as far as I can figure it out 2 flac  
19. 01/12/13 Grand Falls Casino - Larchwood, IA a- IEM/AUD Matrix IEM Source: Sennheiser Stereo Receiver -> M-Audio Microtrack II 16/44 AUD Source: Tascam DR-05 with Internal Mics 16/44 Transfer: Memory Cards -> USB -> Cooledit Pro (normalize levels, matrix sources) -> Traders Little Helper FLAC Level 8 2 flac  
20. 06/27/13 Mayo Performing Arts Center - Morristown, NJ A Schoeps MK41's>Schoeps KCY 250/05I>Schoeps VST62IU>Marantz PMD661MKII (Oade Concert Mod) Soundforge Pro 10(Fades,iZotope 64Bit SRC/iZotope MBIT+ Bit depth conversion to 16 Bit/44.1khz)>CDWAV(Tracking)>Trader's Little Helper (FLAC) 2 flac  
21. 03/28/14 Kleinhan's Music Hall - Buffalo, NY a- 16 bit version Taper: Richard S. Binko Gear: Audio Technica AT835 mics > Tascam DR-08 Lineage: DR-08 (wav @ 24/96) > USB > plugin enhanced Adobe Audition 1.5 (EQ, clap reduction, limiting, splits & fades, conversion to 16/44.1) > TLH (SBE fix, flac 8) 2 flac  
22. 07/24/14 Hampton Beach Casino Ballroom - Hampton Beach, NH A LINEAGE AUDIENCE R09 MASTER(24/48KHZ)SD CARD WAV TO AUDIO CLEANING LAB FOR TRACK MARKS TO WAV 16/44.1 TO TLH FLAC LEVEL 8 NO EQ OR TAMPERING GEAR EDIROL R09 W/INTERNAL MICS could be a little louder 2 flac  
23. 11/01/14 Infinity Music Hall - Norfolk, CT A   2 flac  
24. 11/29/14 Kitty Carlisle Hart Theatre at The Egg - Albany, NY A+ Master 2 Nakamichi 700s and Sony PCM-M10 2 flac  
25. 05/14/15 The State Theatre - Sydney, Australia A EQUIPMENT: Tascam DR-07 MK II Audio Recorder Utilizing The Internal Microphones. 2 2 flac  
26. 08/01/15 D & R Theater - Aberdeen, WA A Source: Dennis' Audience recording>AudioReality Stealth condenser mics {http://audioreality.com/}>Battery Box> Sony PCM-M10 "WAV" (16 bit 44.1khz)master 2 flac  
27. 03/24/22 Plymouth Memorila Hall - Plymouth, MA A+ Taper: Farve4 Mastering: mats666 SP-CMC-8c===SP-SPSB-4 to Roland R-07 (Mic In)===SDHC SanDisk 32GB Memory Card @ 48/24(Downsampled to 44.1/16) 2 flac  
28. 01/12/23 Luhrs Center - Shippensburg, PA a- Lostbrook 2.0 Volume 345 Source: DPA4061's > Core Sound Battery Box > Sony M10 (24/48) Location: 30' stage-right stack Transfer: Sony M10 > Micro SDHC > PC > Sound Forge 14 > Traders Little Helper > FLAC level 8 Taper/Transfer: Lostbrook Artwork: ethiessen1 2 flac  

American Zeppelin  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/19/19 The Wherehouse - Holyoke, MA A Zoom H1 > Wav (44.1/16) > Cool Edit Pro (minor edits) > Wav > Trader's Little Helper > FLAC 8 (no SBE) 2 flac  

Anathema  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/19/19 Grand central hall - Liverpool, UK AA Sound Professionals SP-CMC-8 Microphones Sound Professionals SP-SPSB-11 Mini Battery Module with Bass Roll-Off (16Hz) Edirol R-09HR 44.1kHz / 16 bit CD Wave Editor>Trader's Little Helper>FLAC level 8>Dime 2 flac  

Anders Osborne http://www.andersosborne.com
  Date Venue - City, State Sound Rating Notes Media  
1. 02/07/12 Royale - Boston, MA A Source: AKG C480B/CK61 > Edirol UA-5 (Oade Warm+ mod) > Sony PCM-M10 (24/48) Transfer: SD > WAV (24/48) > Wavelab v6.10 (Crystal resampler, iZotope Ozone 4 dither) > CD Wave v1.98 (tracking) > WAV (16/44.1) > TLH > FLAC(8) Location: DFC/FOB ~25 ft. from stage @ ~8 ft. mics DIN recorded and transferred by: vanark (vanarkATgmailDOTcom) 1 flac  
2. 02/08/12 Webster Hall - New York, NY A Source: Neumann km184 (balcony) > Sound Devices MP-2 > Edirol R-09HR (16/44) Transfer: WAV > PC > CDWav > FLAC Recorded/transferred: Justin Marinoff Tracking/seed: Brad Foster 1 flac  

Anders Osborne & Luther Dickinson  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/03/16 McCoy Studio Theater - Maui, HI A Lineage: AT933(4.7k) mics > Battery box > Sony PCM-M10 (24/48) > Audition 3.0 (audio boost/edit/resample 16/44.1) > TLH > flac- align on sector boundaries A nice laid back show in the very intimate McCoy Studio Theater at the MACC. Any banter or tuning longer than 1 minute is tracked separately. During the banter in track 23, an audience member started shouting out looking for somebody named Keith. Anders and Luther had a lot of fun with this and refer to Keith at various times throughout the remainder of the show. The audience member reappears in track 27. This is also the night Muhammed Ali passed away so mentions and dedications are also included by Anders and Luther. 2 flac  

Angel  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/15/77 Budokan - Tokyo, Japan A- There are few Angel boots that are decent this is one of them. This is the Audience source, likely from Mr. Peach's Master. Below is the text document as it was uploaded by shope@osaru.club Angel : The Last Night In Japan (Tarantura TCD) artwork included Live At Budokan, Tokyo, Japan 15th Febrary 1977 2 flac  
2. 03/27/79 Riverside Theater - Milwaukee, WI A- Best I have seen out there Source: Audience capture / rig unknown Transfer: cassette >SONY TC-WE835S >analog out > to SONY- ICD-SX750 PCM / wav recorder 16/44 > USB to desktop > CDWAV (track split) > wav merge for splice > dbpowerampconv. to FLAC level 8 >Advanced Renamer > TLH checksums & torrent. 1 flac  
3. 05/08/80 Veterans Memorial Coliseum - Phoenix, AZ B++   1 flac  
4. 04/11/19 Sellersville |Theater - Sellersville, PA 8 LINEAGE AUDIENCE HDR MASTER SANS DISC SD CARD WAV @ 16/44.1 TO AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS TO WAV 16/44.1 TO TLH FLAC LEVEL 8 2 Flac  
5. 04/19/19 Fish Head Cantina - Halethorpe, MD a- Edirol R-09 internal mics > Audacity clip fix, EQ, split into tracks and export as FLAC > you 2 flac  
6. 02/27/20 Studio B independence of the seas - Ft. Lauderdale, FL A MIKEY 2.0 iPod Recording Microphone 16/44.1 Slightly off center, in the bowl seats directly across from the stage. 1 flac  
7. 10/19/21 Sellersville Theater - Sellersville, PA A+ Recorded by bcironmaiden Recorded w/ Schoeps MK4's > Actives > NBox > Sony M-10 > HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You 2 flac  
8. 03/14/23 Shank Hall - Milwaukee, WI a- CA-14 (Cardioid) > CA-9100 > Sony M10 (line-in 24/44) > USB > Cool Edit Pro (slight EQ, fades, gain boost) > iZotope RX Advanced (dither) > CDWAV > FLAC Known faults: Issue with the left channel occassionally. Unsure if cabling or mic issue. I was standing and moved around sometimes to get away from talkers. 1 flac  
9. 04/10/24 Sellersville Theater - Sellersville, PA a- Recorded by bcironmaiden Recorded w/ Schoeps MK4's > Actives > Baby NBox > Sony A-10 > HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You Poor mix from sound guy , Punky's guitar was lost in the mix for a while... eventually he got it ALMOST right !! 2 flac  
10. 05/16/24 Shank Hall - Milwaukee, WI A CA-14 (Cardioid) > CA-9100 > Sony M10 (line-in 24/44) > USB > Cool Edit Pro (slight EQ, fades, gain boost) > iZotope RX Advanced (dither) > CDWAV > FLAC 1 flac  
11. 07/15/24 AM Hall - Osaka, Japan A Silvers 2 flac  
12. 03/14/25 The Vault - New Bedford, MA 8.5 Audience recording Taped by: Farve4 Edited and Mastered by: Vitor (Neoplasmah) [https://seaofmadness.weebly.com/] Lineage: SP-CMC-8c > SP-SPSB-11 to Zoom H1 XLR > 32gb Sandisk Memory Card > Wav (32/48) > GoldWave v6.80 > iZotope RX 5 > Wav (16/44) > Trader's Little Helper > Flac 8 Frequency Analysis and MD5 created with Hub Audio Tools [v0.10 beta 16] Total Running Time: 01:32:00 1 Flac  

Annie Haslam  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/20/88 Bottom Line - New York, NY A This tape was given to me by the person who recorded it. Neither one of us can remember if this is the master or a 1:1 copy generated at real-time. The taper wishes to remain anonymous, but wants me to convey greetings to Ms. Haslam. "Hi Annie!" The equipment was probably a Sony D-3 with the stock microphone. The recorder was very close to the stage. 1 flac  

Another Pink Floyd  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/23/17 Centrum Kongresowe Uniwersytetu Przyrodniczego - Lublin, Poland AA Taper: gaballus - (ZOOM H2N external mic OLYMPUS ME51S wave 24.96) Masterd by rdwm Covered, tracked, converted & metadated by Jaraslesny Converted to flac 16.44 level 8 with Foobar 2000 2 flac  

April Wine  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/08/79 Uptown Theatre - Milwaukee, WI A- Source: Audience capture / rig unknown Transfer: cassette >SONY TC-WE835S >analog out > to SONY- ICD-SX750 PCM / wav recorder 16/44 > USB to desktop > CDWAV (track split) > FLAC level 8 >Stamp ID3 Tag Editor > TLH checksums & torrent. 1 flac  
2. 03/04/79 Fair Park Arena - Beaumont, TX a- Short opening set for Rush. source: Unknown Mic > Unknown Record Deck transfer from master cassette taper : mystical crow transfer : markp 1 flac  
3. 01/09/80 Long Beach Arena - Long Beach, CA a- a- is subjective 1 flac  
4. 01/17/80 Rainbow Music Hall - Denver, CO A Source : KAZY-FM (Denver, CO) FM Radio Broadcast > Maxell UDXLII Reel-To-Reel 7 1/2 IPS > CDR > WAV > FLAC (Level 8). REMASTERED / REPAIRED VERSION. 2 flac  
5. 03/01/80 Paradiso - Amsterdam, Netherlands a- Lineage: unknown --> Maxell UD XL II C60 --> Yamaha KX-670 (Dolby Off, Play Trim +0) --> ESI U24 XL --> Adobe Audition 2020 (ASIO 2.0) --> WAV (44100 Hz, 2 Channels, 32-bit) --> Amplitude (Adobe) +12 db --> Splitting Tracks (Audacity WAV) --> FLAC (Level 8, 44100 Hz, 2 Channels, 16-bit) 1 flac  
6. 03/10/80 Reading University - Reading, UK A This is a copy of an FM radio broadcast of BBC's In Concert radio program featuring my FAVOURITE BAND - April Wine! This was rebroadcast a number of years ago in Vancouver, where I used to live. The sound is excellent. Source: FM > VHS Hi-Fi > CD Wave Editor > FLAC 1 flac  
7. 04/16/80 Maple Leaf Garden - Toronto, ON B++   1 flac  
8. 01/27/81 Hammersmith Odeon - London, England A LINEAGE KISW FM BROADCAST JEMS REEL MASTER @ 3 & 3/4 IPS>AKAI GX 4000-D REEL TO REEL> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS EDITS AND VOLUME ADJUSTMENT>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) 1 flac  
9. 02/19/81 Auditorium - Milwaukee, WI B++ Source: Audience capture / rig unknown Transfer: cassette >SONY TC-WE835S >analog out > to SONY- ICD-SX750 PCM / wav recorder 16/44 > USB to desktop > CDWAV (track split) > FLAC level 8 >Stamp ID3 Tag Editor > TLH checksums & torrent. 1 flac  
10. 04/27/81 Performing Arts Center - Las Vegas, NV A This is the complete version (as far as I know) of this show. I seeded The Source Radio Network version a little while back, but it did not contain the two songs that were included in the Starfleet Radio Network version - namely 'Big City Girls' and 'Ladies Man'. I got both in trades and do not know the original lineage. Unfortunately, the Starfleet version (I just received) had problems with it, so what I've done is taken the best of both and made a complete version of this show. The Starfleet version, in addition to the extra two songs also has additional banter from Myles Goodwyn. All in all I'm quite happy with it - the sound is very good. Lineage from my sources: CD-r > dBpower AMP Music Converter for .wav files > SoundForge 6 to adjust for difference is sound source > Cool Edit Pro 2 for joining/fading tracks together > CD Wave Editor for splitting necessary tracks. 1 flac  
11. 09/05/81 County Stadium - Milwaukee, WI B++   2 flac  
12. 10/01/82 Century II Performing Arts & Convention Center - Witchita, KS 9 Trade cdr > Dbpoweramp > flac 1 Flac  
13. 08/25/92 CNE Bandshell - Toronto, ON A Recorded by BowlingRon Tape transfer and mastered by Navigator Sony WM-DC3 with stock stereo microphone > Maxell UDXII 100 cassette > Yamaha K720 > Edirol R-09 (44.1/16) > Adobe Audition 3 > CD Wave Editor (track splitting) > HAT (align sector boundaries, FLAC) 1 flac  
14. 08/25/92 CNE Bandshell - Toronto, ON 8.5 Recorded by BowlingRon Tape transfer and mastered by Navigator Sony WM-DC3 with stock stereo microphone > Maxell UDXII 100 cassette > Yamaha K720 > Edirol R-09 (44.1/16) > Adobe Audition 3 > CD Wave Editor (track splitting) > HAT (align sector boundaries, FLAC) 2 Flac  
15. 04/01/93 Cleveland Cafe - Cleveland, OH B++ Tape supplied by: Belexes Transfer info: cassette > JVC KD-V6 Cassette Deck (w/ manual azimuth adjustment) > TASCAM CD-RW900mkII Professional CD Recorder > CDR > EAC > CD WAV Editor (track marking) > Trader's Little Helper > FLAC Transfer: luciferburns Editing and tracking: tonsofsobs Has a good amount of audience participation and some hiss 2 flac  
16. 05/??/93 unknown - Anchorage, AK a- Source: Sony WM-D3 > Sony PC-62 supplied mic > chrome 90m cassette Transfer: master cassette > Denon 790R > Kenwood A-522 amplifier > Kenwood GE-622 Equalizer > .WAV @ 16 bit/44.1 kHz > Audacity 2.1.1 (tracking) > xAct 2.37 (encode to flac level 8, align sectors, ffp, md5) 2 flac  
17. 12/04/94 The Mirage - Minneapolis, MN a- Myles Goodwyn (Vocals, Guitars) Brian Greenway (Vocals, Guitars) Steve Segal (Guitars) Jim Clench (Bass) Jerry Mercer (Drums, Percussion) 1 flac  
18. 07/15/99 Roberta Bondar Pavillion - Sault Ste. Marie, ON a- Original by rej1064 Re-mastered by Rocker200 No lineage with original upload .flac > .wav > SoundForge 6 (To increase speed by appx 5%; Boost lows; Reduce mid-range; Boost highs) > covert to .flac8 in DBPowerAmp 2 flac  
19. 03/01/03 Marquee Club - Halifax, NS A Lineage: Sony MZ-R70 Md-homemade batterybox with filter - homemade mics - PC- SoundForge 6- master CDR-WAV-FLAC Frontend - you..... 2 flac  
20. 10/02/10 Queen Elizabeth Theater - Toronto, ON a- Sound Professionals Supercardiods (SP-CMC-25) Iriver H120 (Rockboxed) Recorded and edited by BurnBoy 2 flac  
21. 08/27/14 CNE Stadium Bandshell - Toronto, ON a- Roland R-05 - Core Sound High End Binaurals Recorded and edited by BurnBoy Has crowd chatter also a great harmonica 2 flac  
22. 04/24/15 Arcadia Theater - St. Charles, IL a- Mics: DPA 4022 Recorder: Sound Devices 722 Location: Center by mixing board. Recorded @: 24 bit 192kz frequency recorded FLAC to you guys 1 flac  
23. 07/17/15 Roar on the Shore - Erie, PA a- Sony ECM-DS70P stereo mic clipped on chest Zoom H2n Compact Flash Mobile Recorder > WAV > USB Dell Computer > Adobe Audition > FLAC > YOU 2 flac  
24. 08/30/16 Artpark - Lewiston, NY a- 16 bit version Taper: Binko Gear: Tascam DR-08 Transferred & mastered by }{eywood Lineage: DR-08 (wav @ 24/96) > USB > Adobe Audition 1.5 (EQ, peak limiting, splits & fades) > Xrecode II (conversion to 16/44.1) > TLH (sector alignment, flac 8) 1 flac  
25. 08/23/19 CNE Stadium Bandshell - Toronto, ON A Lineage: Core Sound High End Binaurals -> Roland R-05 -> Soundforge -> CDWave -> FLAC + add tags Recorded and edited by BurnBoy 2 flac  
26. 07/26/25 Main Stage @ Barnstable Fairgrounds - Falmouth, MA 8.5 SP-CMC-8c > SP-SPSB-11 > Zoom H1 XLR > WAV (32-bit floating, 48kHz) No Jerry Mercer or Myles Goodwyn but these guys are solid 2 Flac  

Arlo Guthrie http://www.arlo.net
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/39 Various - Various, Various A Lineage: FM broadcast > Maxell XLII cassette tape recorded on unremembered equipment > Sony TC-WE475 > Flying Calf A/D converter > M-Audio Delta DiO 2496 > Adobe Audition (normalized and trimmed) > WAV > TLH > FLAC8 ~ltzero (on Dime) > Goody's additional lineage: TLH (WAV) > Audition (Pitch Bender +47 cents; fade redone) > iZotope RX8 Advanced (Azimuth adjusted) > TLH (FLAC Level 8; Align sector boundaries; .ffp) > foobar2000 (tags) ----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------- % Arlo Guthrie The Bitter End Cafe New York, NY, USA October 1st, 1967 Source: Soundboard Trade CDR > EAC > FLAC > Goody's additional lineage: foobar2000 (WAV) > Audition (Pitch Bender, various amounts; Amplify +7dB; Adjust DC Bias) > TLH (FLAC Level 8; Align sector boundaries; .ffp) > foobar2000 (tags) Original Notes by Hank R.: This is an amazing early performance sourced from a mono PA recording. Arlo introduces "Alice's Restaurant" as "Alice... Part 2," but it's essentially the version that we've all come to know and love... Essential listening! Recommended! http://www.arlo.net/ Support the artists! Buy their official releases, go to their concerts! Trade freely! Do not sell! Keep it lossless! Uploaded to DIME by propylaen in March 2015. Enjoy! 3 flac  
2. 07/21/79 Wollman Skating Rink Theater, Central Park - New York, NY a- WPLJ FM Broadcast Unknown Generation Trade Maxell XLII Cassette >WAV; Sony TC-D5M >Tascam DR-100mkII (24bit/48kHz) WAV >Audacity (EQ, Amplify, Tracking, Down Sample To 16bit/44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.51 Transferred, FLAC'd, And Tagged By OldNeumanntapr  
3. 08/19/84 Silver Cloud Folk Festival - Accord, NY A+ Nakamichi CM-300s >Sony TC-D5M Unknown Generation Maxell XLII Cassette Transferred To WAV Via Sony TC-D5M >Tascam DR100mkII (24bit/48kHz) WAV >Audacity (Amplify By 3.5db, Tracking, Down Sample To 16bit/44.1kHz) >Fix SBE's >FLAC (Level 8) + Tags Via xACT 2.51. [Oct 2022] Cassette Transfer, Audacity, FLAC, And Tags By OldNeumanntapr 1 flac  

Asia  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/29/06 Water Street Music Hall - Rochester, NY A Core Sound Cardioids > Core Sound Battery Box > Sharp MD-MT280>MASTER MD>Digital transfer with Sony RH-1 and Sonic stage>Hard drive>Sony Vegas>CDwav>TLH>flac 2 flac  
2. 06/30/07 North Fork Theater At Westbury - Westbury, NY A Taper : John Hance ''AKA'' JJ Editing : Joe D'Amico ''AKA'' Joebeacon DPA 4060'S > Edirol R09 Eac'd > Adobe Audition > Ozone > Traders Little Helper 2 flac  
3. 07/02/09 The Warfield - San Francisco, CA 8 Audience Recording Quality Good/Very Good Lineage DAT MASTER>CDR>EAC WAV>TLH FLAC 8>DIME from the collection of:sunvenusmoon 1 Flac  
4. 11/07/12 The Regency Ballroom - San Francisco, CA 9 STEREO SATELLITE RECORDING 2 Flac  
5. 07/20/19 The Pavillion Toyota Music Factory - Irving, TX A Roland R-09HR internal mics > WAV > Sound Forge Pro 12 > iZotope Ozone 8 Pro > iZotope Rx Rinal Mix > FLAC 1 flac  

Atlanta Rhythm Section  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/07/76 Unknown - Houston, TX AA   1 flac  
2. 01/16/77 My Father's Place - Old Roslyn, NY AA   1 flac  
3. 01/23/77 My Father's Place - Old Roslyn, NY AA Source : EX+ quality 1st gen. FM tape Lineage : traded 1st gen. Maxell XLII cassette tape -> Nakamichi Dragon dolby off for playback -> Pioneer PDR 609 stand alone CD burner -> EAC -> Goldwave for tracks -> Flac Frontend -> FLAC level 8 align on sector boundaries. 1 flac  
4. 01/25/77 Bottom Line - New York, NY AA Stereo Soundboard: A Lineage: CRD Trade > Media Monkey Rip and Flac Conversion Tapers Trade List: 1 flac  
5. 04/30/77 Stanley Theatre - Pittsburgh, PA A   1 flac  
6. 05/27/78 Belmont Park - Elmont, NY AA   1 flac  
7. 09/03/78 Grant Field - Atlanta, GA A   1 flac  
8. 10/26/79 Western Carolina University - Cullowhee, NC AA SBD>reel-to-reel>cassM>SPDIF>WAV>FLAC 1 flac  
9. 03/31/97 25th Ann. @ Cotton Club - Atlanta, GA A Lineage: FM Feed > CDR Trade > Media Monkey Rip and Flac Conversion Quality: A 1 flac  
10. 06/24/10 Sellersville Theater - Sellersville, PA 9 source : schoeps mk-4 > actives > nbox plus > sony pcm-m10 > 24/44.1 wav > dsp-quattro 3 > MBIT+ > 16/44.1 wav > xACT 1.7.1 > flac Has a clapper right by the taper 1 Flac  
11. 03/23/18 The Funky Biscuit - Boca Raton, FL A Source #1: Schoeps MK5 omnis > Nbob Actives > Naiant Tinybox v.2 > Tascam DR-2d (line in) @ 24 bit/48 kHz Source #2: Schoeps MK41 supercardioids > Nbob Actives > Naiant Tinybox v.2 > Tascam DR-2d (mic in) @ 24 bit/48 kHz Mastering: .WAV's > Adobe Audition CC 2018 Release, Build 11.0.1.49 (matrix mixdown) > Sound Forge Pro 11.0 (Build 299) [iZotope Mastering Suite (declick); minor edits, normalize, & fades] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.18 (tagging) Location: Front left table, 6 feet from the overhead speaker, mics in a Kangol Recorded by: Michael Wolf ("Datfly") Mastered by: Dennis Orr 2 flac  

Atlantis  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/28/75 Phillipshalle - Duesseldorf, Germany a- source: audience MC mono recording by JOGI666 location: about 10 meters in front of the stage, just in the middle lineage: Blaupunkt Cassette-Recorder plus Blaupunkt microphone (mono); transfer: Nakamichi cassette machine > Philips CDR 770 Audio-CD-Recorder Audio CD-R > Audiograbber > Tapers Little Helper > Flac retracked, volume boost +4db, slightly hiss reduction w/ Adobe Audition by FBAUER in 01/2012 1 flac  

Atomheart Mother  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/25/18 Cedar Creek Winery - Martinsville, IN AA Source: Schoeps MK4's > Nbob's > PFA's > Sound Devices Mixpre-6 (24/48) Location: FOB, DFC, 9' high, 40' from stage Transfer: Mixpre-6 > HP Spectre > Audacity > CD Wave > TLH > Flac Taped, Transfered, And Uploaded by: Adam Huston (Iowan4Panic) & Jayme Fuller FOH Sound by: Curt Hall 2 flac  

Atomic Rooster  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/19/73 Complesso Sportivo Kennedy - Naples, Italy a-   1 flac  
2. 03/30/19 Roundhouse - Dagenheim, England A Recorded by dlz1965 Giant Squid Mono Cardioid Mic -> Zoom H1 2 flac  

The Australian Pink Floyd Show  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/27/01 Robin RnB2 - Bilston, UK AA CDR from trade>EAC(secure)>Flac(level 6) 2 flac  
2. 05/17/04 Teatro Diners Della Luna - Milano, Italy a- Lineage: Aiwa microphone CM-DS6 > Sony Net MD MZ-N910 > Sony standalone burner > CD > EAC > HD > SoundForge 7.0 > CD Wave > FLAC Frontend (level 6) 2 flac  
3. 07/16/04 Kings Doc Arena - Liverpool, UK AA   2 flac  
4. 11/27/04 Fox Theatre - St. Louis, MO a- Location : Balcony BA05 Row A Seat 2 Taper : hops_hopper@yahoo.com PV-DV203 Panasonic mini dv camcorder - Panasonic mini dv tapes on LP > PC via firewire > direct extract of unlinked wavs from vids (Adobe Premiere Pro) > FLAC > to you! 3 flac  
5. 04/21/05 Metro radio arena - Newcastle, England A-   3 flac  
6. 03/31/06 SECC - Glasgow, UK AA Source: sp-cmc8 > custom battery box > linein h140 iriver (rockbox firmware) 2 flac  
7. 04/18/06 North Wales Theater - Llandudno, Wales A Source: Audience recording. Sanyo M-1119 hand held cassette recorder. Lineage: Sanyo M-1119>TDK IEC1 cassette tape>EAC>FLAC>HDD 2 flac  
8. 07/28/06 Docklands - London, UK A Lineage: Core Sound Binaural Mics > M-Audio Microtrack 24/96 > 16bit 44.1khz Wav > Cool Edit Pro 2.1 > Wav > Flac Frontend (level 6, align sector boundaries) > flac 2 flac  
9. 12/01/06 Massey Hall - Toronto, ON AA source/lineage: audience / Core Sound Stealthy Cardoids > M-Audio Microtrack > wav @ 16bit/44.1khz > HDD > Adobe Audition 1.5 (remastering) > cdwav (tracking) > TLH > flac Did a version of Not Now John look that up thats special 2 flac  
10. 03/30/07 unknown - Glasgow, Scotland AA   2 flac  
11. 03/31/07 Unknown - Glasgow, Scotland A   2 flac  
12. 04/14/07 Sands Centre - Carlisle, UK A Lineage: Sony MZ-RH10 Hi-MD & Sony ECM 719 Mic > Sonicstage 4.3 > WAV > CD Wave 1.96.1 > Traders Little Helper 2.2.2 (Level 8, Align to sector boundaries) > Flac 2 flac  
13. 10/16/07 Rose Garden Theater of the Clouds - Portland, OR A-   2 flac  
14. 11/27/07 Ruth Eckerd Hall - Clearwater, FL A Lineage: Core-Sound Binaural mikes-> 0 degrees->battery box bass roll off on->Edirol R09 mike in-> 24 bit 48 Khz->Dane-Elec 4GB SDHC->HD->SoundForge 9->EQ->Normalize->16bit 44.1 Khz->TLH->FLAC 8 sbeok 2 flac  
15. 02/13/08 De Vereenininging - Nijmegen, Holland AA   2 flac  
16. 07/02/08 The Anvil - Basingstoke, UK A- Lineage: Marantz PMD620 using internal stereo condenser mics (recording in 44.1kHz wav format) -> USB -> Adobe Audition (EQ, volume optimisation) -> CDWave (tracksplitting) -> TLH -> FLAC Taper: sonicsavage 2 flac  
17. 07/03/08 The Anvil - Basingstoke, UK a- Lineage: Marantz PMD620 using internal stereo condenser mics (recording in 44.1kHz wav format) -> USB -> Adobe Audition (EQ, volume optimisation) -> CDWave (tracksplitting) -> TLH -> FLAC Taper: sonicsavage 2 flac  
18. 10/10/08 Tower Theatre - Upper Darby, PA A-   2 flac  
19. 10/21/08 Ovens Auditorium - Charlotte, NC AA Dual DPA 4031 y merged into single 1/8" stereo jack > Church Audio preamp > 1/8" to 1/8" male to male monster cable connector > Olumpus LS-10 recorder 3 flac  
20. 10/15/09 Tennessee Theater - Knoxville, TN A Sony ECM-717 > M-Audio 10db pad > ZOOM H2 > SDHC card > PC > WavePad > TLH > Flac 3 flac  
21. 10/25/09 Verizon wireless Arena - Manchester, NH AA Source: Audience with R-09 (16 bit/44.1 KHz), AGC Off, Low Cut Off, Low Mic Gain Location: Next to the soundboard Lineage: R-09 > CEP 2.1 (fades, EQ) > WAV (16/44.1) > CD Wave > FLAC level 8 Traders Little Helper MD5/FFP file generation & SBE check Mp3tag V2.44 for FLAC metadata tagging Recording / Mastering : SolitaryPine A SolitaryPine production [SP021] 2 flac  
22. 10/26/09 Orpheum theater - Boston, MA A Lineage: Edirol R9 / Dpa 4061 mics > Adobe Audition > CD Wave > Trader's Little Helper [FLAC] Taper - JB Editing - Deb1 3 flac  
23. 02/08/10 Halle F, Stadthalle - Vienna, Austria A Lineage: Sony ECM-TS125 Electret Condenser Business Microphone -> Olympus LS-10 (PCM WAV 44.1kHz/16bit) , -> PC -> Nero Wave Editor -> FLAC Level 6 Edits: general volume adaption, equalizer, fade-in & fade out, track split, flac level 6 I have not added the fades between the 2 Discs, I thought you might enjoy the concert in full - if you want to burn it to CD, you'll have to add them yourself! Also, the playing time of what is to be the 2nd disc might be a bit too long with 80m51s, but if you want to burn in to a 80min CD take out this minute from the cheering crowd after Comfortably Numb, you should be under 80 mins then easily! Special Notes: It was a seated gig in Stadthalle F (fixed stools, just like in a cinema), and strictly no photos....however, during Comfortably numb there were standing ovations and many went to the front - that's the time when I managed to get some photos for the cover art without being caught (just!)...hence all photos for the album art were taken during Comfortably numb! 2 flac  
24. 03/12/10 unknown - Hannover, Germany A   2 flac  
25. 10/02/10 Nokia Theater - Los Angeles, CA a-   3 flac  
26. 10/29/10 Paramount Theatre - Asbury Park, NJ A- Source: Church Audio CA-14 cards > CA9100 > Edirol R-09HR @ 24/48 > Kingston SDHC > Audacity Eqd, bass boost, normalized, tracks split, downsampled to 16/44.1 > flac (level8) Location: Front Row, Right side Taper: absnj 2 flac  
27. 01/26/12 Le Zenith - Paris, France AA Zoom H2 > CD Wave > dBpoweramp 2 flac  
28. 03/15/12 Bournemouth International centre - Unknown, UK A Audience recording: Church Audio CA-11's > Church Audio CA-9000 > Sony PCM-M10 (44.1khz/16bit) > Soundforge 9 > Traders Little Helper > you 2 flac  
29. 04/04/12 The Anvil - Hampshire, UK a-   2 flac  
30. 11/17/12 Akoo Theater - Rosemont, IL AA sound professionals cmc8(w/low sensitivty modification>sp sbs 11@16>mic in>r9>2gb memory card>audition>cd wave>tlh flac(8)>you the sound was hard limited by 5db via audition and the tracks were cut using cd wave. 2 flac  
31. 05/02/13 Basel Musical Theater - Basel, Switzerland A linage Tascam DR 07 MK-II -> SD CARD -> Audacity 2 flac  
32. 07/06/13 Jodrell Bank - Macclesfield, England A- Sound Professionals SP-CMC-8 Microphones Sound Professionals SP-SPSB-11 Mini Battery Module with Bass Roll-Off (16Hz) Edirol R-09HR 44.1kHz / 16 bit USB>PC>CD Wave Editor>Trader's Little Helper>FLAC level 8>Dime 2 flac  
33. 10/15/14 Univ. of Buffalo Performing Arts Center - Amherst, NY AA Taped, transferred and mastered by }{eywood Gear: Audio Technica AT831 mics > Tascam DR-08 Location: 6 rows behind the soundboard for the first set, directly behind the board for the second Lineage: DR-08 (wav @ 24/96) > USB > Adobe Audition 1.5 (EQ, clap reduction, splits & fades, conversion to 16/44.1, peak limiting) > TLH (SBE fix, flac 8) 2 flac  
34. 01/21/15 Micropolis - Besancon, France A lineage Tascam DR 07 MK-II -> SD CARD -> Audacity 2 flac  
35. 03/22/16 Stadhalle - Vienna, Austria AA Lineage: Zoom H2n with internal mics 2 flac  
36. 03/16/17 Patinoire De Meriadeck - Bordeaux, France AA Matériel : TASCAM DR-07 (SD Card) + Internal Micros Lineage : SD Card > PC (Wav) > Audacity > Normalisation > DB Poweramp (Compression Level 8) > Flac 2 flac  
37. 03/22/17 Axone - Montbeliard, France A LINEAGE : SP-CMC-20 -> TASCAM DR07 MKII -> AUDACITY 2 flac  
38. 06/30/17 Enmore Theater - Sydney, Australia AA Recorded in the balcony, left of centre Sony PCM-10 > Audacity > CDWav > FLAC > you 2 flac  
39. 08/29/17 Fox Theater - Oakland, CA A Recorded by Daspyknows Recorded Orchestra Pit Row 8 One Seat Off Dead Center Schoeps MK4/NBox Platinum Tascam DR-2D 24 Bit 48K Processed using Soundforge 11, resample, to 16bit 44.1K TLH to convert to Flac 2 flac  
40. 09/15/18 Keller Auditorium - Portland, OR A Tascam DR-100 (w/internal mics) -> Sandisk Ultra 32GB SD Card @ 24bit/48kHz 2 flac  
41. 10/04/18 Oakdale Theater - Walingford, CT AA Lineage: SP-CMC-2 (AT831) > SP-SPSB-8 > Tascam iXJ2 > Lightning Adapter > iPhone 6 > Twisted Wave (app) > Airdrop (MAC/PC transfer)> Wavelab 6.1 > CDWAV > FLAC 2 flac  
42. 12/11/18 Royal Concert Hall - Nottingham, UK B++ Lineage: Samsung S7 (external mics)>ASR Recorder>WAV>Audacity Track split>flac (TLH 2 flac  
43. 08/23/19 Oakdale Theater - Walingford, CT AA Lineage: SP-CMC-2 (AT831) > SP-SPSB-8 > Tascam iXJ2 > Lightning Adapter > iPhone XR > Twisted Wave (app) > Airdrop (MAC/PC transfer)> Wavelab 6.1 > CDWAV > FLAC 2 flac  
44. 09/07/19 Revention Music Center - Houston, TX AA Location: I was in section 204 Row G Seat 1, which was the most top right seat in the corner of the stadium (hence the name of the ROIO :). There was a ledge to the right of me above my head where I placed the phone with the mics pointed slightly upwards. Setup: iPhone 5 internal microphones > Voice Record Pro app > WAV 16 bit Stereo default settings > Gain about half the default setting. Encoding: Wave Corrector > Click Threshold Off > Track Splits > Fades in and out > dBpoweramp Music Converter FLAC Level 5. Review: Most of the seats around us were empty so this is a pretty quiet audience recording. IMHO, most of the performance was pretty standard for TAPF. However, hearing and seeing Cymbaline - CWTAE made it worth experiencing this show in person! I will go see them again next time they are in town... 2 flac  
45. 11/27/19 M & S Bank Arena - Liverpool, UK a- seems to much bass 2 flac  
46. 12/06/19 Royal Concert Hall - Nottingham, UK a- Lineage: Samsung S7 (external mics)>ASR Recorder>WAV>Audacity Track split>flac (TLH) 2 flac  

The Babys  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/30/17 Token Lounge - Westland, MI A Taken from the master recording. Sony ECM-717 Mic > MiniDisc (Sony MZ-R200 unit) ProTools (mastered/EQ/Widen) SoundForge (Splits, fades, FLAC). As per Dime requirement, MiniDisc files have been ripped to 16/44.1 PCM format. 2 flac  
2. 09/29/18 The Token Lounge - Westland, MI A- Sony ECM-717 Mic > MiniDisc (Sony MZ-R200 unit) ProTools (mastered/EQ/Widen) SoundForge (Splits, fades, FLAC). As per Dime requirement, MiniDisc files have been ripped to 16/44.1 PCM format. 2 flac  

Bachman & Turner  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/24/11 MTS Centre - Winnipeg, MB a- Source: CA14(cards) >CA9100 >ZoomH4n >SD24/48 Lineage: SD >iZotopeRx(gain,resample,dither16/44) > CDWave(tracks) >Frontend(FLAC8) >TLH(ffp,torrent) Location: 60' from stage 10' ROC 1 flac  

Bachman / Cummings  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/19/08 Molson Ampitheater - Toronto, ON A+ Source: Core Sound Cards > irver ihp120 (Rockboxed) > PC > Soundforge 7 and Cdwave for edits > Flac Level 5 Recorded and Processed by BurnBoy. 2 flac  
2. 07/23/22 Meridian Ventre - St. Catharines, ON a- 16 bit version A Poignant Pros recording by Binko Gear/Lineage: CA14s > Tascam DR-08 (recording to 24-48 .wav) > USB > Adobe Audition 1.5 (EQ, peak limiting, splits & fades) > Xrecode III (conversion to 16/44.1) > TLH (sector alignment, flac 8) 2 flac  

Bachman Cummings Band  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/24/05 Trump Marina Casino - Grand Cayman Ballroom - Atlantic City, NJ A sp-cmc-8 > sp-spsb-6 > sony mz-rh910 > edirol ua-20 > macintosh > Bias Peak > xACT 1.51b > flac 8 upgrade: sony soundforge 7.0 location : 20th row dead center taper: edtyre 2 flac  
2. 06/06/06 Molson Ampitheater - Toronto, ON A   2 flac  
3. 06/23/06 Molson Amphitheatre - Toronto, ON A+ cdr  
4. 06/13/08 Ameristar Casino - Kansas City, MO A   1 flac  
5. 07/19/22 Budweiser Stage - Toronto, ON A Lineage: Sound Professionals SP-CMC-8 (Cards) -> Sony PCM-M10 -> Soundforge -> CDWave -> FLAC + add tags Recorded and edited by BurnBoy 2 flac  

Bad Company  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/01/77 Friedrich-Ebert-Halle - Ludwigshafen, Germany A Source : Audience Recording > unknown gen cassette (Maxell XL-II) (courtesy of Wes Meyette) Transfer : Nak BX-300 > Sony PCM M10 Editing : CD Wave Editor (tracking) > Sound Forge (volume) > Wave > TLH (sbe aligned) Flac 8 1 flac  
2. 08/31/79 Capital Centre - Landover, MD A Lineage: Radio broadcast > n generation tape > TEAC Tape Deck AD-RW900 > Creative Sound Blaster Recon 3D > HD > SoundForge Pro 10.0 > CD Wave > FLAC Frontend (level 6) 2 flac  

Badfinger  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/31/74 Performance Center - Cambridge, MA a- Audience Mono FOB Sony TC-55 with built in condenser mic and auto level control Nakamichi MR-1 > Tascam DA-20 > Tascam CD-RW900 Master Cassette > DAT > CD > EAC > FLAC Azimuth aligned; No noise reduction, processing or EQ Recorded and transferred by Steve Hopkins there is some hum from the amps 2 flac  
2. 07/03/17 Sellersville Theater - Sellersville, PA 8 source : schoeps mk6(c) > actives > baby nbox > sound devices mixpre3 > 24/44.1 wav > adobe audition > ozone 5 > xact 2.39 > flac 16/44.1 taper : edtyre location 3rd row center 1 Flac  

Badger  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/21/73 Palazzo delle Esposizioni E.I.B. - Brescia, Italy A 1st Gen Cass.>Nakamichi BX-125E>Asus Xonar Essence STX>24/96 WAV>PC Mastering>16/44.1 FLAC Badger were a British rock band from the early 1970s. They were co-founded by keyboardist Tony Kaye after he left Yes, with bassist and vocalist David Foster. The latter had been in the Warriors with Jon Anderson before he co-founded Yes. Foster later worked with the band on their second album Time and a Word (1970). Kaye had worked on a solo project by Foster that was never released. The pair found drummer Roy Dyke, formerly of Ashton, Gardner and Dyke, and Dyke suggested guitarist and vocalist Brian Parrish formerly of Parrish & Gurvitz which later became Frampton's Camel (after Parrish left P&G) on guitar. The new band began rehearsing in September 1972 and signed to Atlantic Records. 1 flac  

The Bangles  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/17/86 Montmatre - Copenhagen, Denmark A+ Source: Sony ECM-150 -> Sony TCD-D5 Transfer: Master Casette -> B&O Beocord 9000 -> Sony pcm-a1 (96/24) -> audition -> cdwav -> flac -> mp3 Taper: G. 1 flac  

Barry Goudreau  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/06/18 Center for Arts Natick - Natick, MA AA Lineage: Schoeps > Tascam DR-07mkII @ 16/44.1 > PC > Audacity 2.0.3 (amplification, tracking, normalization) > TLH (FLAC 8) > Dime 2 flac  
2. 01/28/22 The Music Room - Yarmouth, MA A SP-CMC-8c===SP-SPSB-11 (12v) Bass Roll Off set @ 69hz to Sony PCM-A10 (Line In)=== 16GB Built in Memory @ 48/24(Downsampled to 44.1/16) 2 flac  

Barry Goudreau's Engine Room https://www.barrygoudreausengineroom.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 07/29/23 SNHU Arena - Manchester, NH a- Master Recording SP-CMC-2 (mics)- SP-SPSB-4 Battery Box - Sony PCM-10 (recorder)-PC-Audacity for Splitting to Flac-You 1 flac  
2. 07/30/23 Center For The Arts - Bethel, NY A Lineage: SP-CMC-8 mics > SP-SPSB-1-PC @ 16Hz > Edirol R05 (24/48) > Adobe Audition CC2020 (level boost) > CD Wave Editor (track) > flac8 Recorded & Tracked: Smores 1 flac  
3. 12/30/23 City Winery - Boston, MA A SP-CMC-8c===SP-SPSB-4 to Sony A-10===Internal Memory Card @ 48/24(Downsampled to 44.1/16) 2 flac  

Batdorf & Rodney  
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/75 McCabes - Monica, CA 9   1 Flac  

The Beatles  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/20/65 Palais des Sports (evening show) - Paris, France 8 Lineage:Technics Turntable SL-BD3---MAGIX AUDIO CLEANING LAB---HDD---Flac Source : Double Vinyl LP - The Swingin Pig 008-2 Blue Vinyl 16Bit-41Khz Recording Afternoon Show ( Track A1 - B6 ) Evening Show ( Track C1 - D6 ) 2 Flac  
2. ??/??/69 More River Rhine Tapes - Various, Various 9.5   2 Flac  

Bee Gees http://beegees.com
  Date Venue - City, State Sound Rating Notes Media  
1. 04/10/89 unknown - Tokyo, Japan AA Complete FM broadcast Lineage: Silver CD "Tokyo Night Live" -> Exact Audio Copy 1.0b3 (proper settings for perfect rip) -> FLAC level 8 EAC log and cuesheet, Audiochecker log, and high resolution 600DPI artwork scans included 2 flac  

Belew, Levin, Mastelotto & Friends  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/12/22 Bearsville Theater - Woodstock, NY A Recording: Church Audio mics + Sony PCM-M10(24bit x 96k) -> Goldwave (Tracking + volume increase + cd format change) -> Flac Frontend (conversion to Flac) Song 1 started with Pat and Johnnie, and then the full band joined Full band played through Red, then Adrian's trio played through e Stick Men with Trey played an improv that morphed into Prog Noir Trey left for Tentacles The full band did the rest of the show after that 2 flac  

Benjamin Orr  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/04/98 Beach Club - Salisbury, MA A+ sourced from 2 camera shot VHS tape. Taper: Joe Viglione (Ben's friend/videographer) Source: VHS>MPEG>WAV>FLAC(6) 1 flac  

Beyond the Rainbow  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/12/19 Kubana - Sieberg, Germany A This is a a new tranfer from my master tape and post produced by using iZotope RX and Ozone. It is NOT the matrixed recording (Audience plus Soundboard) issued right after show in 2014! 3 flac  

Bill Graham Memorial  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/03/91 Polo Field Golden Gate Park - San Francisco, CA AA Master: In-house FM>DAT Master @48kHz>DAT Clones Transfer: DAT @ 48kHz (PCM R500)>VXPocket v2>Sound Forge (v. 6.0) (48>44.1kHz resample)>WAV>CDWAV (v.1.71)>mkwACT (v.0.97b1)>SHN>xACT>Flac(8)>You 5 flac  

Billy Joel http://www.billyjoel.com
  Date Venue - City, State Sound Rating Notes Media  
1. 04/15/72 Sigma Sound Studio - Philadelphia, PA A SBD > PreFM MR > DAT > CDR > EAC > SHN > WAV Editing in Soundforge > FLAC Thanks to original uploader "lolita" and "Pervfesser Goody" for the great Pre-FM to play with! 1 flac  
2. 05/07/74 LaFayettes Music Room - Memphis, TN a- Lineage : Cdr -> EAC -> Traders' little helper (checksum & flac conversion (6)) Very Good FM recording from 1974 (IMO). A must for any Billy Joel fan. Enjoy the show! 1 flac  
3. 05/10/74 Ebbets Field - Denver, CO a- I have this listed as a soundboard on my vintage cassette list. As there is no radio interuptions I'm going to stick with that description. Nice relaxed recording by Billy. Not sure exactly who was in his backing band at this point so if anyone can fill in the blanks. Enjoy! Lineage:Soundboard> Maxell XLII-90 (old style) acquired in trade > NAK BX-125> M-Audio 24/96> Adobe Audition> WAV> Flacfrontend> Flac 6> YOU It does have hiss but its old and its very good 1 flac  
4. 06/10/76 The Bottom Line - New York, NY A Source: Soundboard Analog Reel To Reel Lineage: Reel To Reel Master>DAT(16 bit/48kHz)>DAT(16 bit/48kHz)> >CDR>CDR>WAV(16 bit/44.1kHz)>FLAC(16 bit/44.1kHz) Mastering Information: CDR ripped to WAV with Exact Audio Copy. Wave files converted to FLAC level 8 using FLAC Frontend. 2 flac  
5. 05/06/77 Tilles Center, Long Island Univ., C.W. Post Campus - Brookville, NY A+ Label: Trial Number: TRIAL-014 Source: Original CDR > EAC > WAV > jetAudio > FLAC Broadcast live on WLIR FM 2 flac  
6. 10/31/77 Maurice Gusman Concert Hall - University of Miami - Miami, FL a- SBD > unknown > CDR > EAC > WAV > FLAC 2 flac  
7. 11/19/77 Riviera Theatre - Chicago, IL a- WXRT FM Un-Concert Broadcast Original Air Date 1978-01-08 R.J.P. 10.5 Inch Reel to Reel Master Transferred and Presented By Krw_co LINEAGE WXRT FM BROADCAST> R.J.P.(10.5")MASTER REEL TO REEL @ 7.5IPS>TEAC A-7300 REEL TO REEL W/MANUAL AZIMUTH ADJUSTMENT>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV(24/96KHZ)> MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(16/44.1KHZ)TLH FLAC 8 1 flac  
8. 12/11/77 Nassau Veterans Memorial Coliseum - Uniondale, NY A Label: Main Stream Number: MSBR-70A/B Source: Silver > EAC > WAV > FLAC Frontend > FLAC 2 flac  
9. 03/05/78 Sonesta Koepelzaal - Amsterdam, Netherlands A FM recording traded many years ago Lineage : Cdr Trade -> EAC -> Traders' little helper (checksum & flac conversion (6)) 1 flac  
10. 09/30/78 Boston Garden - Boston, MA a- Audience Stereo FOB Master Cassette > DAT > CDR > EAC > FLAC Nakamichi MR-1 > Tascam DA-20 > Tascam CD-RW900 Azimuth aligned; Dolby B decoded, no processing or EQ Total Time - 139:33 Thanks to FF for the cassettes Transfer and encoding by Steve Hopkins 2 flac  
11. 05/21/79 Budokan - Tokyo, Japan A- Label: Zion Number: ZION-019 Source: Silvers > EAC > WAV > jetAudio > FLAC 2 flac  
12. 04/17/81 Budokan Hall - Tokyo, Japan A "Songs In The East" CD Commercial Bootleg > EAC > WAV > FLAC (level 6) 2 flac  
13. 12/31/82 Madison Square Garden - New York, NY a- Source: Nakamichi mics > Sony WM-D6c (TDK-MA Metal) Transfer: Kenwood KX-4070 cassette deck > TDK-DA3826 standalone cd burner (44.1 kHz) (transfer by: george14k) Editing: Soundforge (tracking) > WAV > TLH (sector boundary aligned) Flac level 8 Traders Den 7/4/17 - Tracked by kingrue upload 1177 2 flac  
14. 05/21/84 Budokan - Tokyo, Japan a- Label: Zion Number: ZION-029 Source: Silvers > EAC > WAV > jetAudio > FLAC 2 flac  
15. 06/27/84 Madison Square Garden - New York, NY A Sony ECM 150 Mic's > sony D6 Cassette > TDK MA-R90 Tape Recorded from Section R, Row 14 of the floor, right side of floor 2 flac  
16. 01/16/87 Memorial Auditorium - Buffalo, NY 7.5 16 bit version From the collection of bob Hamilton, donated to me by bigdaddybflo Transferred & mastered by }{eywood Lineage: TDK SA90 cassettes (1) > JVC TD-W354 playback deck > Adobe Audition 1,5 (slight EQ, peak limiting, splits & fades) > Xrecode III (conversion to 16/44.1) > TLH (sector alignment, flac 8) Amazing high energy show. The crowd goes apeshit the whole show. Three encores! I left the fadeout go to the end of the recording to show they didn't let up even after he left. The first tapeflip in the middle of goodnight saigon was cleverly patched with a portion from later in the song. the second I wasn't so lucky and there is a bit of The Longest Time missing. 2 Flac  
17. 05/26/90 Wembley Stadium - London, England a- Has some hiss SRC: FM > ? > likely bootleg CD gen > DAT (48 khz) Lineage: Sony DTC-790 > Hucht Copyprocessor MKII > Tascam HD-P2 > WAV > resampled to 44.1 khz in SoX (steep, very high quality, minimum phase, dithering (shibata filter)) > FLAC 2 flac  
18. 11/13/93 Carrier Dome - Syracuse, NY AA Source: Stereo Soundboard A+ 2 flac  
19. 06/18/94 Festhalle - Frankfurt, Germany a-   2 flac  
20. 02/11/06 Madison Square Garden - New York, NY A- Lineage : Cdr Trade -> EAC -> Traders' little helper (checksum & flac conversion (6)) 2 Flac  
21. 11/28/06 Tokyo Dome - Tokyo, Japan A Label: Laura Disc Number: LAURA-01/02 Source: Silvers > EAC > WAV > jetAudio > FLAC 2 flac  
22. 11/18/08 Tokyo Dome - Tokyo, Japan A+ Title:One Night Tokio Label:X-Avel Records Quality:A+ (excellent audience recording) Lineage:Original CDR->wav->flac (level 8)->dime 2 flac  
23. 04/11/14 Scottrade Center - St. Louis, MO A Location: Floor C, Row 18, Seat 4 Equipment: Tascam DR-05 Internal Mics Transfer: 48/24 wav on micro SD card > Adobe Audition (slight normalize, resample 44/16, split tracks) > FLAC-TLH 2 flac  
24. 12/31/14 Amway Center - Orlando, FL A- ALD soundboard 2 Flac  
25. 04/03/15 Madison Square Garden - New York, NY A Recorded from the lower level, one section in front of the stage, halway up. Church Audio CA-14 > CA-UGLY PreAmp > Sony PCM-M10 > SoundSaver for INport > Trader's Little Helper > FLAC Good recording as I used the same gear I do for all other shows. However, Billy's vocals are not as strong in the mix as I would have preferred, although that improves after the first couple of songs. Still, a very good, clear recording with almost no audience interference and a setlist that featured several rarities. 2 flac  
26. 08/13/15 Citizens Bank Park - Philadelphia, PA A Source: Schoeps MK4 > actives > tinybox > Sony M-10 Transfer: wav file > Sound Studio > xACT > FLAC (level 8) Recording location: Field section BB, row 11 Recorded by: Tapehead2 3 flac  
27. 06/17/16 Madison Square Garden - New York, NY a- Recorded by bcironmaiden Recorded w/Sony M-10 internal mics > HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You First things first , I had an issue with my line in cable ... luckily I dicovered it before the show , unfortunetley I was in NYC and no where near my car to do anything about it , so I had to run with my internal mics ... I was a bit far from the stage , but the sound where I was at was ok .... the recording has some talkers and singers that would most likley not be as noticed with my SP Mics .... Still after all that .... I still say the recording sounds pretty good . I used Sony Sound Forge to get rid of some clapping and raise the volume a bit .... that's all . OK , now about the show .... he threw in some songs he has not played in some time , nice change of pace , I really like the way he stirred up the setlist this show ... very enjoyable . 2 flac  
28. 08/21/17 Madison Square Garden - New York, NY A Recorded by bcironmaiden Recorded w/ SP-CMC-8 Sound Professionals Deluxe Audio Technica Cardioid Stereo Microphones > SP-SPSB-1 Sound Professionals Mini Battery Module >Sony M-10 > HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You 2 flac  
29. 12/20/17 Madison Square Garden - New York, NY A Recorded by bcironmaiden - BIT OF A ROWDY CROWD AROUND ME , WITH A HARD CLAPPER NEXT TO ME ... DID MY BEST TO REMOVE IT . Recorded w/ SP-CMC-8 Sound Professionals Deluxe Audio Technica Cardioid Stereo Microphones > SP-SPSB-1 Sound Professionals Mini Battery Module >Sony M-10 > HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You 2 flac  
30. 11/10/18 Madison Square Garden - New York, NY A Taped and transferred by opsopcopolis Lineage: CA-11 > Ugly Battery Box > Sony M10 > WAV > ProTools > WAV > xACT > FLAC 2 flac  
31. 04/12/19 Madison Square Garden - New York, NY A Recorded by bcironmaiden Recorded w/ Schoeps MK4's > Actives > Baby NBox > Roland R-07 > HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You Tony Bennett special guest 2 flac  
32. 06/02/19 Madison Square Garden - New York, NY A Recorded by bcironmaiden Recorded w/ Schoeps MK4's > Actives > Baby NBox > Roland R-07 > HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You 2 flac  
33. 06/10/22 Madison Square Garden - New York, NY a- Recorded by bcironmaiden Recorded w/ Schoeps MK4's > Actives > Baby NBox > Roland R-07 > HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You 2 flac  
34. 06/25/22 Notre Dame Stadium - South Bend, IN A+ Source: CA-14 Cardioids > CA-9200 > Sony PCM-A10 (24 bit @48kHz) > Adobe Audition 3.0 (dithered to 16 bit @44.1kHz) > Cd Wave > FLAC Conversion: Charles Dewey Cole, IV Equipment: Sony PCM-A10 > (USB) @ 48kHz > 44.1kHz > Cd Wave 2 flac  
35. 07/09/22 Comerica Park - Detroit, MI A+ Taper: Charles Dewey Cole, IV Location: FLD DD, Row 12, Seat 22; mics mounted on baseball hat brim. Source: CA-14 Cardioids > CA-9200 > Sony PCM-A10 (24 bit @48kHz) > Adobe Audition 3.0 (dithered to 16 bit @44.1kHz) > Cd Wave > FLAC Conversion: Charles Dewey Cole, IV Equipment: Sony PCM-A10 > (USB) @ 48kHz > 44.1kHz > Cd Wave 2 flac  
36. 07/20/22 Madison Square Garden - New York, NY A Recorded by bcironmaiden Recorded w/ Schoeps MK4's > Actives > Baby NBox > Roland R-07 > HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You Really good High energy show !!! 2 flac  
37. 08/24/22 Madison Square Garden - New York, NY A Recorded by bcironmaiden Recorded w/ Schoeps MK4's > Actives > Baby NBox > Roland R-07 > HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You 2 flac  
38. 09/09/22 Madison Square Garden - New York, NY A Recorded by bcironmaiden Recorded w/ Schoeps MK4's > Actives > Baby NBox > Roland R-07 > HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You 2 flac  
39. 10/09/22 Madison Square Garden - New York, NY A Recorded by bcironmaiden Recorded w/ Schoeps MK4's > Actives > Baby NBox > Roland R-07 > HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You 2 flac  
40. 11/11/22 Mercedes Benz Stadium - Atlanta, GA A SP - CMC-8 microphones > Sony PCM-M10 > SoundSaver for INport > Trader's Little Helper > FLAC 2 flac  
41. 11/23/22 Madison Square Garden - New York, NY A Recorded by bcironmaiden Recorded w/ Schoeps MK4's > Actives > Baby NBox > Roland R-07 > HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You 2 flac  
42. 12/10/22 Melbourne Cricket Ground - Melbourne, Australia a- Recorded by eckythump Source: Nokia Lumia 930 (called Lumia Icon in North America) w/built-in HAAC mics > Audio Recorder Pro app > 16bit/48 KHz PCM/WAV -> iZotope RX10 Advanced -> Ozone 10 -> Audacity 3.2.2 (split tracks and FLAC Level 8) -> Foobar 1.6.14 (Files tagged) -> Traders Little Helper 2.8.4 2 flac  
43. 01/13/23 Madison Square Garden - New York, NY a- Recorded by bcironmaiden Recorded w/ Schoeps MK4's > Actives > Baby NBox > Roland R-07 > HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You 2 flac  
44. 02/14/23 Madison Square Garden - New York, NY a- Recorded by bcironmaiden Recorded w/ Schoeps MK4's > Actives > Baby NBox > Roland R-07 > HD > Sony Sound Forge 96khz/24bit > 44khz/16bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You 2 flac  
45. 07/07/23 Hyde Park - London, England A Source: DPA 4060 => Tascam DR-2d Conversion: WAV => Audio Cleaning Lab => FLAC (24-bit) Location: Gold circle in line with left stack 2 flac  
46. 08/05/23 Ohio Stadium - Columbus, OH a- Taper: Charles Dewey Cole, IV Location: 24A, Row 2, Seat 19; mics mounted on baseball hat brim. Source: SP-CMC-8 Cardioids (4.7k mod) > SP-SPSB-11 (@16Hz) > Sony PCM-A10 (24 bit @48kHz) > Adobe Audition 3.0 (dithered to 16 bit @44.1kHz) > Cd Wave > FLAC Conversion: Charles Dewey Cole, IV Equipment: Sony PCM-A10 > (USB) @ 48kHz > 44.1kHz > Cd Wave 2 flac  
47. 01/24/24 Tokyo Dome - Tokyo, Japan A (XAVEL Original Master IEM+AUD Matrix) 2 flac  
48. 01/24/24 Tokyo Dome - Tokyo, Japan A+ [XAVEL ORIGINAL MASTER : Multiple Stereo IEM Sources Matrix Recording] 2 flac  
49. 03/28/24 Madison Square Garden - New York, NY A   1 flac  
50. 04/26/24 Madison Square Garden - New York, NY A+ Recorded from Section 119 SP - CMC-8 microphones > Sony PCM-M10 > SoundSaver for INport > Trader's Little Helper > FLAC 2 flac  
51. 06/21/24 Soldier Field - Chicago, IL A Source: DPA 4060 => Tascam DR-2d Conversion: WAV => Audio Cleaning Lab => FLAC (16-bit) Location: 300 level 2 flac  
52. 07/25/24 Madison Square Garden - New York, NY A sourced from SiriusXM Satellite Radio webstream(HQ)>Adobe Audition>WAV>FLAC(6) Total Time: (2:26:36) 2 flac  
53. 02/08/25 Lucas Oil Stadium - Indianapolis, IN 8.5 Taper: Charles Dewey Cole, IV Location: 143, Row 11, Seat 7; mics mounted on baseball hat brim. Source: SP-CMC-8 Cardioids (4.7k mod) > SP-SPSB-11 (@16Hz) > Sony PCM-A10 (24 bit @48kHz) > Adobe Audition 3.0 (dithered to 16 bit @44.1kHz) > Cd Wave > FLAC Conversion: Charles Dewey Cole, IV Equipment: Sony PCM-A10 > (USB) @ 48kHz > 44.1kHz > Cd Wave 2 Flac  

Billy Joel & Elton John  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/08/94 Three Rivers Stadium - Pittsburgh, PA A Unknown Generation Maxell XL II 90x2 60x1 Cassettes Optimus SCT-86->Behringer UCA 200->Audacity->FLAC 3 flac  
2. 08/09/94 Busch Stadium - St. Louis, MO A- GEAR USED: trade CDR > EAC > TLH > .flac files 3 flac  
3. 08/21/94 Citrus Bowl - Orlando, FL 8.5 Source: Audience capture from Cassette (low gen / trade tape) Transfer: cassette in Tascam CC-222 MK II > analog out > to SONY- ICD-SX750 PCM / wav recorder 16/44 > USB to desktop > CDWAV (track split) > Stamp ID3 Tag Editor > TLH checksums & torrent. 3 Flac  
4. 03/31/98 Tokyo Dome - Tokyo, Japan AA LINEAGE: Digital Satellite TV(DirectTV* FREE PROGRAM) > VHS Video (S-VHS/x3mode) > DVD Recorder > DVD-R > TMPGEnc Authoring Works > VIDEO_TS * DirecTV (Japan): 1997/12/1(service start) - 2000/09/30(service end/RIP) FORMAT: Video - NTSC 4:3 Audio - Linear PCM Stereo *** This is the audio portion of the show only *** 3 flac  
5. 06/02/98 Ibrox Stadium - Glasgow, Scotland A "Face To Face" CDR > EAC > WAV > FLAC (level 5) Lineage: external stereo microphones > DAT 3 flac  
6. 01/22/01 GM Place - Vancouver, BC AA   3 flac  
7. 02/02/01 Oakland Coliseum - Oakland, CA AA Transfer: DAT Master > Fostex D-5 > USBPre 2 Sound Devices > Audacity (16/48) > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > 16/44 > xACT 2.39 > FLAC 3 flac  
8. 02/08/02 Hartford Civic Center - Hartford, CT AA DSBD>>DAT>>CD 3 flac  
9. 02/17/02 First Union Center - Philadelphia, PA A+ Source : Schoeps MK4V's > Schoeps VMS02IB > Sony SBM-1 > Sony TCD-D100 (Recorded by Keith Litzenberger) Transfer : Sony TCD-D10 PROII > Edirol R-4 > Wavelab 5 (tracking) > Wave > TLH (sbe aligned) Flac 8 3 flac  
10. 03/09/02 The Ice Palace - Tampa, FL a- Equipment: Realistic Catalog No. 33-1063 omni mics > Sony TCD-D7 DAT Lineage: DAT Master > ? > .wav file provided by taper > Adobe Audition 5.5 (level boost) > CD Wave Editor (track) > flac8 Taper: FLashfan Tracking: Smores 3 flac  
11. 09/27/02 Nassau Coliseum - Uniondale, NY A- (ukj69 Master) Recording: Sony ECM-717 Mic>Sony MD MZR-90 Transfer: MD Master > iZotope RX 8 / ozone 9 (mastered) > xACT 2.50 > FLAC 3 Flac  
12. 05/02/09 Fargodome - Fargo, ND A Lineage: Core Sound Stealthy Cardioid mics>Edirol R-09>Scan Disc 8GB SDHC card> 48k/24 to 44.1k/16 with Audacity>track split with CD Wave editor>conversion to flac with Flac Frontend>you Seat location: on the floor, 17th row from stage, 6 seats to the right of dead center 3 flac  
13. 05/05/09 Xcel Energy Center - St. Paul, MN a- Source: SP-TFB-2 -> SP-SPSB-11 (set at 95 Hz Bass Roll-Off) -> Edirol R09 -> WAV -> Adobe Soundbooth -> WAV -> FLAC -> You! 3 flac  
14. 08/01/09 Citizens Bank Park - Philadelphia, PA A Schoeps MK41's>Schoeps VST62ui>Sound Devices 702 @24/48 recorded from Section D Row 25 Sound Devices 702>Soundforge 9(Fades, Sample/Bit Rate Conversion to 16/44.1khz)>CDWAV>FLAC A Flying Gonz Production Night #2 of 2 in Philly 2 flac  
15. 02/22/10 Pepsi Center - Denver, CO A+ Source: Audience Recording Tascam DR-07>MM-MCSM-5>SD Card>44.1 khz/16bit. Gain=Mid, Filter +400hz. Location: 17th row floor, dead center. 3 flac  
16. 03/11/10 Times Union Center - Albany, NY a- Lineage: Edirol R9/CA 11 Mics/ CA 9100 Preamp > Adobe Audition > CD Wave > Trader's Little Helper [FLAC] Taper - JB Editing - Deb1 3 flac  

Billy Strings  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/02/25 Ryman Auditorium - Nashville, TN 8 source: Schoeps mk4v (FOB) > kcy > Sonosax SX-M2/LS2 > Sony M10 (24/96) transfer: wav > Sound Studio > xACT > flac (24/96) 2 Flac  
2. 06/21/25 Rupp Arena - Lexington, KY 9 source: Schoeps mk4v (DINa) > kcy > Sonosax SX-M2/LS2 > Sony M10 (24/96) transfer: wav > Sound Studio > xACT > flac (24/96) 2 Flac  
3. 08/01/25 Golden Gate Park - San Francisco, CA 9 Source: Schoeps CCM4V'S>Sound Devices Mix-Pre 6 II (48/32) BOB/DFC/OTS/KFC/ZFC/AARP 8 1/2' High DSP: Sound Devices Mix-Pre 6 II>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man Show #195 Of 2025 A Team Dirty South And Home Team Recording 1 Flac  

Black Oak Arkansas  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/24/01 Casper Events Center - Casper, WV a- LINEAGE SOUNDBOARD MASTER UNTRACKED CDR TO EAC SECURE MODE TO WAV 16/44.1 TO MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS WAV(16/44.1KHZ)>TRADERS LITTLE HELPER FLAC LEVEL 8 1 flac  

Black Sabbath http://www.blacksabbath.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 11/20/70 Fillmore West - San Francisco, CA B++ Audience recording "Paranoid World" - No Label Lineage: silver CD > WAV > FLAC level 8 aligned on sector boundries. 0 flac  
2. 11/22/70 Fillmore West - San Francisco, CA A- Lineage: "Paranoid World" silver CD > WAV > FLAC level 8 aligned on sector boundries. 1 flac  
3. 01/14/71 City Hall - Sheffield, England B++ CDR->EAC->FLAC 1 flac  
4. 10/01/71 Winterland Ballroom - San Francisco, CA b++   1 flac  
5. 09/15/72 Hollywood Bowl - Los Angeles, CA A- Lineage : Aud Cass > WAV > Flac7 > TLH > WAV > Audacity (Track split) > TLH (Verify, then flac8) > Dime... 1 flac  
6. 02/21/73 Palazzo E.I.B. - Brescia, Italy a- Taper: Walter DV. Transfer: dadgad Mastering: dadgad Uncirculated source (S2?) Master Cassettes > Nakamichi BX-125E> Asus Xonar Essence STX > 96/24 WAV > PC Mastering > 44.1/16 FLAC 2 flac  
7. 02/21/74 Civic Center - Providence, RI A- Mastered and FLAC'ed by Carl Morstadt (dantalion8@yahoo.com) Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) -> FLAC Front End (FLAC 8 with sector boundary alignment) FLAC files tagged with Foobar2000 Live Show Tagger No EQ'ing. A 24-bit/96-KHz flac24 version of this recording is also available. 2 Flac  
8. 11/07/74 Festival Hall - Brisbane, Australia a-   2 flac  
9. 11/12/74 Festival Hall - Melbourne, Australia a-   2 flac  
10. 08/05/75 Convention Hall - Asbury Park, NJ A KBFH complete not aired version 2 flac  
11. 09/07/75 Long Beach Arena - Long Beach, CA A Black Sabbath, Long Beach Arena, Long Beach, CA, September 7, 1975 Our journey through the Millard catalog continues with Mike’s master cassettes of Black Sabbath at the Long Beach Arena, on tour in support of Sabotage. We believe this recording to be wholly uncirculated, perhaps due in part to the “Poor” rating Mike assigned this work on his tape list. How anyone would judge this recording as poor is beyond me. While I’m no expert in Sabbath, I find it hard to believe there are many if any recordings from this tour as good as Mike’s capture, which I don’t hesitate to call excellent. So why did Mike rate it Poor? If there’s a pattern to his negative ratings, they are often applied to shows where he is extremely close to the stage, picking up more on-stage monitors than PA, which can sometimes result in an unbalanced, unsually guitar-heavy recording (stay tuned in the coming weeks for Fleetwood Mac 1980 which is almost all Lindsey Buckingham). The Sabbath show has some of that, with Tommy Iommi’s guitar way up front, but there’s something to be said for it. Afterall, his tone IS Sabbath’s sonic signature along with Ozzy’s voice. As the recording starts, Mike takes a few minutes to settle into optimal position, but once he does he stays pretty locked in which, judging by the firecrackers, took some doing in a presumably rowdy crowd. With mastering work, we’ve attempted to bring the rest of the band into better balance and pull Ozzy’s vocals forward. The result is to our ears an impressive capture of the sultans of sludge that’s sure to please the discriminating Sabbath collector. Samples provided. The setlist doesn’t spend too much time on the new album, dipping in for three songs, “Hole In The Sky,” “Symptom Of The Universe” and “Megalomania.” The rest plays out as is a greatest hits of sorts, with fine versions of “Snowblind,” “Paranoid,” “Iron Man” and “Children Of The Grave.” Here’s what Jim R recalled about the Sabbath show: Mike and I attended the Black Sabbath concert on Sept 7, 1975 at the Long Beach Arena. We sat in the 3rd row, dead center at the front of our sweet spot for sound quality. The wheelchair era was fully established by this point in 1975. I pushed Mike into the building and helped him to his seat next to me. It was also was an extremely active concert year: Mike and I attended and recorded many shows including Jethro Tull, Faces, Zeppelin, Yes, Pink Floyd, The Stones, Clapton, Elton John and The Allman Brothers. The Sabbath concert was sandwiched three weeks after Eric Clapton (Vol. 33) and three weeks before Elton John San Diego (Vol. 28). Mike was not that into Sabbath, but he agreed to record it as a favor to me. I was the bigger fan. In fact, my first concert ever in 1972 was Sabbath with Yes as the opening act. What a bill. My favorite member of the band was Geezer Butler, the wild bass player. The show was typical Sabbath. A mix of old and new tunes. Ozzy shouted multiple "We Love You" and "Get Higher" exclamations. Geezer was his energetic self. Iommi was steady on lead guitar. Bill Ward hammered away on the drums. On this tour the band did a lot more jamming than previous ones, especially compared to the first time I saw them in 1972, where each song played live sounded pretty much like the album. I hope you enjoy the show. Included are a handful of pictures I took. Cheers to Mike. ### JEMS is proud to partner with Rob, Jim R and Barry G to release Millard's historic recordings and to help set the record straight about the man himself. We’ve written before about the care and creative Mike applied to his cassette labeling and this Sabbath show is a particularly fine example, with the band’s logo in red letters on a blue background on the tape spine and the black and red S emblazoned on the main panel. Someday we’ll publish a coffee-table book so you can see them as the works of art that they are. We can’t thank Rob enough for reconnecting with Jim and putting his trust in our Millard reissue campaign. He kept these precious tapes under wraps for two decades, but once Rob learned of our methods and stewardship, he agreed to contribute the Millard DATs and cassettes to the program. Our releases would be nearly as compelling without Jim’s memories and photos. His Sabbath images are particularly good. As always, post-production was done by mjk5510, our partner and friend. Thanks as well to Goody for giving the pitch his thumbs up. Finally, cheers to the late, great Mike the MICrophone. His work never ceases to impress. May he rest in peace. BK for JEMS Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes (TDK KR90) > Nakamichi RX-505 (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX6 > iZotope Ozone 6 > Audacity > TLH > FLAC 2 flac  
12. 11/09/76 Selland Arena - Fresno, CA a- LINEAGE AUDIENCE ANALOG MASTER TO DAT CLONE 1 TO WAV TO AUDIO CLEANING LAB FOR IDS AND TAPE SPLICE WHERE THERE WERE GAPS KRW TRANSFER TO CDR TO EAC TO TLH FLAC LEVEL 8 TO DIME NO EQ OR OTHER TAMPERING 2 flac  
13. 06/19/78 Hammersmith Odeon - London, England a- Lineage: Philips mono cassette w/electret con mic > master tape > Akai gx95 cassette deck > pioneer pdr 509 cd recorder > cdr > EAC > .WAV > TLH > Flac Level 8 > Dime > You Notes: A massive thank you goes to Purplecockney for taping and getting these new 2010 transfers of his master rcordings to me to share in this great community. 2 flac  
14. 08/23/78 International Amphitheater - Chicago, IL A Analog Master RB 18th row center main floor Cassettes: TDK SA C-90 DECK: Technics RS-646DS MICS: Teac ME-80 (Nak cm-300) Dolby On for recording. Tape masters played back on Rotel RD-870 with speed and tape alignment adjusted. Dolby off for playback! Using Chord Company cables from Naim... Played through the Naim Audio NAC-52 pre-amp to the Teac CDR-2000 Standalone. Mastered to Taiyo Yuden 74-ZY CDR's PC drive.....Plextor UltraPlex40max CDR-ROM SCSI W/adaptec 2930 EAC (1.8X ripping speed or slower on all my uploads)>FLAC>YOU GUYS, Enjoy RB 2 flac  
15. 12/07/78 Taylor County Coliseum - Abilene, TX B+ LINEAGE: 1. (Early 2000's) CD-R trade > Media Creator 2009 Pro > WAV > stored on HD > 2. (12/2014) TLH > WAV (to test for lossines) > Audacity (to view waveform, embed metadata/track titles & info, and then to re-encode) > FLAC 8 > TLH (to check for SBE's and create and verify ffp & md5 files) > you 2 flac  
16. 04/24/80 Sophiensalle - Vienna, Austria B Lineage Audience 1st generation Analog to Dat Fiber Optic Clone to CDR to EAC Secure Mode to THL Flac Level 8 No EQ or Tampering 2 flac  
17. 05/02/80 Colston Hall - Bristol, UK B++   2 flac  
18. 05/07/80 Hammersmith Odeon - London, UK B+   2 flac  
19. 05/08/80 Hammersmith Odeon - London, UK B+ Lineage: Philips mono cassette w/electret con mic > master tape > Akai gx95 cassette deck > pioneer pdr 509 cd recorder > cdr > EAC > .WAV > TLH > Flac Level 8 > Dime > You 2 flac  
20. 05/08/80 Hammersmith Odeon - London, UK B++   2 flac  
21. 05/09/80 Hammersmith Odeon - London, UK B++   2 flac  
22. 05/14/80 Apollo Theatre - Glasgow, Scotland B++   2 flac  
23. 05/18/80 City Hall - Newcastle, UK a-   2 flac  
24. 05/19/80 City Hall - Newcastle, England a-   2 flac  
25. 05/23/80 Apollo Theatre - Manchester, England B++   2 flac  
26. 05/25/80 Odeon Theatre - Birmingham, England B+   2 flac  
27. 06/02/80 Stadthalle - Offenbach, Germany A Extracted to FLAC from original silver CDs via EZ CD Audio Converter There are so many that just don't sound good this is one that does 2 flac  
28. 06/24/80 Cornwall Coliseum - St. Austell, UK a-   2 flac  
29. 06/26/80 The Brighton Center - Brighton, UK A   2 flac  
30. 07/19/80 Memorial Stadium, U. of Washington - Seattle, WA A+ pererik version 2 flac  
31. 07/19/80 Memorial Stadium, U. of Washington - Seattle, WA A+ alternate version 2 flac  
32. 07/19/80 Memorial Stadium, U. of Washington - Seattle, WA A Finkployd version 2 flac  
33. 07/26/80 Memorial Coliseum - Los Angeles, CA A- LINEAGE AUDIENCE UNKNOWN GENERATION ANALOG>DAT @ 16/48>SONY PCM R-500 DAT> FIBER OPTIC>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (16/48KHZ)> MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS> WAV 16/48>TRADERS LITTLE HELPER FLAC LEVEL 8 2 flac  
34. 08/10/80 Civic Center - Hartford, CT A . Lineage: - Trade CDR - WAV - FLAC 2 flac  
35. 08/10/80 Civic Center - Hartford, CT A   2 flac  
36. 08/31/80 Aloha Stadium - Honolulu, HI B++   2 flac  
37. 09/07/80 Jai Alai Fronton Hall - Miami, FL A- Lineage: Double Silver CD > EAC > WAV > FLAC (Level 8) Double Silver CD "Miami 80" (Amsterdam AMS 9618-2-1/2) 2 flac  
38. 09/07/80 Jai Alai Fronton Hall - Miami, FL a- Unedited EX- Audience Recording (not sourced from the silvers) Lineage: DAT transfer from Master tape>WAV>FLAC>WAV>Audacity (to retrack) >WAV>Trader's Little Helper>FLAC 8 (aligned on sector boundaries)-> You 2 flac  
39. 10/09/80 Mecca Arena - Milwaukee, WI A- This audience recorded show was received in a cassette trade in early 1981 on a TDK-D. The trade occurred in early 1981 so the this is first or second generation recording. Lineage: TDK-D C90 > Tascam 302 > Sony PCM M-10 at 96/24 Wave files edited with CD Wave Editor V. 1.98 > 96/24 and converted to FLAC using Trader's Little Helper V2.8.3.182. Tape conversion and editing by Michael Cariola There are only a couple songs before the show was cancelled due to the audience throwing objects on stage. The person recording the event continued to record as they were leaving the arena. The person even an interviewed audience members. Eventually, you here the acoustics change and the sound of police sirens approaching. It is very intense to listen to. 1 flac  
40. 10/16/80 War Memorial Auditorium - Rochester, NY A Silver CD>EAC>WAV>TLH>FLAC Lv8 2 flac  
41. 11/16/80 Sun Plaza Hall - Tokyo, Japan A Most of the Heaven and Hell tour are really not good. This is a good one. Title: Face Of Evil Source: Excellent Audience Recording, superb quality sound Label: Calm & Storm 2 flac  
42. 11/17/80 Nippon Seinenkan Hall - Tokyo, Japan A+ Lineage : Original Silver -> EAC -> Flac.exe 2 flac  
43. 11/18/80 Sun Plaza Hall - Tokyo, Japan A+ Lineage : Original Silver -> EAC -> Flac.exe 2 flac  
44. 11/18/80 Sun Plaza Hall - Tokyo, Japan A Lineage : Original Silver -> EAC -> Flac.exe ------- Comments ------- This is an outstanding soundboard show from Tokyo, JAPAN. I would say the sounding is 10/10, superb soundboard recording from this Ronnie James Dio era. Since Tony Iommi fell down ill on this show during "Heaven And Hell," they didn't play Paranoid and Children Of The Grave. (In other word, no encore) But still it's really cool to hear Ronnie's Sweet Leaf, N.I.B., and Lady Evil. Complete show. Originally released as "Angel And Demon" bootleg. Not many sound this good 1 flac  
45. 11/20/80 kaikan Hall - Kyoto, Japan B+ Mr Peach AUD recording > ? > silver 2-CD bootleg "The Light Bringer" (Tarantura TCDBS-4-1,2) > WAV -> FLAC 2 flac  
46. 11/21/80 Festival Hall - Osaka, Japan a-   2 flac  
47. 11/21/80 Festival Hall - Osaka, Japan A I didn't rip this but I believe the lineage is trade CD-Rx > WAV (EAC, logs included) > SHN From silvers 2 flac  
48. 11/27/80 Capitol Theatre - Sydney, Australia A Most of 1980 tour is not very good. there are some exceptions this is one. 2 flac  
49. 01/20/81 Hammersmith Odeon - London, England A Source: Ex- Audence Recording Lineage: 2000 Metal Sword Records MS CD 022/23 Boot 2CD-R > WAV > FLAC 2 flac  
50. 08/31/82 Poplar Creek Music Theater - Hoffman Estates, IL 8 Microphones: Sony ECM 33F Tape Deck: Sony TC-D5M Cassettes: Fuji Metal Bias 90 minute tape Recorded with Dolby B but I choose to leave it off on this playback Master Tape > Sony TC-D5M (ORIGINAL UNIT!!) Run Through the Naim 52 Pre-amplifier To the Philips CDR-101 (Marantz CDR-600) [tracked on the fly] ZERO GAIN SETTING! Using CDR Yaiyo Yuden 74-ZY Gold (The best!) Playback in PC with Plextor UltraPlex40max SCSI CD-ROM EAC in paranoid mode to slow the read speed. FLAC > To You Guys, Enjoy RB 2 Flac  
51. 07/24/92 Sunrise Musical Theater - Sunrise, FL a- Excellent or Excellent plus unknown generation audience recording Axefiend's collection A SABBATH DIMERS PROJECT (SDP) UPLOAD 2 flac  
52. 08/09/92 Orpheum Theatre - Boston, MA A Definitive Boston 1992' (Zodiac 045 4CD silver bootleg) Sourced from FM (CD1+2) and pre-FM (CD3+4) FLAC 2 flac  
53. 08/09/92 Orpheum Theatre - Boston, MA a- Definitive Boston 1992' (Zodiac 045 4CD silver bootleg) Sourced from FM (CD1+2) and pre-FM (CD3+4) FLAC 2 flac  
54. 11/21/95 Club Quattro - Nagoya, Japan a- Lineage: Unknown generation audience recording > CDR > WAV > FLAC 2 flac  
55. 01/08/99 San Jose Arena - San Jose, CA A- lineage - soundboard > silvers > EAC wav > TLH flac 8 2 Flac  
56. 02/05/99 Continental Airlines Arena - East Rutherford, NJ 8 Schoeps MK4V's>Schoeps VMS02IB(w/Bass Roll off)>Sony SBM-1(@44.1khz)>Sony TCD-D10PROII Recorded by Flying_Gonz 2 Flac  
57. 12/05/99 Astoria - London, UK a- Very good audience 2 flac  
58. 08/22/13 Rogers Arena - Vancouver, BC A Source: SP-CMC-8 cardioids > SP battery box > Edirol R-09HR @ 24 bit/48 kHz Mastering: .WAV > iZotope RX7 Advanced v7.01.315 (De-click) > Sound Forge Pro 14.0 Build 130 [minor edits, normalize, & fades, Boz Digital Labs T-Bone plug-in (slant EQ)] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.35 (tagging) Recorded by: Chris Bold Mastered by: Dennis Orr 2 flac  
59. 02/27/16 Madison Square Garden - New York, NY A- Schoeps MK41s > Nbob actives > Tinybox (OT) > Sony PCM-M10 wav 24/96 > usb > iMac > Audacity > 16/44.1 Aiff > xAct > FLAC 2 flac  

Blackfoot  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/09/79 Rainbow Music Hall - Denver, CO A FM Broadcast FM Bootleg > EACV1.2 > TLH log file included 1 flac  
2. 07/24/81 Fox Theater - Atlanta, GA a- FM Broadcast of unknown gen from the Krw_co Collection Lineage FM Broadcast Analog of Unknown Generation to CDR Krw Transfer to EAC Secure Wav 16/44.1 to TLH Flac Level 8 1 flac  
3. 09/05/81 County Stadium - Milwaukee, WI B++ Source: Audience capture / rig unknown Transfer: cassette >SONY TC-WE835S >analog out > to SONY- ICD-SX750 PCM / wav recorder 16/44 > USB to desktop > CDWAV (track split) > FLAC level 8 >Stamp ID3 Tag Editor > TLH checksums & torrent. 1 flac  

Bloodrock  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/31/70 Fillmore East - New York, NY B+ There are if any of this band thats why I have it 1 flac  
2. 05/12/12 Unknown - Spokane, WA A BLOODROCK : KPBX 91.1 FM Broadcast Johnson's Improbable History Of Pop Presents: Bloodrock USA Presented by John Johnson & Ben Upham 1 mp3  

Blue Floyd  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/05/00 Webster Theatre - Hartford, CT A From The German Mule-Junkies: Raimax (a.k.a. Rainer) BluesOxator (a.k.a. Christian) Chico1610 (a.k.a. Hans Otto) "One Kickin`Ass !" Mule Project **For the Fans......By the Fans** Taper: unknown Source: DAUD Trade: Jeff Lineage: Trade CDR> (wav) EAC (secure mode)> (flac) Trader's Little Helper, level 6 2 flac  
2. 02/13/00 House of Blues - Myrtle Beach, SC A Lineage: SBD > DAT > DAT clone trade circa 2003 Transfer: Sony DTC-WE700 > Microtrack II wav (48-16) > Wavelab (tracking and tweaking) > wav (44.1-16) > Flac (level 8) > you ! 2 flac  
3. 06/20/00 The Wetlands - New York, NY A Source: Sony ECM-MS907 (next to SBD, DFC, 20' from stage) > Sony MZ-R55 Minidisc Transfer: ?? > CD WAV > Audiograbber 1.80 > FLAC Frontend Recorded by Jordan Miller (chefj100_AT_sbcglobal_DOT_net) 2 flac  
4. 02/10/01 Champagne's - Surrey, BC a- There is a talker that the recorder captured and they would not shutup Source: 2 x unknown Audio Technica lapel mics > Sony TCD-D7 DAT Transfer: DAT master > Tascam DA-30 > Edirol R-44 > .WAV @ 16 bit/48 kHz Mastering: .WAV > iZotope RX7 Advanced v7.01.315 (De-click) > Sound Forge Pro 14.0 Build 130 [splicing; minor edits, normalize, & fades, Boz Digital Labs T-Bone plug-in (slant EQ)] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.0.35 (tagging) Recorded & transferred by: Chris Bold Mastered by: Dennis Orr 2 flac  

Blue Öyster Cult  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/04/73 Rooster Tail Supper Club - Detroit, MI A LINEAGE FM BROADCAST MASTER>FIRST GENERATION COPY>NAKAMICHI DR-1 (w/manual azimuth adjustment) CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS AND EDITS>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) 1 flac  
2. 07/16/74 Independence Hall - Baton Rouge, LA A Source: Maxell UD-90 Cass(m) Transfer: JVC TD-W209 (Playback) > JVC 5010 Standalone > CDR(2) > EAC (secure, offsets correct) > FLAC (level 8, verify enabled) Taper/Transfer: Freezer EAC Extraction+FLAC Encoding: Five 1 flac  
3. 05/17/75 Island Music Center - Commack, NY A preFM soundboard recording CD-R of otherwise unknown lineage > EAC (WAVE) > FLAC Frontend level 8 aligned on sector boundaries (FLAC) 1 flac  
4. 09/20/76 Palace Theater - Albany, NY A Source & Lineage: King Bisuit Flower Hour FM broadcast> cassette> trade cassette (unknown generation)> SONY KA1ES deck> Marantz stand alone CD recorder> Nero for .wav conversion/ track splitting> converted to Flac (level 8) with TLH 1 flac  
5. 10/16/76 Music Hall - Boston, MA A Sony TC-152SD Tape Recorder Sony ECM-99 Stereo Microphone Maxell cassettes Mastered and FLAC'ed by Carl Morstadt (dantalion8@yahoo.com) Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> FLAC Front End (FLAC 8) FLAC files tagged with Foobar2000 Live Show Tagger No EQ'ing. 2 flac  
6. 12/06/77 Selland Arena - Fresno, CA A- Linage: master cassette > ? > Trade cassette (1999) Transfer: Sony TC-WC475 > Sony DTC-ZE700 > E-MU E-DSP Soundcard > 16/48 wav > Wavelab (tracking and tweaking) > Flac (level 8) > you ! whotrader-126-boc-1977-12-06 1 flac  
7. 08/20/79 Selland Arena - Fresno, CA A Source : unknown cassette recorder > 1st gen cassette (Maxell XLII-S90) (Recorded by Robert Diebert) Transfer : Sony TC-WE475 (Azimuth Adjusted) > PC (Line In Creative SB Audigy Fx) Editing : Audacity (Mastering) > Sound Forge (volume) > Wave > TLH (sbe aligned) Flac 8 Lossless Legs - November 25, 2020 posted by kingrue upload #2828 2 flac  
8. 09/29/79 Spectrum - Philadelphia, PA B+ CDR > EAC > FLAC (Trader's Little Helper) 2 flac  
9. 10/12/79 International Amphitheater - Chicago, IL a- LINEAGE WLUP FM BROADCAST ANALOG FIRST GENERATION TO CDR KRW TRANSFER TO EAC TO TLH FLAC LEVEL 8 no eq or any other tampering 2 flac  
10. 12/27/79 Veterans Memorial - Phoenix, AZ B+ Source: FM broadcast. Lineage: 1st Generation Cassette > Behringer Ultra Curve Pro Deq 2496 Equalizer > Tascam cdrw750 > Plex Tool Professional XL > .Wav > Flac. Quality: Excellent, 9/10 Rating. 2 flac  
11. 07/19/80 Memorial Stadium - Seattle, WA A   2 flac  
12. 08/10/80 Civic Center - Hartford, CT 9 Received on 2CDR. This is sourced from pre-FM vinyl (broadcast date 1980-09-14) - probably a direct transfer from vinyl to digital. Re-split to individual tracks with Foobar. 1 Flac  
13. 09/08/80 Old Waldorf - San Francisco, CA A Lineage:SBD > KSAN-FM > ? > Silvers > EAC > WAV > SHN > WAV > FLAC (level 8) 2 flac  
14. 10/13/80 Memorial Auditorium - Buffalo, NY B+   2 flac  
15. 10/17/80 Nassau Coliseum - Uniondale, NY B+   2 flac  
16. 07/30/81 McNichols Arena - Denver, CO A Linage: SBD > ? > Trade cassette (1994) Transfer: Sony TC-WC475 > Sony DTC-ZE700 > E-MU E-DSP Soundcard > 16/48 wav > Wavelab (tracking and tweaking) > Flac (level 8) > you ! 1 flac  
17. 08/12/82 The Worcester Centrum - Worcester, MA A Source: FM Recording By: asterix2112 Release By: SolitaryPine Lineage: FM (107.3, WAAF) -> Reel to Reel -> Cool Edit Pro (fades) -> Flac Checksums: TLH ~ FLAC checksums in MD5 Artwork: SolitaryPine 1 flac  
18. 11/25/83 Cow Palace - Daly City, CA a- Lineage-CDR trade>EAC(flac)>TLH(checksum-torrent)>Dime 2 flac  
19. 01/21/84 Palais de Beaulieu - Lausanne, Switzerland A CDR > EAC > FLAC (Trader's Little Helper) 2 flac  
20. 02/05/84 Maison Des Sports - Clermont Ferrand, France A SOURCE : VG++ 1st gen. stereo audience tape, traded in the 80's. LINEAGE : unknown recording gear (probably walkman with auto-levels) -> -> master Maxell UL type I C60 cassettes -> Nakamichi Dragon (NAAC auto-azimuth) Dolby off for playback -> Zoom H2 -> Goldwave v.5.08 for tracks, edits, bass boost, maximizination at 90% -> TLH 2.4.1 (build 160)-> FLAC level 8 align on sector boundaries 2 flac  
21. 02/14/84 Hammersmith Odeon - London, England A Vinyl > VPI HW 16.5 Record Vacuum > VPI MK III table/Audioquest PT-6 Arm/AT OC-9 Cartridge > McIntosh 4100 > Sony CDRW 33 Pro Cd Recorder > CDRW > WAV > CD WAV > Flac 2 flac  
22. 08/28/89 Calamity Jane's - Las Vegas, NV a- Borrowed 2nd gen cassette -> CDRW700 -> EAC -> Soundforge -> FLAC 2 flac  
23. 02/07/91 Park Place - El Cajon, CA a- Source : unknown cassette recorder > 1st gen cassette (Maxell XLII-S 60x2) (Recorded by Wes Meyette) Transfer : Sony TC-WE475 (Azimuth Adjusted) > PC (Line In Creative SB Audigy Fx) Editing : Audacity (Mastering) > Sound Forge (volume) > Wave > TLH (sbe aligned) Flac 8 Lossless Legs - November 25, 2020 posted by kingrue upload #2828 2 flac  
24. 03/06/96 K-SHE Real Rock Cafe - St. Louis, MO a- Lineage-CDR in trade>EAC(rip and compression)>TLH(md5 and torrent)>Dime From the Midvid box he gratiously sent me to upload KSHE show from St. Louis. According to Hot Rail's Teen Archer was after Harvest Moon but its missing as well as end of Harvest Moon.Eric plugged the Ampeg equipment.Sounds very clear like it was from the radio recording equipment/SBD. David Surkamp of Pavlov's Dog was also on the bill. 2 flac  
25. 02/15/97 Tommyknockers - Farmingdale, NY a- A SMORES DAT MASTER KRW&CO TRANSFER GEAR SONY D7 AND CORE SOUND BINAURAL MICS/KAO KD-4/60 DAT LINEAGE AUDIENCE DAT MASTER(48KHZ)>SONY PCM R-300 DAT>FIBER OPTIC>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (16/48KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS WAV 16/48> TLH FLAC (LEVEL 8) additional lineage: 48 kHz to 44.1 kHz conversion with r8brain by Scabbyman (December 2014) 2 flac  
26. 04/18/97 Buffalo Rose Saloon - Golden, CO A Lineage: sonic studios dsm6 > Sony D7 Transfer: Sony DTC-WE700 > Microtrack II wav (48-16) > Wavelab (tracking and tweaking) > wav (44.1-16) > Flac (level 8) > you ! 2 flac  
27. 02/04/98 The Edge - Palo Alto, CA a- Unknown Digital Audience Trade CDs >FLAC (Level 8) Via xACT 2.47 2 flac  
28. 08/09/01 Weber County Fair - Ogden, UT a- 8th Row, Right; Neumann AK-40s (x/y) >LC3 >KM-100s >Beyer MV-100 >SBM-1 >Sony TCD-D7 DAT Master Master DAT Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o. CDR >FLAC (Level 8) + Tags Via xACT 2.47 (Left Channel Preamp Battery Began To Fail Near End Of Show) Last Twentynine Minutes Of Show [Complete Disc 2] Had to Be Bridged From Right Channel When Transferred To CDR.) [2024] FLAC >WAV >Audacity (Combine Last Three Songs That Had Been Converted To Mono To A One-Track File, Add .30 Milliseconds Of Silence To Copied Left Channel To Mimic A Stereo Effect, Re-Track) FLAC (Level 8) + Tags Via xACT 2.53 Recorded, Transferred, Audacity, FLAC, Tag, And Front Cover Artwork By OldNeumanntapr 2 flac  
29. 02/10/02 Bonnema Brewery - Atascadero, CA A FOB, Right; Neumann AK-40's (x/y) >LC3 >KM-100's >Beyer MV-100 >SBM-1 >Sony TCD-D7 DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO Via Analog i/o. (DAT Was EQ'ed When Transferred To CDR) Level Knob Got Bumped Briefly During 'Cities On Flame'. CD Masters >FLAC (Level 8) Via xACT 2.28. FLAC >WAV >Audacity (Smooth Out Level Imbalance In 'Cities On Flame', De-Amplify Selected Close-Proximity Hand Claps, Smooth Transition Between Disc I And Disc II) Fix SBE's >FLAC (Level 8) + Tags Via xACT 2.53. Recorded/Transferred, Audacity Post Production, Tags, & Front-Cover Artwork By OldNeumanntapr (Re-Master April 2024) 2 flac  
30. 02/14/03 Canyon Club - Agoura Hills, CA a- A Smores Dat Master Krw&co Transfer Source : Core Sound Binaural Mics (w/Bass Roll Off) > Sony PCM-M1 DAT (Maxell HS-4/60s) Lineage Audience Dat Master(48khz)> Sony Pcm R-300 Dat> Fiber Optic > Creative Soundblaster X-fi HD Model #SB1240 Wav (16/48khz)> Magix Audio Cleaning Lab For Track Marks Wav 16/48 Editing : dBpoweramp conversion (16/44) > Sound Forge (volume +4 dB) > Wave > TLH (sbe aligned) > Flac 8 Lossless Legs - December 29, 2020 posted by kingrue 2 flac  
31. 03/08/03 Janus Landing - St Petersburg, FL A SOUNDBOARD MASTER RECORDING A+ RECORDED BY JIM FIESLER Seeded @ dimeadozen.org by avnut 2/15/08 Stereo Soundboard Recording>Sony D-8 @ 44.1 XLR 1/8" DAT Master>CDR>EAC>WAV>Flac Level 8 Uncirculated SBD Master Recording > Shared With You! Share The Music, Enjoy. Peace! 2 flac  
32. 05/26/04 Soldier memorial - St. Louis, MO a-   2 flac  
33. 04/22/06 Plymouth Memorial Hall - Plymouth, MA a-   2 flac  
34. 06/08/08 The Brook - Southhampton, UK B++ right channel is really low 2 flac  
35. 06/11/08 The Forum - London, UK a-   2 flac  
36. 06/14/08 The Ferry - Renfrew, Glasgow, Scotland a- cdr rip 2 flac  
37. 07/30/08 Yamhill County Fairgrounds - McMinnville, OR 8 Source: SP-CMC4 Hypers > SP-SPSB-6 w/ bass roll-off @ 195kHz > Nomad Jukebox 3 Transfer: NJ3 > USB > cdWAV(track splits) > flac lv`8 > dime 2 Flac  
38. 03/05/10 Crocodile Rock - Allentown, CA a-   2 flac  
39. 03/06/10 Unknown - Foxboro, MA A   2 flac  
40. 05/03/10 Unknown - Allentown, PA A   2 flac  
41. 05/28/10 Tioga Downs Racino - Nichols, NY A   2 flac  
42. 06/03/10 Unknown - Sioux Falls, SD a-   2 flac  
43. 07/11/10 Infinity Hall - Norfolk, CT 8 Lineage>Tascam DR-100-Internal cardiods- 44.1khz/16bit>TLH-Flac 6-Checksum-Torrent 2 Flac  
44. 09/04/10 the Commons - New Lenox, IL A cdr rip 1 flac  
45. 10/10/10 Colonial Th., - Keene, NH 8 Lineage>Tascam DR-100-Internal cardiods- 44.1khz/16bit>TLH-Flac 6-checksum-torrent 2 Flac  
46. 11/05/12 Best Buy Theater - New York, NY AA Recorded by bcironmaiden - Some talkers and singers , not too bad in the mix though ! Recorded w/ SP-CMC-8 Sound Professionals Deluxe Audio Technica Cardioid Stereo Microphones > SP-SPSB-1 Sound Professionals Mini Battery Module > Olympus LS-10 Linear PCM Recorder HD > CD Wave Editor 48khz/24bit > 44khz/16bit & Track Split > TLH ( Flac 8 ) > You 2 flac  
47. 12/17/12 Unknown - New York, NY A   2 flac  
48. 12/07/13 Magic City Casino - Miami, FL A Source: Schoeps MK41 Cards - Followingbob Actives - Naiant Tinybox Transfo Out - Sony M10 (24-48) Transfer: Micro SD card > wav file > Adobe Audition > Normalize-Downsample > CD Wave Cut > TLH > FLAC level 8 & Align on SB Recording Location: 10' Right Stack Recorded by: Datfly 2 flac  
49. 05/23/14 Wolf Den @ Mohegan Sun Casino - Uncasville, CT a-   1 flac  
50. 07/25/15 Ramblin' Man Festival - Maidstone, Kent, UK A cdr rip 1 flac  
51. 11/06/15 Scottish Rite Auditorium - Collingswood, NJ A- source : schoeps mk-4v > actives > nbox platinum > sony pcm-m10 > 24/44.1 wav adobe audition 7 > ozone 5 > sample manager > xACT 2.34 > flac 16 taper : edtyre 2 Flac  
52. 04/07/16 BB Kings - New York, NY A Recorded by bcironmaiden Recorded w/ SP-CMC-8 Sound Professionals Deluxe Audio Technica Cardioid Stereo Microphones > SP-SPSB-1 Sound Professionals Mini Battery Module >Sony M-10 > HD > 96khz/24bit > CD Wave Editor Track Split > TLH ( Flac 8 ) > You 2 flac  
53. 09/30/16 First Energy Park - Lakewood, NJ B++ Microphone Madness BSM-8 Mics > Sound Professionals SP-SPSB-8 Battery Box > Sony PCM M-10 (MASTER RECORDING) > 24-BIT, 48kHz Wav > Adobe Audition 3.0 > iZotope Ozone 9 > iZotope RX7 > FLAC (Level 5). 1 flac  
54. 10/19/18 Gas Monkey - Dallas, TX A Source info: AT831 cards(3-wire)>AT8538x>Naiant Tinybox(P48)>Sony PCM-M10(24/96)>Adobe Audition CS6(normalize, tracking)>Ozone 7(mastering, resample/dither)>TLH>Flac(8) 2 flac  
55. 03/14/19 Unknown - Downey, CA a- SP-CMC-4U -> BB -> DR-2d 2 flac  
56. 08/18/19 Unknown - West Vancouver, BC a- Taper: LeifH Source: CA-11 (cardioid) > Bat2B > Zoom H1 @ 16/48 > microSD card Transfer: Memory card > PC via USB > Wavepad Masters Edition (edits, amplify, tracking, 16/44.1) > flac (8) via TLH 2 flac  
57. 11/29/21 Riviera Theater - North Tonawanda, NY A 16 bit version A Poignant Pros recording by Binko Gear/Lineage: CA11s > Tascam DR-08 > USB > Adobe Audition 1.5 (EQ, peak limiting, splits & fades) > Xrecode III (conversion to 16/44.1) > TLH (sector alignment, flac 8) 2 flac  

Bob Dylan http://bobdylan.com
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/39 Acetates on the Tracks - Vol 1-4 - Compilation, Compilation A+ BOB DYLAN Acetates On The Tracks Vol.3 (1974-1984) Studio outtakes Liberated Howling Wolf Records bootleg 1 flac  
2. ??/??/39 Odds & Ends 1962-1985 Outtakes & Miscellaneous - Various, Various A SOURCE: Studio & Audience LINEAGE: silver bootleg CD > CD-R (trade) > EAC wav (hard drive) > Trader's Little Helper flac level 8 & torrent > HungerCity NOTES: http://bobsboots.com/CDs/cd-o02.html 2 flac  
3. 02/14/74 The Forum - Inglewood, CA 9   1 Flac  
4. 02/14/74 The Forum - Inglewood, CA 9   2 Flac  
5. 02/14/74 Forum - Afternoon - Inglewood, CA 9   2 Flac  
6. ??/??/75 Various - Various, Various a- Vinyl Disc One: Blank Yellow Labels Disc Two: Blank White Labels Transfer Details: Good/Very Good Vinyl Discs > Technics SL-110/SME 3009 Series 111/Goldring G1010 > Onkyo P-304 Pre Amp > Soundforge 9 > FLAC Level 6 Align on sector boundaries A few severe clicks were removed but no other alterations of any kind Artwork included (Scanned from Original Insert) for Plastic Envelope to represent Vinyl Reproduction sleeve JTT October 2009 4 flac  
7. 02/28/78 Nippon Budokan Hall - Tokyo, Japan A+ silvers 2 flac  
8. 03/01/78 Nippon Budokan Hall - Tokyo, Japan A+ silvers 2 flac  
9. 06/01/78 Universal Amphitheater - Los Angeles, CA AA Bob Dylan Universal Amphitheatre Los Angeles, CA June 1, 1978 Mike Millard first gen via JEMS The Lost and Found Mike the MICrophone Tapes Vol. One Recording Info: AKG 451E mics (CK-1 capsules) > Nakamichi 550 JEMS 2014 Transfer: first-generation reel copy (3-3/4 IPS) made by Mike Millard for SG > Otari 5050 mkII azimuth-adjusted transfer > Sound Devices USBPre 2 > Audacity 2.0 (24/96) capture > iZotope RX3 > Peak 6.0 with iZotope Ozone 5 (pitch correction) > iZotope RX MBIT+ resample 16/44.1 > Peak Pro XT (indexed) > xACT 2.2.1 > FLAC 01 Rainy Day Women # 12 & 35 02 One Of Us Must Know (Sooner Or Later) 03 You're A Big Girl Now 04 One More Cup Of Coffee (Valley Below) 05 Blowin' In The Wind 06 I Want You 07 Señor (Tales Of Yankee Power) 08 Masters Of War 09 Just Like A Woman 10 To Ramona 11 The Man In Me 12 Band Introduction 13 It's Alright, Ma (I'm Only Bleeding) 14 Forever Young 15 The Times They Are A-Changin' JEMS is pleased to release the first in a series of recordings made by legendary taper Mike Millard, AKA Mike the MICrophone, best known for his masters of Led Zeppelin in and around LA circa 1975-77. The 14 first-generation tapes (ten cassettes and four reels) were sent by Millard to SG, the beloved S in JEMS, in the mid-'80s after the pair had met in person in Orange County on two occasions. To the best of our knowledge, none of the eight shows (spanning the 14 tapes) has ever been attributed as a Millard recording. In fact, there are no extant references we are aware of to Millard ever recording Bob Dylan or Bruce Springsteen, the two artists captured on the tapes. Several of the tapes we believe are uncirculated; others may be out there, but not credited as Millard's work. Even those that turn out to be previously circulated (and there is at least one confirmed so far) will be released in this series from verified first-generation tapes made by Millard himself and marked/ notated in his signature manner. As such, we expect all of them to be upgrades at a minimum and new sources in many cases. At this point you might be asking yourself, "So if JEMS received these Millard tapes in the mid-'80s, why haven't they circulated previously?" Fair question. And in condensed form, here is the answer, which also provides the "Lost" portion of our series title: Twenty-six years ago, Millard sent SG a box of tapes. I remember having it my hands in 1986 at SG's house, right after it arrived in the mail. But that was the last time I ever saw the box. It disappeared. Nearly all of SG's tapes have since been consolidated into the JEMS North archive, but we never found the box of Millard tapes. Over the years, my memory faded of what was in the box. I thought there were Springsteen shows, but that fuzzy notion was all I could recall. Now to the "Found": A few months ago, WG, a long-time collector friend of SG, contacted him and said, "I found a box of tapes of yours when I was moving furniture." Sure enough it was the Millard tapes and more. Turns out WG borrowed the tapes and some other SG masters after a Dylan show in 1986 and the box wound up misplaced and forgotten about by both parties, only to be rediscovered 28 years later. Once the box was returned, SG sent it to me at JEMS South where we proceeded to make fresh transfers of its contents. If there's any mildly disappointing element to this otherwise charming story, it is that none of the lost Millard tapes are of previously uncirculated shows; there are other recordings by other tapers of all of them. But the good news is the quality of most of them is indeed up to Millard's legendary standards. There are some excellent pulls here, and in at least one case, Millard's recording is more complete than the circulating source. Our series opens with Dylan's summer residency at the Universal Amphitheatre in June 1978. This recording is of the opening night of the run, but the tape is incomplete. Millard's notes state: "Missed first half of concert. Only recorded from intermission on." But what Millard did record is, to my ears, awfully good. I haven't compared it to the two other known recordings (per Lossless Bob) of this show, but it is hard to imagine they could top this. The notes don't confirm Millard's infamous wheelchair taping set up, but they do confirm exactly what microphones were used (AKG 451E with CK-1 capsules) and his familiar Nakamichi 550 recorder. Interestingly, at another show in this run, Millard used a completely different set of gear, but we'll get to that when the time comes. Millard's notes (posted in the comments section and included in the torrent) also famously warn the recipient, "This tape has been electronically coded. If this recording is reproduced and falls into the wrong hands I will know where the original source came from. Please do not reproduced (sic) this tape." Sadly, we can't request Millard's permission, given his untimely passing in 1990. But we hope enough time has passed that we can honor his work by sharing it in a manner he could have never dreamed would be possible three decades ago. If you'd like to learn more about Mike the MICrophone, the links below fill in some of his story. Millard's Wikipedia page http://en.wikipedia.org/wiki/Mike_Millard The best article written about Millard has been deleted from the original website but is reprinted here: http://www.classicrockforums.com/forum/f6/led-zeppelin-official-thread-6185/index164.html Thanks to WG for finding the tapes and to SG for providing JEMS with another fascinating chapter of taping history. Here's to Mike the MICrophone and to finding lost tapes. BK for JEMS 2 flac  
10. 06/03/78 Universal Amphitheater - Los Angeles, CA AA Mike Millard first gen via JEMS The Lost and Found Mike the MICrophone Tapes Vol. Two Recording Info: AKG 451E mics (CK-1 capsules) > Nakamichi 550 JEMS 2014 Transfer: first-generation reel copy (3-3/4 IPS) made by Mike Millard for SG > Otari 5050 mkII azimuth-adjusted transfer > Sound Devices USBPre 2 > Audacity 2.0 (24/96) capture > iZotope RX3 > Peak 6.0 with iZotope Ozone 5 (pitch correction) > iZotope RX MBIT+ resample 16/44.1 > Peak Pro XT (Indexed) > xACT 2.21 > FLAC (Seamless transfer, disc break is only a suggestion) JEMS is pleased to release the second of a series of recordings made by legendary taper Mike Millard, AKA Mike the MICrophone, best known for his masters of Led Zeppelin in and around LA circa 1975-77. For further details on how these tapes came to be lost and found again, as well as JEMS' history with Mike Millard, 2 flac  
11. 06/07/78 Universal Amphitheater - Los Angeles, CA AA Mike Millard first gen via JEMS The Lost and Found Mike the MICrophone Tapes Vol. Four Recording B Info: Nakamichi CM-50 microphones > Uher CR-240 cassette recorder JEMS 2014 Transfer: first-generation reel copy (3-3/4 IPS) made by Mike Millard for SG > Otari 5050 mkII azimuth-adjusted transfer > Sound Devices USBPre 2 > Audacity 2.0 (24/96) capture > pitch correction > iZotope RX MBIT+ resample 16/44.1 > Peak Pro XT (volume smoothing / edit / index) > xACT 2.21 > FLAC 2 flac  
12. 11/18/79 Civic Auditorium - Santa Monica, CA AA Mike Millard first gen via JEMS The Lost and Found Mike the MICrophone Tapes Vol. Five Recording Info: AKG-451E microphones > Uher CR-240 cassette recorder JEMS 2014 Transfer: first-generation reel copy (3-3/4 IPS) made by Mike Millard for SG > Otari 5050 mkII azimuth-adjusted transfer > Sound Devices USBPre 2 > Audacity 2.0 (24/96) capture > pitch correction > iZotope RX MBIT+ resample 16/44.1 > Peak Pro XT (volume smoothing / edit / index) > xACT 2.21 > FLAC 2 flac  
13. 11/19/79 Civic Auditorium - Santa Monica, CA AA Bob Dylan Civic Auditorium Santa Monica, CA November 19, 1979 Mike Millard first gen via JEMS The Lost and Found Mike the MICrophone Tapes Vol. Seven Recording Info: AKG-451E microphones > Uher CR-240 cassette recorder JEMS 2014 Transfers: Part One: First-generation reel copy (3-3/4 IPS) made by Mike Millard for SG > Otari 5050 mkII azimuth-adjusted transfer > Part Two: First-generation cassette copy made by Mike Millard for SG > Nakamichi CR-7A azimuth-adjusted transfer > Sound Devices USBPre 2 > Audacity 2.0 (24/96) capture > pitch correction > iZotope RX MBIT+ resample 16/44.1 > Peak Pro XT (volume smoothing / edit / index) > xACT 2.21 > FLAC Reel Source 101 Gotta Serve Somebody 102 I Believe In You 103 When You Gonna Wake Up 104 When He Returns 105 Man Gave Names To All The Animals 106 Precious Angel 107 Slow Train 108 Covenant Woman 109 Put Your Hand In The Hand (Regina Havis) 110 Gonna Change My Way Of Thinking Cassette Source 201 Do Right To Me Baby (Do Unto Others) 202 Solid Rock 203 Saving Grace 204 Saved 205 What Can I Do For You? 206 In The Garden 207 Band Introduction 208 Blessed Be The Name 209 Pressing On JEMS is pleased to release the seventh (six Dylan, one Springsteen) in a series of recordings made by legendary taper Mike Millard, AKA Mike the MICrophone, best known for his masters of Led Zeppelin in and around LA circa 1975-77. For further details on how these tapes came to be lost and found again, as well as JEMS' history with Mike Millard, please refer to the notes in Vol. One http://www.dimeadozen.org/torrents-details.php?id=500680 Installment No. 7 is, sad to say, the last of the Dylan recordings made by Millard and given to SG of JEMS. It is the second of a four-night run at the Santa Monica Civic Auditorium in the midst of the vibrant Gospel Tour and a performance every bit as potent as the first show, sharing the identical set list (as did the entire tour), but with even more on-stage testifying from Bob. It is also another admirable example of great work from Millard. Based on the sound, he is in a very similar seat to night one, close to the PA with a quiet crowd around him, and the AKGs + Uher yield a mighty impressive pull. Samples provided. You’ll note that this recording comes from two different tape sources, one reel to reel the other cassette. All told, Millard sent SG a box containing four reels and ten cassettes, and the first 50 or so minutes of the 11/19 show was used to fill out side two of the reel containing the full 11/18/79 recording. But Millard also dubbed a copy of the complete 11/19 Dylan set on cassette, though on this night it seems he did not record the opening songs by the back-up singers, so the both the reel and cassette copies of the show start with “Gotta Serve Somebody”. Given its faster speed and wider tape, the reel copy is slightly richer sounding than the cassette copy, so we’ve elected to share all of the reel source and pair it with the remaining part of the show from the cassettes to form the complete set. The difference is subtle between the sources, but in the spirit of transparency we’re telling you. Lossless Bob has four entries for this show that appear to tie back to the same underlying recording (which may or may not be Millard’s tape, we haven’t confirmed, though at least one version of those recordings has the opening gospel numbers). Even if it is Millard’s, this should be a bigger upgrade to circulating sources than 11/18 was, based on the ratings given to the extant sources on Lossless Bob as it is another excellent, up-close capture. Sadly, we have reached the end of Millard’s Dylan tapes that we know of. For those of you keeping score at home, there are still two more Millard tapes to go, both Springsteen shows. We hope you’ve found Millard’s Dylan work as ear-opening as we have. It is has been our pleasure to be able to present it to you. If you'd like to learn more about Mike the MICrophone, the links below offer a glimpse of his story. Millard's Wikipedia page http://en.wikipedia.org/wiki/Mike_Millard The best article written about Millard has been deleted from the original website but is reprinted here: http://www.classicrockforums.com/forum/f6/led-zeppelin-official-thread-6185/index164.html Thanks again to WG for finding the tapes and to SG for providing JEMS with another fascinating chapter of taping history and there have been many. Also, JEMS continues to depend on mjk5510 for his vital contributions to get these recordings into your hands. He is an essential part of the process at this point. Here's to the late, great Mike the MICrophone and to finding more lost tapes. BK for JEMS 2 flac  
14. 02/05/94 Sun Plaza Hall - Sendai, Japan A COS 11 PT -> D3 - clone -> (digital transfer) m-audio delta audiophile 2496 -> Wavelab -> ssrc -> cdwave for tracking -> tlh 2 flac  
15. 08/08/97 Darien Lake Performing Arts Center - Darien Center, NY A Taped with Scheops Mics and Dat recorder>Clone to me> File cloned in Microtrack using a Tascam Dat deck> Goldwave tracking>TLH8 Producer Dolphinsmile for the Dolphinsmile Archive 2 flac  
16. 02/17/98 Fox Theatre - St. Louis, MO A- dat clone>file cloned in Microtrack using a Tascam Dat deck>Goldwave tracking> TLH8 Produced by Dolphinsmile for the Dolphinsmile Archive 2 flac  
17. 04/25/01 Southeast Missouri State University - Show Me Cent - Cape Girardeau, MO A From Lossless Bob: B&K 4021>sonosax>sbm1>d8 excellent sound (a bittorrent from 02/14 is same recording with same wav and spectral and levels and has the d1t1 intro not faded in like this one but has all of d1t1 at mono; also has discontinutities between tracks instead of gaps; described as "unknown source, no further informations, (perhaps the same recording as LB-0059, LB-6062 and LB-7596 ?)" with filenames like "Dylan_2001_04_25_Cape Girardeau_D1_01.flac"; xref-01379) bad mic/dat sounding noise on cd1t1 removed by carefully replacing bad parts on left channel with good right channel; has small gaps between tracks 2 Flac  
18. 06/15/08 Palazzo delle Albere - Trento, Italy A- (MRDR Master Series Volume 72) Recording: Sony ECM717 > Sony MZ-R700 MD Transfer: MiniDisc Master > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.39 > FLAC 2 flac  
19. 03/21/10 Zepp Tokyo - Tokyo, Japan A+ Bootleg:Voice of promise #1 Label:XAVEL Silver Masterpiece Series-010 Silver cds>EAC (secure mode)>TLH (level-8)>md5 artwork incluided 2 flac  
20. 03/23/10 Zepp Tokyo - Tokyo, Japan A+ Bootleg:Voice of promise #2 Label:XAVEL Silver Masterpiece Series-011 Silver cds>EAC (secure mode)>TLH (level-8)>md5 artwork included 2 flac  
21. 03/24/10 Zepp Tokyo - Tokyo, Japan A+ Bootleg:Voice of promise #3 Label:XAVEL Silver Masterpiece Series-012 Silver cds>EAC (secure mode)>TLH (level-8)>md5 2 flac  
22. 03/25/10 Zepp Tokyo - Tokyo, Japan A+ Bootleg:Voice of promise #4 Label:XAVEL Silver Masterpiece Series-013 Silver cds>EAC (secure mode)>TLH (level-8)>md5 2 flac  
23. 03/26/10 Zepp Tokyo - Tokyo, Japan A+ Bootleg:Voice of promise #5 Label:XAVEL Silver Masterpiece Series-014 Silver cds>EAC (secure mode)>TLH (level-8)>md5 2 flac  
24. 03/28/10 Zepp Tokyo - Tokyo, Japan A+ Bootleg:Voice of promise #6 Label:XAVEL Silver Masterpiece Series-015 Silver cds>EAC (secure mode)>TLH (level-8)>md5 2 flac  
25. 03/29/10 Zepp Tokyo - Tokyo, Japan A+ Bootleg:Voice of promise #7 Label:XAVEL Silver Masterpiece Series-016 Silver cds>EAC (secure mode)>TLH (level-8)>md5 2 flac  
26. 06/10/22 Fox Theater - Oakland, CA A recorded by vortexzephyr> CA11 mics on hat> zoom q2n @ 16/44.1, middle mezzanine row j cut tracks with audacity> flac with tlh 2 flac  
27. 10/06/22 Verti Music Hall - Berlin, Germany A Lineage: >Neumann AK40 >Neumann MTX 191 A >Sound Devices Mixpre-3 (24bit/48khz ) >USB 2.0 >PC >dbPowerAmp14 16bit/44,1KHz(ssrc)>WaveLab 6.10 >TotalCommander (md5) >µTorrent 3.5.5 2 flac  
28. 10/20/22 The Palladium - London, England A recorded by spot (48-24 resolution)using a Roland R 09 with internal mics mastered by audiowhore 2 flac  
29. 10/28/22 Motorpoint arerna - Nottingham, UK A recorded by spot (48-24 resolution)using a Roland R 09 with internal mics mastered by audiowhore 2 flac  
30. 11/02/22 O2 Apollo - Manchester, UK A recorded by spot (48-24 resolution)using a Roland R 09 with internal mics mastered by audiowhore uploaded by the Caretaker 2 flac  

Bob Dylan & Paul Simon  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/18/99 Star Lake - Burgettstown, PA a-   3 flac  
2. 09/12/99 The Cajundome - Lafayette, LA a-   3 flac  

Bob Seger https://www.bobseger.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 08/08/75 Whiskey-A-Go-Go - Los Angeles, CA A Source: FM Quality: Ex Lineage: FM>Master Cass.>DAT>CDR>EAC>.WAV>.FLAC 1 flac  
2. 12/01/78 Chicago Stadium - Chicago, IL A Lineage: CD>EAC>TLH>FLAC 2 flac  
3. 04/09/80 The Summit - Houston, TX B+ barely made it 2 flac  
4. 11/24/80 Hippodrome - Paris, France a- Recorded using a Sony TCD5 M and a couple of Phonia powered mics. Cassette played on a Marantz SD 4051 deck, to Zoom H4, SD card to PC, Audacity editions, FLAC (TLH). 0 flac  

Bob Seger & The Silver Bullet Band https://www.bobseger.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 07/08/74 Ebbet's Field - Denver, CO A This Bob Seger is a great one and there are very few of them. Review: Digital Dan Recorded live at Ebbet's Field in Denver, Colorado on July 8th, 1974. An incredible find and a great sounding radio broadcast on KVPI 105.9FM. Taken from the original reel-to-reel tapes used the broadcast the concerts. Captures Bob a bit over a year before he finally found success. Any and all Seger fans should have this show! Sound quality is EX+. Downloaded from BuddyRO at BootCity, Feb. 2006; Re-posted on DIME by TheCommish June 2011 1 flac  
2. 06/23/76 Beginnings Club - Schaumburg, IL A *about the SQ of track 6. (jandanfan explanation) Indeed, it looks like the speed is changing a lot. IMHO the speed variations are only heard in the organ parts.(at 0:15;1:00;1:36..). If you listen clearly, the pitch of bob's voice and the guitar (in the right channel), drums etc doesn't change. I think it's a little joke of the organplayer who fiddled around with his knobs. FM broadcast soundboard CDR > plex tool professional XL > wav > flac. 1 flac  
3. 11/25/76 Seattle Center Coliseum - Seattle, WA A Lineage: ANA(M)>WAV [96kHz/24bit]>WAV [44.1kHz/16bit]>FLAC [Level 8] Transfer: Nakamichi CR-7A>PreSonus FireStudio Project>Adobe Audition 3.0>Cdwave editor>FLAC frontend 1.7.1 Taping Gear: Sony TC-55, Sony ECM-22P Mic Taped By: JEMS Transferred By: Mike Ziegler 2 flac  
4. 03/21/77 Music Hall - Boston, MA A 1st generation cassette > behringer ultra curve pro deq 2496 equalizer > tascam cdrw750 > plex tool professional XL > wav > flac. 2 flac  
5. 06/05/77 City Park Stadium - New Orleans, LA A+ MC>playback on JVC 209 cassette deck>JVC 5010 standalone>maxell audio cdr>EAC [secure mode/offset correct].wav.Flacfrontend[Ver. 1.7.1]Level 6>flac 1 flac  
6. 10/28/77 Hemmerlein Halle - Neunkirchen, Germany 8.5 source: analog audience recording gen: 2nd taper: HR transfer: master cassette -> cassette -> R2R (BASF DP 26) -> Uher Royal DeLuxe RtR -> Adobe Audition -> cdwave -> TLH (flac) digital transfer/edit by mossa 2025-12 (24-48) 2 Flac  
7. 09/08/78 Nassau Coliseum - Uniondale, NY 8 source: analog audience recording gen: 2nd taper: ? cassette provided by: ? transfer: cassette -> Onkyo TA 2051 -> Adobe Audition -> CDWave -> TLH (flac) digital transfer/edit by mossa 2024-10 (24-48) 2 Flac  
8. 09/22/78 Boston Garden - Boston, MA a- Audience Stereo Master (Probably Nakamichi Mics and Deck) Master Cassette > CDR > EAC secure > Audacity (edits) > CD Wave (tracks) > FLAC Nakamichi MR-1 > Tascam CD-RW900 Azimuth Aligned; Dolby B decoded, no processing or EQ Total Time - 94:53 Thanks to FF for the cassettes Transfer and encoding by Steve Hopkins 2 flac  
9. 06/15/80 Cobo Hall - Detroit, MI A+ SOURCE: Commercial bootleg - "Old time rock & roll again - Live in concert - Live Radio Broadcast Cobo Arena, Detroit, Michigan" MANUFACTURER: Decibel CATALOG: 32029 FORMAT: 2CD - 680 MB FLAC compressed RUNNING TIME: 1:41:30 LINEAGE: Original silver CD > EAC > WAV > Trader's Little Helper > FLAC Artwork included One of his best recordings you don't get the a+ unless its excellent 2 flac  
10. 12/04/80 Congress Centrum Saal - Hamburg, Germany 8.5 source: analog audience recording gen: 2nd taper: ? transfer: master cassette -> cassette -> R2R (BASF DP 26) -> Uher Royal DeLuxe RtR -> Adobe Audition -> cdwave -> TLH (flac) digital transfer/edit by mossa 2025-12 (24-48) 2 Flac  
11. 04/16/83 Cow Palace - Daly City, CA A Cdr trade>eac>wav>Flac>TLH>you 2 flac  
12. 04/22/83 The Forum - Los Angeles, CA A source: nakamichi cm300 (cp1) > sony tcd5m transfer from master cassettes taper: markp There has been none since Live Bullet that was worth listening to or keeping. Not even the newer boots. I don't know where the good ones are but if you have any share please 2 flac  
13. 06/22/83 The Spectrum - Philadelphia, PA a- Source: Nakamichi mics > Sony WM-D6 (TDK-MA Metal) (recorded by Tape Man Joe vol. 14) Transfer: Kenwood KX-4070 cassette deck > TDK-DA3826 standalone cd burner (44.1 kHz) (transfer by george14k) Editing: Soundforge (tracking) > Wav (Eac tested) > TLH (sector boundary aligned) Flac level 8 2 flac  
14. 08/11/86 Saratoga Performing Arts Center - Saratoga Springs, NY A lineage: SBD > ? > CDRx > EAC > FLAC 8 2 flac  
15. 02/05/87 Myriad - Oklahoma City, OK A- Taper: mjk5510 Recording: 2 x Sony ECM33F Mics > Marantz PMD 430 Location: Section 309, Row A, Seat 14 (Lower balcony, left side of stage) Transfer: Master Tapes > Nakamichi DR-01 (azimuth adjusted) > USB PreSound Devices > Audacity 2.1.1 (24/96) > Peak Pro 6 (pitch adjusted) > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.39 > FLAC 2 flac  
16. 04/09/11 HSBC Arena - Buffalo, NY A Taper: The Producer Source 1: Maranz PMD620 > Cool Edit Pro > .wav > Flac Source 2: ??? a really bad, bad tape recorder.... > Flac > Cool Edit Pro Source 3: bigdaddybflo Recording - Matrix IEM / 2 Aud Feed 2 flac  
17. 08/30/17 Resch Center - Green Bay, WI A Recording: DPA 4021s > Sonosax SX-M2 > Sony PCM-M10 (24/48) Transfer: Sony PCM-M10 > USB > Audacity (Resample, Dither to 16/44.1) > CDWav > FLAC (TLH) 2 flac  
18. 08/30/17 Resch Center - Green Bay, WI A ecording: DPA 4021s > Sonosax SX-M2 > Sony PCM-M10 (24/48) Transfer: Sony PCM-M10 > USB > Audacity (Resample, Dither to 16/44.1) > CDWav > FLAC (TLH) 2 flac  

Bob Welch  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/22/78 Paramount Theatre - Seattle, WA AA   1 flac  

Bon Jovi http://www.bonjovi.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 03/19/87 Cincinnatti Gardens - Cincinnati, OH A Westwood One Superstar Concerts Show #88-D for the weekend of October 14-16 1988 Cincinnati Gardens, Cincinnati, OH on March 19, 1987 LPs used for radio show > CD-R > XLD > AIFF > Audacity (edit) > FLAC The LPs have lots of scratches that make noise. 1 flac  
2. 07/21/10 Rogers Centre - Toronto, ON A- SP-CMC-8 (Cards) > Iriver Ihp-120 (Rockboxed) > Soundforge 9 > Cdwav > Flac 5. Recorded & Edited by BurnBoy 2 Flac  

Bonnie Raitt http://www.bonnieraitt.com
  Date Venue - City, State Sound Rating Notes Media  
1. 04/15/73 Max's Kansas City - New York, NY A rate=44.1kHz from=js2 source=aud time=? quality=10 note=Bonnie Raitt (guitar, vocals), Freebo (bass), Bill Payne (piano), note=Ritchie Hayward (drums), Lowell George (guitar), John Hall (guitar) note=received in snail mail CDR trade mid 1990's note=uploaded to shnflac.net (lossless legs) bit torrent apr-2023 by dathead2 note=Little Feat performed a set before each of Bonnie's sets (have their recording too) note=no sure why Bonnie's sets are so short, possibly incomplete? note=digital edits: general cleanup & pitch correction (no NR or EQ) by jeffS note=master cassettes (unknown mics) > reels (mostly at 7.5 ips speed) > PC > CDR > HDD note=user thegrape on archive.org says: "I recorded both Bonnie Raitt and Little Feat sets that night. SONY TC-126 portable stereo cassette deck with a SONY F-99S stereo unidirectional microphone" note=on 2xCDR & HDD 2 flac  
2. 08/12/78 Santa Cruz Fairgrounds - Watsonville, CA 8.5 with members of Little Feat; Sam Clayton, Bill Payne, Paul Barrere also, John Hall and Norton Buffalo 2 Flac  
3. 07/05/79 Orpheum Theater - Minneapolis, MN AA LINEAGE KISW FM BROADCAST REEL MASTER @ 3 & 3/4 IPS>AKAI GX 4000-D REEL TO REEL> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS EDITS AND VOLUME ADJUSTMENT>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) 1 flac  
4. 09/19/79 Madison Square Garden - New York, NY B++ FLAC master, 25 June 2020, by elegymart: Analog audience recording (mono) {recorded by Gene Poole}: unknown mics/recorder > 1977-79 Ampex 371 Plus Series (Type I Normal) 90-minute analog audio master cassettes {from the Gene Poole collection} > 1977-79 Ampex 371 Plus Series (Type I Normal) 90-minute analog audio cassettes > re-shelled to 1985-86 Maxell UR 90 (Type I Normal) and 1985 US TDK D 90 (Type I Normal) analog audio cassettes > Sony TC-WE435 (azimuth adjustment) > Roland R05 (24/96) > Cool Edit Pro 2.0 (audio cleanup, convert to 16/44) > SHNtool (fixed SBEs) > CD Wave (track splits) > TLH (WAV > FLAC8). Created this text file. 1 flac  
5. 09/23/79 Madison Square Garden - New York, NY B++ FLAC master, 2 August 2020, by elegymart: Analog audience recording (mono) {recorded by Gene Poole}: unknown mics/recorder > 1977-79 Ampex 371 Plus Series (Type I Normal) 90-minute analog audio master cassettes {from the Gene Poole collection} > two 1979-81 US/European TDK SA C-90 analog audio cassettes > Sony TC-WE435 (azimuth adjustment) > Roland R05 (24/96) > Cool Edit Pro 2.0 (audio cleanup, convert to 16/44) > SHNtool (fixed SBEs) > CD Wave (track splits) > TLH (WAV > FLAC8). Created this text file. 1 flac  
6. 05/10/87 Fox Theater - Venice, CA A Source : unknown recording gear > unknown gen cassette > unknown transfer Editing : Sound Forge (volume adjustment) > TLH (sbe aligned) Flac 8 1 flac  
7. 07/01/88 Olympic Center - Lake Placid, NY A A Goody Speed/Pitch-adjusted Remaster via Ackerman Archives Recording Info: SBD > Master Cassette Transfer Info: Master Cassettes (Sony TCK71) > Grace Design Lunatec V3 (Oade modified) > M-Audio MicroTrack II (wav 24-bit/96k) > Edited & mastered w/ Audacity by Joe Noel December 11, 2018 Goody's additional lineage - July 3, 2022: TLH (WAV) > Audition (Pitch Bender, various amounts; tracking updated) > Voxengo r8brain (Convert to 1644) > TLH (FLAC Level 8; Align sector boundaries; .ffp) > foobar2000 (tags) 2 flac  
8. 12/21/89 Madison Square Garden - New York, NY A Master: soundboard > unknown cassette deck Copy: master cassette > Nakamichi CR-7A > Sony SBM-1 > HHB CDR recorder 1 Flac  
9. 11/17/90 Shrine Auditorium - Los Angeles, CA 8 Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 137 16/44 Edition Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassette > Nakamichi Cassette Deck 1 azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 3.1 capture > iZotope RX > iZotope RX9 Advanced and Ozone 9 > MBIT+ resample to 16/44.1 > Audacity > TLH > FLAC 1 Flac  
10. 10/20/91 Irvine Meadows - Irvine, CA A+ Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 195 1644 Edition Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder JEMS 2022 Transfer: Mike Millard Master Cassettes > Nakamichi Cassette Deck 1 azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 3.1 capture > iZotope RX > iZotope RX8 Advanced and Ozone 10 > MBIT+ resample to 16/44.1 > Audacity > xACT 2.50 > FLAC 2 flac  
11. 09/15/92 Hollywood Bowl - Hollywood, CA 8.5 Recorded By: Bill Knecht with Sony Walkman with supplied external mic Source: Analog Master > 1st Gen (Maxell MX) Langdon Master Series Vol. 86 Transfer : Nak BX-300 > Sony PCM M10 (24/48) > AVS Audio Editor > CD Wave Editor > Transferred & tracked by Wes Meyette Uploaded By; "Lucifer Burns" 2 Flac  
12. 10/11/92 Shoreline Amphitheatre - Mountain View, CA A+ Sunday October 11, 1992 Recorded By OldNeumanntapr from lawn repeater stacks, left side 2 Nakamichi CM-300s w/CP-2 Omnis > Sony WM-D6C using Maxell UDXLIIS cassettes Transferred: Sony TC-D5M > Tascam DR100mkII (24bit/48khz) Mastered by Flying -M- (January 2021) Har-Bal 3.0 & iZotope RX 8 advanced > Goody* > CD Wave > Korg Aqua (16-44) > TLH (flac level 8) * Goody: Capstan speed stabilization and various adjustments Billed as "Healing The Sacred Hoop - The Next 500 Years" A benefit for the International Indian Treaty Council Sunday's show also featured performances by Don Henley, Todd Rundgren, Little Feat, Ry Cooder & David Lindley, Cris Williamson, and Floyd "Red Crow" Westerman a Flying M production 2 flac  
13. 12/21/98 Santa Cruz Civic Center - Santa Cruz, CA 8.5 LINEAGE>ZOOMHKN4 RECORDER>WAVS>TRADE>ROXIO SOUND EDITOR>FLACS>YOU 1 Flac  
14. 04/06/03 Orpheum Theater - Boston, MA 8 audience>unknown recorder>trade 1 Flac  
15. 06/19/03 Manchester Apollo - Manchester, United Kingdom 8 LINEAGE>ZOOMHKN4 RECORDER>WAVS>TRADE> 2 Flac  
16. 07/11/04 Kunst und Ausstellungshalle - Bonn, Germany 8 LINEAGE>ZOOMHKN4 RECORDER>WAVS>TRADE> 2 Flac  
17. 05/24/15 Avila Beach Resort - Avila Beach, CA A Neumann AK-40s (ORTF In Hat) >LC3 >KM-100s >Beyer MV-100 >Tascam DR-100mkII (24/48), WAV >iZotope RX3 Advanced v3.00.695 (declick) >Audacity (Track Splits, Minor Edits. Amplify, Down Sample / Dither To 16 Bit/44.1k) >FLAC (Level 8) Via xACT 2.35 >FLAC Tags Via xACT 2.35 Recorded, Transferred, FLAC’d & Tagged By Oldneumanntapr. iZotope RX3 Advanced v3.00.695 (declick) By Dennis Orr. 2 flac  
18. 03/24/17 A&B Amphitheater at the MACC - Kahului, Maui, HI A+ Lineage: AT933(4.7k) mics > Battery box > Sony PCM-M10 (24/48) > RX-9 > Ozone 9 > TLH > flac 2 flac  
19. 03/20/18 Fox Theater - Oakland, CA A+ Schoeps MK 4s >NBox Platinum >Tascam DR-2D (24bit/48khz) [Recorded 13th Row, 7 Seats Off Dead Center, And Processed Using Soundforge 11, Resample To 16bit/44.1K By Daspyknows.] WAV Files Sent Privately By Daspy. WAV >FLAC (Level 8) + Tags Via xACT 2.44 By OldNeumanntapr 2 flac  
20. 07/20/18 Piazza Napoleone - Lucca, Italy AA Recording: Sony ECM717 microphone > Zoom Transfer: .wav file > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (edit) > xACT 2.39 > FLAC 1 flac  
21. 05/05/24 Gentilly Stage - New Orleans, LA A Recorded by Daspyknows Back of pit, dead center Schoeps MK41 NBox Platinum Zoom F-3 32Bit 48K Processed using Soundforge 13, resample, to 16bit 44.1K TLH to convert to Flac Master 2024.045 1 wav  
22. 08/23/25 CMAC - Canandaigua, NY 8.5 KK185S>Nbob>Roitbox>A10 24/48 Fingerlakes Taper 1 Flac  

Bonnie Raitt & Friends  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/23/10 Fox Theater - Oakland, CA A Schoeps MK4s >RBox >Tascam DR100 (24bit/48kHz) Recorded By DaspyKnows WAV Files Sent Privately By Daspy. WAV >FLAC (Level 8) + Tags Via xACT 2.48 By OldNeumanntapr 1 flac  

Boston http://bandboston.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 03/19/77 Long Beach Arena - Long Beach, CA A KBFH / FM Broadcast Reel to Reel Master @ 3 AND 3/4 ips From The JEMS Archive Transferred and Presented By Krw_co LINEAGE FM BROADCAST REEL MASTER @ 3 & 3/4 IPS>AKAI GX 4000-D REEL TO REEL> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS EDITS AND VOLUME ADJUSTMENT>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) 1 flac  
2. 03/19/77 Long Beach Arena - Long Beach, CA A LINEAGE FM BROADCAST REEL MASTER @ 3 & 3/4 IPS>AKAI GX 4000-D REEL TO REEL> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB King Biscuit Flower Hour broadcast FOR KRW TRACK MARKS EDITS AND VOLUME ADJUSTMENT>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) 1 flac  
3. 03/20/77 The Selland Arena - Fresno, CA A- SBD > unknown > CDR > EAC > FLAC 1 flac  
4. 09/18/78 Selland Arena - Frenso, CA a- Source : Audience recording > 1st generation cassette (Maxell XLII-S90) (recorded by Robert Diebert) (courtesy of Wes Meyette archive) Transfer : Sony TC-WE475 (Azimuth Adjusted) > PC (Line In-Creative SB Audigy Fx) (transfer by Brian Emery) Editing : Audacity (Mastering) > Wave > TLH (SBE aligned) > FLAC(8) Traders Den - August 20, 2019 posted by kingrue #2067 1 flac  
5. 11/06/78 Boston Garden - Boston, MA A   2 flac  
6. 02/06/79 Tarrant County Convention Cente - Fort Worth, TX B++ Completist 2 Flac  
7. 03/08/79 Henry Levitt Arena - Wichita, KS A Lineage? Cassette Master --> Sound Forge 8 (light tweaking) --> FLAC --> Your hard drive. 2 flac  
8. 03/31/79 Mecca Arena - Milwaukee, WI a- Source: Audience capture / rig unknown/ cassette Transfer: cassette in Tascam CC-222 MK II > analog out > to SONY- ICD-SX750 PCM / wav recorder 16/44 > USB to desktop > CDWAV (track split) > Stamp ID3 Tag Editor > TLH checksums & torrent would have rated this better but the bass just ruined it 2 flac  
9. 04/18/79 Budokan - Tokyo, Japan a- Tarantura Source: Mr.Peach Audience Recording Lineage: Tarantura (BOSTON-2) Boot 2CD > WAV > EAC > FLAC 2 flac  
10. 04/19/79 Budokan - Tokyo, Japan B+ Lineage - Silver CD ----> Trade CD-R -----> EAC -----> FLAC (Level 8) 2 flac  
11. 09/18/79 The Scandinavium - Gothenburg, Sweden a- CDR > EAC > WAV > FLAC (Trader's Little Helper) 1 flac  
12. 08/09/87 Alpine Valley Music Theatre - East Troy, WI 9 JEMS Transfer: Soundboard cassette master > Nakamichi RX-505 azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 3.1 capture > iZotope RX10 Advanced and Ozone 9 > FLAC 2 Flac  

Boz Scaggs  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/??/70 Springer's Ballroom - Portland, OR a- SBD Master > 3rd Gen Reel > M-Audio Transit > Cool Edit > CD Wave Editor > Traders Little Helper > Flac 1 flac  
2. 09/??/71 Intermedia Studios - Boston, MA A WBCN-FM Radio Broadcast > Unknown Lineage > Reel > M-Audio Transit > Cool Edit > CD Wave Editor > Traders Little Helper > Flac 1 flac  
3. 12/19/71 Pacific High Studio - San Francisco, CA A KSAN FM Broadcast lineage: trade (or vine) cd copy > eac > flac > upload 1 flac  
4. 05/06/73 Municipal Auditorium - San Antonio, TX A 1st Gen cassette played back on a Nak Dragon using Dolby B through an Avid MBox Mini III into a PC running WaveLab 6.11 software > Audition (Notch filter to reduce hum; Tracking) > TLH (FLAC Level 8; .ffp) > foobar2000 (tags) 1 flac  
5. 04/17/74 Richard's Cafe - Atlanta, GA A stereo, soundboard no recording information was provided non-seekable shn files renamed > tlh converted to flac8 files and added new md5 and ffp files 2 flac  
6. 07/31/76 Central Park - New York, NY A WBCN FM Braodcast 10.5 Inch Reel Mater @ 7.5 ips From the collection of Hezekiahx2 Transferred and Presented By Krw_co LINEAGE FM BROADCAST (WBCN) 10.5" REEL MASTER> @ 7.5 ips>TEAC A-7300 REEL TO REEL> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) 2 flac  
7. 11/26/80 Radio City Music Hall - New York, NY A FM broadcast > Sansui 8 receiver with wire FM antenna > unknown average quality cassette deck (dolby off) > Sony HFX 90 min. master cassette > played on tascam 112 into soundforge (wav) > flac (sb's aligned) > torrentially yours. King Biscuit Flower Hour 1 flac  
8. 03/15/85 Budokan - Tokyo, Japan A Soundboard recording Transfer: CD-R from trade > EAC > FLAC Level 8 > 1 flac  
9. 05/06/90 New Orleans Jazz & Heritage Festival - New Orleans, LA A   1 flac  
10. 06/26/94 The Plant - Sausalito, CA A KFOG-FM Broadcast recording Master Maxell XLII-S > Audacity > wav > TLH fix sector boundary errors > flac (L8) 1 flac  
11. 07/23/95 Greek Theater - Los Angeles, CA A+ Soundboard > DAT > CDR (HHB CD800) > Audio Cleaning Lab 2004 (for track placement and level adjustment) > CDR (NEC CD-RW NR-9100A) > EAC > FLAC > You! 2 flac  
12. 11/21/08 The World Café - Philadelphia, PA A promoting his new album "Speak Low" Source: WXPN-FM > ? > CD-R received in trade > Sound Forge > .wav > Flac Frontend > .flac 1 flac  
13. 04/08/13 Hanover Theatre For The Performing Arts - Worcester, MA A+ Digital Audience Stereo Master Front Row Loge, Right Center, in line with right stack Sound Pro SP-CMC-8 (AT943) Cards > SP-SPSB-8 > Sony PCM-M10 > 16/44.1 WAV > Adobe Audition (edits, levels, normalize) > CD Wave (tracks) > FLAC No noise reduction or EQ; Fileset is seamless Total Time - 100:36 Recorded and transferred (Apr 2013) by Steve Hopkins Lemar Carter - drums Eric Crystal - guitar, melodica, keyboards, saxophone Michael Logan - keyboards Monet Owens - vocals Richard Patterson - bass Boz Scaggs - guitar, vocals Drew Zingg - guitar 2 flac  
14. 08/13/16 Preservation Plaza - Arnolds Park, IA a- Taper: Alzeppelin Source 1: Bass Player's Stereo IEM > Tascam DR-05 (16/44) Source 2: Boz's IEM > ICOM RX7 (mono) > Tascam DR-07 (16/44) Transfer: Memory Cards > USB > Cooledit Pro (pop and static removal, normalize levels) Univonc mastering: Adobe Audition CC/izotope Ozone 7/Neutron Conversion: Final Wav file > CDWAV (track splits) > Traders Little Helper FLAC Level 8 1 flac  
15. 08/14/16 Preservation Plaza - Arnolds Park, IA A IEM Matrix Taper: Alzeppelin Source 1: Bass Player's Stereo IEM > Tascam DR-05 (16/44) Source 2: Boz's IEM > ICOM RX7 (mono) > Tascam DR-07 (16/44) Transfer: Memory Cards > USB > Cooledit Pro (pop and static removal, normalize levels) Univonc mastering: Adobe Audition CC/izotope Ozone 7/Neutron Conversion: Final Wav file > CDWAV (track splits) > Traders Little Helper FLAC Level 8 1 flac  
16. 05/11/19 Orix Theater - Osaka, Japan A+ The Wall of Sound Project (the Box Lunch Project) a Tapers:Tom & Jerry b. Sound Editor: The Naniwa Hot Brothers c. Art Work Designer: Mickey Jaggar (6) Artwork included. 2. Recording + Remastering Info MK4s>NBox+>D100 IEM Receivers>M10s Sound Forge Ver.10, RX6 Audio Editor, iZotope Ozone used 2 flac  
17. 08/05/23 Capital Theatre - Flint, MI 8.5 Source: Church STC-11 Cardioid Mics > Church STC-9000 Preamp +10db gain > Edirol R-09HR Line In @ 24/96 > 16gb SDHC Card Mastering: USB3 Card Reader > Goldwave (Tracking/Fades/Edits) > Traders Little Helper (Align Sector Boundaries/Flac Level 8) Recorded by: PotHole Productions 2 Flac  
18. 02/22/24 Tokyo Dome City Hall - Tokyo, Japan A+ (XAVEL ORIGINAL MASTER : Multiple Stereo IEM Matrix Recording) 2 flac  

Bridge School Benefit  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/02/91 Shoreline Amphitheatre - Mountain View, CA A Nakamichi CM-300's w/CP-1s >Sony WM-D6C Cassette Master (Lawn) >CDR >FLAC XLIIS Masters Transferred: Sony TC-D5M >HHb CDR 800 PRO Via Analog i/o CD Masters >Audacity (Minor Edits: Remove Tape Flips, Loud Hand Claps, And Cable Noise) >FLAC (Level 8) + Tags Via xACT 2.4 3 flac  
2. 11/01/92 Shoreline Amphitheatre - Mountain View, CA AA Nakamichi CM-300 CP-1’s >Sony WM-D6C, Cass Master (XLIIS) Transferred: Sony TC-D5M >HHb CDR 800 PRO Via Analog i/o, CD Masters >FLAC (Level 8) + Tags Via xACT 2.47 (Recorded/Transferred, FLAC'd & Tagged By OldNeumanntapr) 3 flac  
3. 11/06/93 Shoreline Amphitheatre - Mountain View, CA A Nakamichi CM-300's w/CP-1s >Sony WM-D6C Cassette Master >CDR, (Recorded/Transferred By OldNeumanntapr) SEC 204, Row S, Seat #11 Cass Master (XLIIS) Transferred: Sony TC-D5M >HHb CDR 800 PRO Via Analog i/o, CD Masters > Audacity (Minor Edits) >FLAC (Level 8) + Tags Via xACT 2.47 3 flac  

Brit Floyd http://www.britfloyd.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 08/17/12 Clumber Park - Worksop, UK A Sound Professionals SP-CMC-8 Microphones Sound Professionals SP-SPSB-11 Mini Battery Module with Bass Roll-Off (69Hz) Edirol R-09HR 44.1kHz / 16 bit USB>PC>CD Wave Editor>Trader's Little Helper>FLAC level 8>Dime 1 flac  
2. 02/28/13 Cambria County War Memorial - Johnstown, PA A Format: Recorded in 24-bit/44.1kHz Source: Audience Digital Master Equipment: Milab VM-44 Link Cardioids[pair]~>Marantz PMD661(Oade CM) Location: Floor Sec C, Row H (8th row) (Right side and under PA) Taper and Mastering: ninjadave 3 flac  
3. 03/05/13 Unknown - Toledo, OH A   1 flac  
4. 04/12/13 State theater - New Brunswick, NJ AA Lineage: CA-14 cards > CA-9100 > Edirol R09HR @24/48 > SDHC > Audacity 1.3, EQd, tracks split and dithered/re-sampled to 16/44.1, converted to flac level 8 Location: Center Orchestra Taper: absnj 3 flac  
5. 04/24/13 Broward Center for the Performing Arts - Ft. Lauderdale, FL A+ Source: Schoeps MK41 cards - Nbob Actives - Naiant Tinybox Transfo Out - Sony M10 (24-48) Transfer: Micro SD card > wav file > coolEdit > Normalize-Downsample > CD Wave Cut > TLH > FLAC level 8 & Align on SB Recording Location: Orchestra Left Row U Recorded by: Datfly 2 flac  
6. 10/16/13 Kursaal Oostende - Kursaal, Belgium A- LINEAGE>UNKNOWN RECORDER>WAVS>TRADE>TRADERS LITTLE HELPER>FLAC 6>YOU AND ME 3 flac  
7. 03/28/14 Memorial Arena - Lynn, MA A Source: Audience Digital Master Equipment: CA-11 Cardioids[pair]>CA9100>Edirol R9 Taper: JB Mastering: ninjadave 2 flac  
8. 11/25/14 Wembley Arena - London, England A Source: Audience recording > Core Sound Cardiods > Core Sound Battery Box > Sony PCM-M10 > wav 24/96 Lineage: wav 24/96 > Adobe Audition 1.5 > iZotope Ozone 5 Advanced > iZotope RX 4 Advanced > CD Wave > TLH > Flac 24 2 flac  
9. 12/13/14 Echo Arena - Liverpool, UK AA Sound Professionals SP-CMC-8 Microphones Sound Professionals SP-SPSB-11 Mini Battery Module with Bass Roll-Off (16Hz) Edirol R-09HR 44.1kHz / 16 bit USB>PC>CD Wave Editor>Trader's Little Helper>FLAC level 8>Dime 3 flac  
10. 05/12/15 Beacon Theater - New York, NY AA Source: CA-14 cards > CA9100 > Edirol R-09HR @ 24/48 > Kingston SDHC > Audacity- tracks split, EQD, downsampled to 16/44.1 > flac (level 8) Location: Front Orchestra Taper: absnj 2 flac  
11. 11/29/15 Echo Arena - Liverpool, UK AA Sound Professionals SP-CMC-8 Microphones Sound Professionals SP-SPSB-11 Mini Battery Module with Bass Roll-Off (16Hz) Edirol R-09HR 44.1kHz / 16 bit USB>PC>CD Wave Editor>Trader's Little Helper>FLAC level 8>Dime 3 flac  
12. 03/03/16 Cambria County War Memorial - Johnston, PA A Source: Audience Digital Master Equipment: A Pair of Milab VM-44 Link Cardioids ~> Marantz PMD661 (Oade CM) Location: Floor Sec D, Row D (@ 8th row) (Left side in line with PA) Taper and Mastering: ninjadave 3 flac  
13. 04/08/16 Beacon Theater - New York, NY AA Source: CA-14 cards > CA9100 > Edirol R-09HR @ 24/48 > Kingston SDHC > Audacity- tracks split, EQD, downsampled to 16/44.1 > flac (level 8) Location: Front Orchestra Taper: absnj 3 flac  
14. 07/02/16 the Joint Hard Rock Cafe - Las Vegas, NV AA   3 flac  
15. 03/05/18 Royal Concert Hall - Glasgow, Scotland a- LINEAGE SAMSUNG 10>YEESHKUL>ROXIO 9>WAVS>TRADERS LITTLE HELPER>FLAC 8>YOU 2 flac  
16. 07/23/18 Unknown - Toledo, OH A LINAGE HDCAM>AUDIO STUDIO>FLAC. 2 flac  
17. 07/31/18 Artpark - Lewiston, NY A Taped, transferred & mastered by }{eywood Lineage: AT831s > Tascam DR-08 (recording to 24/96 .wav) > USB > Adobe Audition 1.5 (EQ, peak limiting, splits & fades) > Xrecode II (conversion to 16/44.1) > TLH (sector alignment, flac 8) 3 flac  
18. 10/24/18 Admiralspalast - Berlin, Germany A "Eclipse" World Tour 2018 A Hornoxe Recording Lineage: Zoom H1 -> Wav (96kHz/24Bit) -> Magix Audio Cleaning Lab (Slight Volume Boost, EQ, Stereo Correction, Fade In/Out, Split in Tracks) -> 44,1kHz/16Bit -> flac 2 flac  
19. 04/28/19 1st Summit Arena - Johnstown, PA AA Format: Recorded in 24-bit/44.1kHz - Audience Master Equipment: Pair of Milab VM-44 Link Cardioids > Naiant IPA (flat) > Sony PCM-M10 (line in) Location: Floor Sec C, Row P (6th row) (Right side in line with PA) Taper and Mastering: ninjadave 16 BIT VERSION 2 flac  
20. 05/04/19 Oakdale Theater - Walingford, CT AA Lineage: SP-CMC-2 (AT831) > SP-SPSB-8 > Tascam iXJ2 > Lightning Adapter > iPhone XR > Twisted Wave (app) > Airdrop (MAC/PC transfer)> Wavelab 6.1 > CDWAV > FLAC 3 flac  
21. 03/11/20 Hanover Theater - Worcester, MA AA An Imperfect Gravy Recording (IPG-413) Lineage: Audio Reality > Tascam DR-07mkII @ 16/44.1 > PC > Audacity 2.0.3 (amplification, tracking, normalization) > TLH (FLAC 8) > Dime Sound Quality: Let the samples be your guide. 2 flac  
22. 04/22/22 Genesee Theater - Waukegan, IL A CSB > Tascam DR05X (24-bit/48kHz) > Audacity (fades) > CD Wave Editor (tracking) > TLH (FLAC) Recorder paused for the entire first set. The following is set two only. 1 flac  

Bruce Hornsby http://brucehornsby.com
  Date Venue - City, State Sound Rating Notes Media  
1. 05/13/99 Mississippi Nights - St. Louis, MO 8.5 Source: PVM 480 > Zefiro Inbox > Sony TCD D8 (?) (16/44.1) Transfer: Panasonic SV-4100 (AES digital output) > Sound Devices 702 (16/44.1) Info: CF > PC > Wave Lab 6.1 (fades, levels, edits) > CD Wave 1.98 (tracks) > Traders Little Helper (flac 8) Taped by: Unknown, Johnny Wright patched (possibly) Transfered by: Rob O'Brien (Transfered & mastered 03/14/2026) 2 Flac  
2. 02/26/00 Peace Center for the Performing Arts - Greenville, SC 9.5 cdr -> wave files on harddrive with CD Wave Editor; checked for SBE's with Trader's Little Helper (there were none); diminished all the clapping; lowered some extra loud audience whistling & shouting on a couple of the tracks disc 1; raised the sound levels of the tracks; converted to flac level 8 with Trader's Little Helper & created checksum files; created torrent with utorrent & uploaded to DIME 10-2-14 2 Flac  

Bruce Springsteen http://brucespringsteen.net
  Date Venue - City, State Sound Rating Notes Media  
1. 09/27/75 Ambassador Theatre - St. Louis, MO AA Transfer: Master Tapes > Nakamichi DR-1 > USBPre2 > Adobe Audition CS6 at 24/96 > Peak Pro 6 > iZotope RX / Ozone 5 (mastered) > Peak Pro 6 (post production) > 16/44 > xACT 2.39 > FLAC 2 flac  
2. 09/19/78 Capitol Theater - Passaic, NJ A lineage: WCOZ FM live broadcast > Sansui 8 reciever with wire FM antenna > unknown average quality cassette deck (dolby off) > (2) TDK-AD (normal bias) 90 min. master cassettes > played on Nak. 300 into soundforge (wav) > flac (sb's aligned) > torrentially yours. recorded, digitized and posted by glasnostrd19. 2 flac  
3. 10/18/80 Kiel Opera House - St. Louis, MO A Lineage: Audience > 2nd Generation > Sony TC-WE435 > MacBook Pro > Peak Pro XT (Indexed) > xACT 1.59 > Flac 3 flac  
4. 06/08/81 International Arena - Birmingham, England a- Label: Doberman Catalog #: 108/109/110 Format: 3 Cdr Source: Audience Bruce Base: http://www.brucebase.org.uk/gig1981.htm#104 Story Teller: http://www.brucebase.org.uk/stories/080681.htm Total Time: 2 hours 45 minutes 3 seconds Date: 8th June 1981 Location: National Exhibition Centre, Birmingham Transfer/Trade and Generation Info: Original Cdrs -> Eac (Secure) -> Flac -> Dime 3 flac  
5. 01/26/85 Carrier Dome - Syracuse, NY a- Source: Maxell High Position UDXII-90 Tapes -> Teac W-860R Double Cassette deck -> Xitel USB INPort -> Wav -> Goldwave 5.58(Track Editing/Volume Leveling) -> CDWav (Track Splits) -> TLH( Fix SBE's, convert to Flac Level 8, Verify) Upload will include .md5 verification file, flac fingerprint, spectral/frequency analysis, and (for ABMS) PAR2 recovery files. 3 flac  
6. 04/06/26 Kia Forum - Inglewood, CA 9 source : AT853 (omni) > Naiant Tinybox > Sony PCM-A10 taper: markp 3 Flac  

Bruce Springsteen & the E Street Band http://brucespringsteen.net
  Date Venue - City, State Sound Rating Notes Media  
1. 06/20/78 Red Rocks Amphitheater - Morrison, CO B++ cdr -> db poweramp -> flac (level 8) 2 flac  
2. 08/09/78 Agora Theatre and Ballroom - Cleveland, OH A+ My Original CD's -->EAC v. 1.0 beta 3 --> WAV --> Trader's Little Helper v.2.7.0 --> FLAC Level 8. 3 flac  
3. 08/21/78 Madison Square Garden - New York, NY A   3 flac  
4. 08/23/78 Madison Square Garden - New York, NY A   3 flac  
5. 09/17/78 The Palladium - New York, NY A   3 flac  
6. 09/30/78 Fox Theatre - Atlanta, GA A+   3 flac  
7. 09/21/79 Madison Square Garden - New York, NY B++ FLAC master, 26 July 2020, by elegymart: Analog audience recording (mono) {recorded by Gene Poole}: unknown mics/recorder > 1977-79 Ampex 371 Plus Series (Type I Normal) 90-minute analog audio master cassettes {from the Gene Poole collection} > 1979-81 US/European TDK D90 (Type I Normal) analog audio cassette (for Springsteen set after first three songs) > masters re-shelled to 1985-86 US Maxell UR 90 (Type I Normal) and 1985 US TDK D90 (Type I Normal) analog audio cassettes (for Jackson's set and first three songs of Bruce's set) > Sony TC-WE435 (azimuth adjustment) > Roland R05 (24/96) > Cool Edit Pro 2.0 (audio cleanup, convert to 16/44) > SHNtool (fixed SBEs) > CD Wave (track splits) > TLH (WAV > FLAC8). Created this text file. 0 flac  
8. 09/22/79 Madison Square Garden - New York, NY 8 Label: The Godfatherecords Catalog #: G.R. 615/616 Format: 2 CD Source: Audience Bruce Base: http://brucebase.wikispaces.com/1979#220979 Story Teller: http://brucebase.wikispaces.com/220979+New+York Total Time: 1 hour 30 minutes 15 seconds Date: 22nd Seprember 1979 Location: Madison Square Garden, New York City, NY Transfer/Trade and Generation Info: Original Silvers -> Eac (Secure) -> Flac (Level 6, Align on SB, Verify) 2 Flac  
9. ??/??/79 Madison Square Garden - New York, NY 8 This show has both nights the 21st and 22nd songs that Bruce Springsteen and The East Street Band Played. 2 Flac  
10. 08/17/80 Kiel Opera House - St. Louis, MO A+ The Kiel is now Peabodys Opera House but the acoustics are awesome 3 flac  
11. 11/01/80 Sports Arena - Los Angeles, CA AA Bruce Springsteen Sports Arena Los Angeles, CA November 1, 1980 Mike Millard first gen via JEMS The Lost and Found Mike the MICrophone Tapes Vol. 6 Likely Recording Info: AKG-451E microphones > Uher CR-240 cassette recorder JEMS 2014 Transfer: first-generation cassettes made by Mike Millard for SG > Nakamichi CR-7A azimuth-adjusted transfer > Sound Devices USBPre 2 > Audacity 2.0 (24/96) capture > iZotope RX MBIT+ resample 16/44.1 > Peak Pro XT (volume smoothing / edit / index) > xACT 2.21 > FLAC 101 Born to Run 102 Out In The Street 103 Tenth Avenue Freeze-out 104 Darkness on the Edge of Town 105 Independence Day 106 Factory 107 For You 108 Two Hearts 109 Jackson Cage 110 The Promised Land 111 Prove It All Night '78 112 The Price You Pay 113 The River 201 Badlands 202 Thunder Road 203 No Money Down > Cadillac Ranch 204 Hungry Heart 205 Fire 206 Candy's Room 207 Because The Night 208 Fade Away 209 Stolen Car 210 The Ties That Bind 211 Wreck On the Highway 212 Point Blank 213 Crush On You 214 Ramrod 301You Can Look 302 Drive All Night 303 Backstreets 304 Rosalita 305 Jungleland 306 Sweet Little Sixteen (with Jackson Browne) 307 Detroit Medley > I Hear a Train > Wabash Cannonball JEMS is pleased to release the sixth in a series of recordings made by legendary taper Mike Millard, AKA Mike the MICrophone, best known for his masters of Led Zeppelin in and around LA circa 1975-77. The 14 first-generation tapes (ten cassettes and four reels) were sent by Millard to SG, the beloved S in JEMS, in the mid-'80s after the pair had met in person in Orange County on two occasions. To the best of our knowledge, none of the eight shows (spanning the 14 tapes) has ever been attributed as a Millard recording. In fact, there are no extant references we are aware of to Millard ever recording Bob Dylan or Bruce Springsteen, the two artists captured on the tapes. Several of the tapes are uncirculated; others are out there, but until now, not credited as Millard's work. Even those that turn out to be previously circulated are being released in this series from verified first-generation tapes made by Millard himself and marked/ notated in his signature manner. As such, we expect all of them to be upgrades at a minimum and new sources in many cases. At this point you might be asking yourself, "So if JEMS received these Millard tapes in the mid-'80s, why haven't they circulated previously?" Fair question. And in condensed form, here is the answer, which also provides the "Lost" portion of our series title: Twenty-six years ago, Millard sent SG a box of tapes. I remember having it my hands in 1986 at SG's house, right after it arrived in the mail. But that was the last time I ever saw the box. It disappeared. Nearly all of SG's tapes have since been consolidated into the JEMS North archive, but we never found the box of Millard tapes. Over the years, my memory faded of what was in the box. I thought there were Springsteen shows, but that fuzzy notion was all I could recall. Now to the "Found": Several months ago, WG, a long-time collector friend of SG, contacted him and said, "I found a box of tapes of yours when I was moving furniture." Sure enough it was the Millard tapes and more. Turns out WG borrowed the tapes and some other SG masters after a Dylan show in 1986 and the box wound up misplaced and forgotten about by both parties, only to be rediscovered 28 years later. Once the box was returned, SG sent it to me at JEMS South where we proceeded to make fresh transfers of its contents. If there's any mildly disappointing element to this otherwise charming story, it is that none of the lost Millard tapes are of previously uncirculated shows; there are other recordings by other tapers of all of them. But the good news is the quality of most of them is indeed up to Millard's legendary standards. The cache of lost Millard tapes included six Dylan and three Springsteen shows. Of the three Bruce recordings, one already circulates and another is of an '81 show well captured by the legendary (he won't like that word, but its true) Mark Persic. That puts our attention on this welcome addition, an outstanding, epic-length River show filled with special moments. Brucebase lists two recording sources for the show, one an incomplete tape missing several songs and a second that's "complete, but not known to be in general circulation." We presume Millard's recording to be that uncirculated complete source, as he captures nearly every second of the performance. A whopping 17 River tracks feature here, including the premiere of "Fade Away," with a lovely and lilting intro, the last song from the album to enter the setlist. It comes one night after the premiere of "The Price You Pay," but that was with the original album lyrics. Tonight, for the first time, Springsteen restores his original third verse ("some say forget the past…") from early in the River sessions and later replaced for the take on the album. The song is performed in a striking acoustic guitar and accordion arrangement. As if that weren't enough, out of the blue Springsteen resurrects what we (and even he) now call "Prove It All Night '78." The long guitar and piano intro here is mesmerizing and for me this is a "Prove It" for the ages. After playing it this way again two days later on closing night of the LA stand, Springsteen wouldn't revisit "Prove It All Night '78" again until 2012. Another short-lived element that shines this evening is Chuck Berry's "No Money Down" used as a long intro to "Cadillac Ranch" to start the second set. Bruce hams it up for a highly entertaining preamble that really gets "Caddy" started. In the encore, pal Jackson Browne takes the stage for the tour's only and Bruce's last known ESB performance of another Chuck Berry cover, "Sweet Little Sixteen." The "Detroit Medley" also includes a very brief attempt at "Wabash Cannonball," but even Bruce admits: "Hold on a minute, band, let's try that one more time, because I don't have it yet. Give me that E again. Not only do I not have, I think we're gonna forget it," and back into "I Hear a Train" they go. Again, like our recent release, That Old '80 Sound, if you love The River, this is a show for yo;, but unlike Seattle, Springsteen ups the ante slipping in a few favorites not visited in the Emerald City: "For You," the always welcome "Candy's Room," and for me, an especially motivated "Backstreets." As for the work of the esteemed Mike Millard, the recording doesn't match heady heights of his absolutely best work, like our recent Dylan posts on DIME and THOSE Led Zeppelin tapes from the Forum. He's not right on top of the PA as he so often is and the tape needed more work in mastering than a Millard tape typically requires (none of the Dylan titles in our recent series was materially mastered). That being said, the more I worked on the tape the more I liked it. And the more I listened, the more I understood what a fantastic show I was polishing. Bruce is giving his all in this marathon and 34 years later, it absolutely holds up. Samples provided. The recording equipment listed is an educated guess based verified gear he was using at other shows in the same period. While Mike marked many of his tapes with such details, on this one he didn't, though we did include photos of the cassettes on which Mike did his distinct labeling. If you'd like to learn more about Mike the MICrophone, the links below offer a glimpse of his story. Millard's Wikipedia page http://en.wikipedia.org/wiki/Mike_Millard The best article written about Millard has been deleted from the original website but is reprinted here: http://www.classicrockforums.com/forum/f6/led-zeppelin-official-thread-6185/index164.html Thanks again to WG for finding the tapes and to SG for providing JEMS with another fascinating chapter of taping history. Also, JEMS couldn't live without the contributions of our pal and your benefactor mjk5510. He is now an essential part of getting these recordings into your hands. Here's to the late, great Mike the MICrophone and to finding more lost tapes. BK for JEMS ;flac fingerprints generated by xACT 2.37 on 2020-02-10 22:46:50 +0000 3 flac  
12. 12/09/80 The Spectrum - Philadelphia, PA 8 CD-R trade--EAC(secure)-->.wav files--Flac FrontEnd 1.1.2(Level 8,align on sector boundaries,verify)-->.flac files(tagged) Upload will include EAC log files, .md5 verification files(flac and wav), spectral/frequency analysis, artwork, flac fingerprint, and PAR2 recovery files. 4 Flac  
13. 12/31/80 Nassau Veterans Memorial Coliseum - Uniondale, NY A+ Bruce Springsteen and the E Street Band December 31, 1980 Nassau Coliseum, Uniondale, Long Island, New York, NY USA "Nassau Night" CC387-389 Sbd > ??? > CD > Toast > FLAC This is one of those shows where we are tremendously lucky a soundboard copy has circulated. An incredible show and a great way to "set down 1980." One of the longest shows of all time, this was the only performance of "Held Up Without a Gun" and the last performance of "Rendezvous" until April 11, 1999. Additionally, this was the source for the version of "Rendezvous" that was released on "Tracks." Originally released on the CD "In the Midnight Hour" (GDR), although that version included one-offs from other shows from the same stand mixed in as a continous "show." It was released again by Crystal Cat in 1996 as "Nassau Night," and, despite an edit or two, was the complete show. Frisked, FLAC'd and Fingerprinted by CDJones, March 17, 2007. 3 flac  
14. 01/21/81 Maple Leaf Gardens - Toronto, ON 8.5 mackeck master via JEMS Recording Gear: handheld portable cassette recorder with built-in mic 2013 Transfer: Maxell UD-90 master cassettes > Nakamichi CR-7A (azimuth-adjusted) > Sound Devices USBPre2 (24/96 Audacity 2.0 capture) > iZotope RX 3 click removal and gap fixes > iZotope MBIT+ convert to 16/44.1 .wav > Peak Pro XT (patch / edit / index) > xACT > FLAC 3 Flac  
15. 01/28/81 Checkerdome - St Louis, MI a- Source: Maxell XLII-90 Tapes -> Teac W-860R Double Cassette deck -> Xitel USB INPort -> Wav -> Magix Audio Lab (hiss, pop removal, equalization)--> CDWav (Track Splits)-> Goldwave 5.58(Individual Track Editing/Volume Adjustment) -> TLH(Level 8, Align on SB, Verify) ->.flac files 3 flac  
16. 02/13/81 Humphrey's Coliseum - Starkville, MS AA Lineage: CDR --> WAV (EAC secure) --> FLAC (level 8, allign border sectors & verify) 2 flac  
17. 03/05/81 Market Square Arena - Indianapolis, IN A Transfer: JEMS Archives Low Gen Tape > Nakamichi DR-01 (azimuth adjusted) > Sound Devices USB Pre2 > Audacity 1.3.11 > Peak Pro 6 (pitch adjusted) > iZotope RX / Ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.37 > FLAC 2 flac  
18. 04/08/81 Berlin - I.C.C., Germany A- JEMS 2017 Transfer: first-generation cassettes > Nakamichi CR-7A azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 2.0 (16/44 capture to .wav) > iZotope RX6 and Ozone 6 mastering > Peak Pro XT (patch / post production) > xACT 2.37 > FLAC 2 flac  
19. 05/08/81 Johanneshov Isstadion - Stockholm, Sweden 8 Teardrops On The City, Godfather Records 355-357 May 08 1981, Johanneshovs Isstadion, Stockholm, Sweden Original Silver Discs --> EAC (Secure) --> Waw --> Flac Level 8 & Align --> ABMS EAC Log Files, md5 Files (Flac & Waw), Artwork Included (Front, Back & Discs 300 dpi) 3 Flac  
20. 06/01/81 Wembley Arena - London, England A- Barely and A- Transfer/Trade and Generation Info: Tape Transfer 2 Sony HF90 cassettes from a UK Record Fair in the early to mid 1980s. Playback via Yamaha KX480 tape deck with play trim at neutral and dolby off. I tried using dolby and play trim to try to reduce the shrillness early on but could not find any settings which worked for me. I set the recording level to avoid clipping and did not try to adjust it afterwards which is why the River Flood version superficially sounds louder. As I already had this packaged I did not want to go back to amplify the volume or brighten the tone to match the River Flood version. Even using play trim at maximum with dolby off the tapes are not as bright as the River Flood version. Recorded using Audacity, exported as flac files and tracks split using CD Wave. Files tested and checked for errors and SBEs using TLH. 3 flac  
21. 06/08/81 NEC Arena - Birmingham, England a- Transfer/Trade and Generation Info: Original Cdrs -> Eac (Secure) -> Flac -> Dime 3 flac  
22. 07/16/81 Spectrum - Philidelphia, PA 8 (DS Archives Volume 53) Transfer: Low generation tape > Nakamichi DR-01 (azimuth adjusted) > USB Sound Devices > Audacity > iZotope RX / ozone 9 (mastered/patched) > xACT 2.50 > FLAC 3 Flac  
23. 08/20/81 Sports Arena - Los Angeles, CA AA Original Silver Discs --> EAC (Secure) --> Waw --> Flac Level 8 & Align EAC Log Files, md5 Files (Flac & waw) Complete Artwork Included 600 dpi 3 flac  
24. 08/23/81 Sports Arena - Los Angeles, CA A+ Mike Millard First Generation Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 54 Bonus Track: Springsteen With The Pretenders, Perkins Palace, Pasadena, September 5, 1981 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard First Generation Cassettes > Nakamichi CR-7A (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX8 > iZotope Ozone 8 > Audacity > TLH > FLAC 3 flac  
25. 07/23/84 CNE Grandstand - Toronto, ON B++   2 flac  
26. 08/06/84 Brendan Byrne Arena - East Rutherford, NJ A+ Recorded live with the Record Plant mobile truck by Toby Scott and crew (including David Bianco and Jim Scott) Original live recording production by Chuck Plotkin Two-inch, 24-track analog master reels transferred by Jamie Howarth, Plangent Processes Mixed by Jon Altschiller; Additional engineering by Danielle Warman Mastered by Adam Ayan, Gateway Mastering Post-Production: Brad Serling and Micah Gordon 3 flac  
27. 08/25/84 Capital Centre - Largo, MD a- (DS Archives Volume 50) Low Generation Recorder 1 upgrade with patches from Recorder 3 Transfer: Low generation tape > Nakamichi DR-01 (azimuth adjusted) > USB Sound Devices > Audacity > iZotope RX / ozone 9 (mastered/patched) > xACT 2.50 > FLAC 3 flac  
28. 08/29/84 Capital Centre - Largo, MD A Transfer: Low Gen Transfer > Nakamichi DR-01 (azimuth adjusted) > Audacity > Peak Pro 6 (pitch adjusted) > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (patch / post production) > xACT 2.39 > FLAC 3 flac  
29. 10/21/84 Oakland Coliseum - Oakland, CA A 2JEMS 2019 Transfer: Barry G TDK Audua master cassettes > Nakamichi CR-7A azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 2.0 (24/96 capture to .wav > Peak Pro 6 (pitch adjusted) > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (resample 16/44 > patch > edit) > xACT 2.39 > FLAC 3 flac  
30. 10/25/84 Sports Arena - Los Angeles, CA A Transfer: 1980's tape trade > Nakamichi DR-01 (azimuth adjusted) > Audacity > Peak Pro 6 (pitch adjusted) > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.39 > FLAC 3 flac  
31. 11/15/84 St. Louis Arena - St. Louis, MO B++ master audience cassette (portable Aiwa with stereo mic) > 24 bit/48 khz wav > flac 3 Flac  
32. 11/19/84 Kemper Arena - Kansas City, MO A+ Lineage: CD Set > CDr > EAC > Traders Little Helper > Flac8 sector aligned 3 flac  
33. 12/02/84 LSU Assembly Center - Baton Rouge, LA 8 Transfer/Trade and Generation Info: Cdr Trade -> Eac (Secure) -> Flac (Level 8, Align on SB, Verify) 3 Flac  
34. 10/02/85 Memorial Coliseum - Los Angeles, CA A 'Remastering' information: Main source: 2/10/1985 Bruce Tree Service / BTS source Show completely re-EQ'd, and tracks re-indexed. Tried to remove the 'transistor radio' effect a little. A lot more was done to improve this but I never list all the editing, what's the use. This 'release' is not a huge upgrade in my opinion, just some more of labour of love. 3 flac  
35. 03/29/08 Key Arena - Seattle, WA A source: Sony TCD-D100 DAT recorder with Core Sound Binaural microphones > Sony PCM-R300 > Tascam CD-RW700 > Ev2 taper: DB 2 flac  
36. 03/23/09 Convention Hall - Asbury Park, NJ 8.5 Transfer/Trade and Generation Info: Original Silvers -> Eac (Secure) -> Flac (Level 8, Align on SB, Verify) 2 Flac  
37. 04/01/09 HP Pavillion - San Jose, CA 8 This is a remaster of the excellent recording uploaded by Wilson66 on 3 April. The changes include: A) Fade-ins and Fade-outs on all disks B) Re-EQ to enhance the higher frequencies C) Dynamic range compression using the Waves Audio Renaissance Compressor Some people like remasters and others prefer their recordings au naturel. If you are of the latter persuasion, stick to the origianal which can be found at http://www.dimeadozen.org/torrents-details.php?id=243395. Otherwise check the samples and make your own decision. Thanks to Wilson66 for getting a great capture of the opening night. Neumann KM140s > Sound Devices MP2 > Edirol R09 (16/44) > CD Wave > FLAC16 > Adobe Audition 2 Flac  
38. 04/08/09 Toyota Center - Houston, TX 8 source : SP-BMC-2 > Edirol 09HR taper : mysticalcrow transfer: mysticalcrow 3 Flac  
39. 04/15/09 Los Angeles Sports Arena - Los Angeles, CA 8.5 A Matrix featuring Wireless recordings + Audience Audience source by markp source : Nakamichi cm100/cp1 (busman audio mod) > Hi Ho Silver cables > CA-9100 > Edirol R-09 Mix-mash of wireless recordings at 24bit/44.1khz. Mixed, Produced, and Mastered by Hoserama Time Aligned in Adobe Audition 3.0 Mixed in Neundo 3, using extra waves, ozone, harbal plug-ins Mix Version 4 Special thanks to BW, EN, ET, and especially MP for his audience source! 3 Flac  
40. 04/16/09 Los Angeles Sports Arena - Los Angeles, CA A A Matrix featuring Wireless recordings + Audience Audience source by markp source : Nakamichi cm100/cp1 (busman audio mod) > Hi Ho Silver cables > CA-9100 > Edirol R-09 Mix-mash of wireless recordings at 24bit/44.1khz. Mixed, Produced, and Mastered by Hoserama Time Aligned in Adobe Audition 3.0 Mixed in Neundo 3, using extra waves, ozone, harbal plug-ins Mix Version 4 Special thanks to BW, EN, ET, and especially MP for his audience source! 3 flac  
41. 04/26/09 Philips Arena - Atlanta, GA 8.5 Label: Godfather Catalog #: 387/388/389 Format: 3 CD Source: Audience Transfer/Trade and Generation Info: Original Silvers -> Eac (Secure) Wav -> dbamp Flac(Level 8), TLH (Fix SBE no errors). TLH md5 and ffp (no errors)...log files included 3 Flac  
42. 04/29/09 The Spectrum - Philadelphia, PA 8.5 sources: IEM mixed with "NickyC" aud recording: Neumann KM150's>>Aerco MP2>Edirol R-09HR -- 3 Flac  
43. 05/02/09 Greensboro Coliseum - Greensboro, NC a- A Bakerstuff Recording Church Audio CA-14 > CA-UGLY Pre-Amp > Edirol R-09HR > CD Wave > Cool Edit Pro for fades > FLAC Frontend 2 flac  
44. 05/07/09 Air Canada Centre - Toronto, ON a- Church CA-11 >R-09 > Sound Forge > CD WAV > TLH 2 flac  
45. 06/04/09 Stockholm Stadion - Stockholm, Sweden 8.5 Crystal Cat Records 1St Dream Night 930-932 3 Flac  
46. 06/05/09 Stockholm Stadium - Stockholm, Sweden 8.5 Second Dream Nignt CC933-934-935 Crystal Cat Records 3 Flac  
47. 06/07/09 Stockholm Stadium - Stockholm, Sweden A Crystal Cat Records 936-938 3 flac  
48. 06/28/09 Hyde Park - London, England 8.5 Crystal Cat Records 942-944 3 Flac  
49. 07/03/09 Commerzbank Arena - Frankfurt, Germany A Source: SP-CMC8 > Visivox Preamp > Iriver 120 > HD > Adobe Audition > Flac Level 8 2 flac  
50. 07/19/09 Stadio Olimpico - Rome, Italy 8.5 Roma Dream Night, Crystal Cat Release 2009 July 19, Stadio Olimpico, Roma, ITA Crystal Cat Records 949-951 [Discs / EAC / Waw / TLH / Flac 8 / DIME / YOU] 3 Flac  
51. 07/21/09 Stadio Olimpico - Torino, Italy 8.5 Crystal Cat Records 952-954 3 Flac  
52. 07/23/09 Stadio Fruli - Udine, Italy A Udine Dream Night (Crystal Cat Records CC 955-56 ) 2 flac  
53. 07/23/09 Stadio Fruli - Udine, Italy 8.5 L.C. master - zuma66 editing WAV editing with goldwave > Audacity 1.3 CD wave > Traders Little Helper level 8 BBE Process Sonic Maximizer LO Contour 9 Process 9 Output Level +1 (2.4) 3 Flac  
54. 07/30/09 Estadio Municipal de Foietes - Benidorm, Spain 7.5 source: Taper: javichun (6TG) CMC-8 > Boost Box [preamplifier] > IRiver H120 Location - Grada Lateral (Fila 8 Asiento 146) -- 3 Flac  
55. 08/02/09 Monte Do Gozo - Santiago, Spain 8.5 Crystal Cat Records 965-967 3 Flac  
56. 08/22/09 Comcast Center - Mansfield, MA A IEM mixed with bakerstuff audience recording: Church Audio Cardioids CA-14 > CA-UGLY PreAmp > Edirol R09-HR > CD Wave > FLAC Frontend 3 flac  
57. 08/25/09 Performing Arts Center - Saratoga, NY a- Church mics> Edirol R-09* > FTP>Sony Soundforge > CD WAve>FLAC (*Equipment courtesy: Blacklab) Notes: Recorded from the back centre of the pit. Thanks to Mark and his wife for the spot. Sound was so-so from that spot but no option to relocate. 3 flac  
58. 09/12/09 Ford Amphitheatre - Tampa, FL A dl from jungleland .flac -> .wav -> magix audio cleaning lab -> .wav -> tlh -> .flac (level 8) 3 flac  
59. 09/16/09 Bi-Lo Center - Greenville, SC a- Lineage: Core Sound cardioid mic's > Edirol R-09HR @ 16/44 > Adobe Audition 3 > CDwav > flac A slight boost in the vocal range was the only EQing done. 3 flac  
60. 09/30/09 Giants Stadium - East Rutherford, NJ a- Church Audio Cardioids CA-14 > CA-UGLY Pre-Amp > Edirol R-09HR > CD Wave > FLAC Frontend 3 flac  
61. 10/02/09 Giants Stadium - East Rutherford, NJ A silver discs > aif > xACT > flac 8 2 flac  
62. 10/03/09 Giants Stadium - East Rutherford, NJ A silver discs > aif > xACT > flac 8 3 flac  
63. 10/08/09 Giants Stadium - East Rutherford, NJ 7.5 Neumann KM150's>Aerco MP-2>Edirol R-09HR(@24Bit/44.1khz)>Soundforge 9 (Fades, raised high frequencies,Bit Rate Conversion)>CDWAV>FLAC Recorded By Flying Gonz from the back of the Pit audience chatter by the recorder lowered this rating 3 Flac  
64. 10/13/09 The Spectrum - Philadelphia, PA A Neumann KM150's>Sound Devices MP2>Edirol R-09HR @ 24/48 R-09HR>Soundforge 9 (Fades, Boost high frequencies above 4 kHz by 6 dB, sample/bit rate conversion)>CDWAV>FLAC Recorded By Flying Gonz & Nicky C 2 flac  
65. 10/14/09 The Spectrum - Philadelphia, PA 8.5 Schoeps MK4's>Nbox>Edirol R-09HR @ 24/48 R-09HR>Soundforge 9 (Fades, Sample/Bit Rate Conversion)>CDWAV>FLAC Recorded By: Nicky C centered on the floor, Processed By Flying Gonz 3 Flac  
66. 10/25/09 Scottrade Center - St. Louis, MO 7.5 Schoeps MK4V's Schoeps VMS5U Edirol R1 3 Flac  
67. 11/08/09 Madison Square Garden - New York, NY A+ AT933 (4.7 Mod)> Battery Box> Edirol R-09 3 flac  
68. 11/10/09 Quicken Loans Arena - Cleveland, OH 8.5 Audio Technica AT-853 > Battery Box > Edirol R-09 > Adobe Audition > Flac frontend Recorded in the main GA area about 30 feet forward of the soundboard and dead center 3 Flac  
69. 11/15/09 Bradley Center - Milwaukee, WI A+ EM-AUD Mix by Flynn Artwork: Monte IEM Lineage: Crew IEM feed => Sennheiser IEM box => iRiver H140 (16-bit) => Audio Cleaning Lab => + FLAC (16/44) AUD lineage (Eisenheim): Edirol R9/ Core Sound HEB mics > Adobe Audition > CD Wave > Trader's Little Helper [FLAC] Files tagged in Media Monkey 3 flac  
70. 11/18/09 Sommet Center - Nashville, TN A IEM mixed with bossman audience recording: AT933 (4.7 Mod)> Battery Box> Edirol R-09 3 flac  
71. 11/20/09 1st Mariner Arena - Baltimore, MD 8 source: soomlos neumann skm140 > grace lunatec v3 > m-audio mtII (24/48) m-audio mtII > usb > hd > sound forge 9.0 > cd wave > tlh 3 Flac  
72. 07/07/12 Roskilde Festival - Roskilde, Denmark A+ IEM Transfer/Trade and Generation Info: files wav trade -> Nero Wave Editor -> Split -> TLH -> Flac (level 8) Align on Sector Boundaries. Include: md5 (wav/flac), ffp, schntool info/len/legend, Frequency-Spectral Analysis, Artworks, Info file and Par2 Recovery Files at 10%. 3 flac  
73. 12/06/12 Jobing.com Arena - Glendale, AZ A Sonic Studios mic>Edirol R-09HR>ProTools (for eq, level adjustment, compression, and song separation 3 flac  
74. 12/06/12 Jobing.com Arena - Glendale, AZ AA Sonic Studios mic>Edirol R-09HR>ProTools (for eq, level adjustment, compression, and song separation)>flac. 2 flac  
75. 01/16/16 CONSOL Energy Center - Pittsburgh, PA a- Church Audio CA-14 > UGLY II Pre-Amp > Edirol HR-09 > CD Wave Editor > Cool Edit Pro > Trader's Little Helper 3 flac  
76. 03/19/16 Los Angeles Sports Arena - Los Angeles, CA 8 AKG568EBs>LunatecV3(30dbgain)>MarantzPMD671>CF>CDWAVE>FLAC(8)>TLH>16bit?44.1Khz 3 Flac  
77. 07/31/16 Stadion Letzigrund - Zurich, Switzerland A+ Lineage: Church-Audio CA-14 stereo condenser microphone (omnidirectional) --> Roland Edirol R-09HR (input level: 30 / plug-in power: ON / mic gain: HIGH) --> .WAV (24bit/44.1kHz) --> Audacity 2.1.0 (convert to 16-bit, split tracks, name tracks, fade in/out) --> .WAV (16bit/44.1kHz) --> TLH (level 8, align on sector boundaries using fix, test encoded files, create checksum file type .ffp, delete source files) --> FLAC (16bit/44.1kHz) --> tags added using Mp3tab v2.65a Included: audio tracks (FLAC), artwork (300 dpi), info file, checksums (md5 and ffp), TLH audio file details, TLH encode wav files process log, spectral view and frequency analysis for tracks 01 and 23 3 flac  
78. 06/18/23 Festival Park - Werchter, Belgium A Recorded by Daspyknows Dead center half way between stage and soundboard Schoeps MK41 Babynbox Tascam DR-2D 24 Bit 48K Processed using Soundforge 13, resample, to 16bit 44.1K TLH to convert to Flac Master 2023.096 2 flac  
79. 08/21/24 Citizens Bank Park - Philadelphia, PA A Source: Schoeps MK41 supercardioids > Actives > BabyNbox > Roland R07 @ 24 bit/48 kHz Mastering: .WAV's > iZotope RX11 Advanced v11.0.1.3871 (De-Click) > Sound Forge Pro 14.0 Build 140 [minor edits, normalize, & fades, Boz Digital Labs T-Bone2 plug-in (tilt EQ)] > CDWav (tracking) > Trader's Little Helper (level 5) > FLAC > TagScanner 6.1.17 (tagging) Location: General Admission, about 13 rows from the stage, mics on hat Recorded by: Joe Burns Mastered by: Dennis Orr 3 flac  
80. 06/27/25 Veltins Arena - Gelsenkirchen, Germany 8 Shure MV88 > iPhone 7 > Apogee MetaRecorder (CAF 24/48) -> Adobe Audition 2022 (Downsampled to 16/44.1) > Izotope RX 10 > CDwav > Traders Little Helper (FLAC Level 6) 2 Flac  
81. 04/09/26 KIA Forum - Los Angeles, CA 9 source : AT853 (omni) > Naiant Tinybox > Sony PCM-A10 taper: markp 3 Flac  

Budgie  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/11/74 Marquee - London, UK 7.5   1 Flac  
2. 03/09/74 The Global Village - London, England A   1 flac  
3. 09/12/74 Orebro Concert Hall - Orebro, Sweden a-   1 flac  
4. 02/08/75 The Roundhouse - London, UK 8 Talking around the recorder 1 Flac  
5. 08/02/75 Roundhouse - London, UK a-   1 flac  
6. 09/21/75 De Montfort Hall - Leicester, England A- Lineage: Master tape > CDR > WAV > Flac > You 1 flac  
7. 09/28/75 Music Machine - London, England A   1 flac  
8. 10/27/75 City Hall - Newcastle, England B++   1 flac  
9. 07/03/76 Folkets Park - Malmo, Sweden a- CDR > WAV > Flac 1 flac  
10. 11/25/76 My Fathers Place - Old Rosalyn, NY a-   1 flac  
11. 12/19/76 Fairfield Hall - Croydon, England B++   1 flac  
12. 04/13/77 Roxy Theater - Northampton, PA a- Notes: 7 1/2 ips Mono reel-to-reel master. Pre-FM. 1 flac  
13. 04/16/77 The Place - Dover, NJ B++   1 flac  
14. 06/16/77 The Showplace - Dover, NJ 7 Transfer info: Analog 1st Gen Chrome Bias (Type II) Cassette > SONY TC-WE635 Cassette Deck (w/Manual Azmuith Adjust) > TASCAM CD-RW900mkII Professional CD Recorder > CDR CDR>EAC>WAV>TLH>FLAC>DIME Originally from the collection of;"RushFan" ALL editing; "tonsofsobs" Transferred, Track Marked (CD Wav Editor) & Uploaded by "Lucifer Burns" 1 flac  
15. 11/12/77 Whiskey A Go Go - Los Angeles, CA A-   1 flac  
16. 11/15/77 The Crazy Horse - Killeen, TX A   1 flac  
17. 04/30/78 A&M Studios - Los Angeles, CA 8.5 A&M Studios Los Angeles 1 Flac  
18. 05/04/78 Electric Ballroom - Milwaukee, WI B++ Lineage: Master cassette > reel-to-reel > CDR > FLAC 1 flac  
19. 05/15/78 My Father's Place - Old Roslyn, NY B++ CDR > EAC > FLAC 2 flac  
20. 12/15/79 Bingley Hall - Birmingham, England 8 soundboard 1 Flac  
21. 08/24/80 Little John's Farm - Reading, England B+ This is a fresh (08/2020) tape transfer Transfer info: Analog Maxell XLII Chrome Bias (Type II) Cassette > JVC KD-V6 Cassette Deck (w/Manual Azmuith Adjust) > TASCAM CD-RW900mkII Professional CD Recorder > CDR CDR>EAC>WAV>TLH>FLAC>TTD Originally from the collection of; "electric" (July 24th 1996) Track Marked (CD Wav Editor) & ALL Editing; "tonsofsobs" Transferred & Uploaded by "Lucifer Burns" 1 flac  
22. 08/24/80 Little John's Farm - Reading, England 8   1 Flac  
23. 05/03/82 Apollo Theatre - Oxford, England B++ Aiwa microphone > Aiwa walkman > TDK AD-C90 Cassette master > > Sony JE530 A/D (44.1k) > Nomad JB3 > .wav > CEP > .wav >FLAC frontend > .flac files Note: The Sony JE530 is a minidisc recorder, however a pure digital output is available when using it as a "passthrough" device. Therefore, despite the presence of a minidisc device in this lineage there is no MD/ ATRAC compression. The grade would be better but there was chatter from a patron near the recorder there are few by Budgie that I have found that were at least this good 1 flac  
24. 05/10/82 Woodville Halls Theater - Gravesend, England 7.5 Cdr > Eac > Wav > Flac some clipping but still solid 1 Flac  
25. 08/05/82 Hala Ludowa - Wroclaw, Poland A- AUD > ... > CDR > wav > flac 1 Flac  
26. 05/10/83 Hammersmith Odeon - London, England B++ Unknown Gen Audience Record -> CD -> Flac 1 Flac  
27. 05/28/99 Plinston Hall - Bristol, UK 7.5   1 Flac  
28. 12/01/04 Albert Tavern - Portsmouth, England 7 Title: Tweet Tweet Source: Audience (20 feet from centre stage, with 12 inch left/right mic separation) Lineage: Stereo Omni Mics & Battery Box (9V) -> Creative JB3 (@44.1kHz) -> firewire -> HD -> Wavelab5 -> *.wav -> Nero -> 2xCDR -> EAC -> wav -> Wavelab6, Cakewalk & HarBal -> *.wav -> Foobar2000 (level 8) -> *.flac -> Dime Recorded by: Cuztard Pi Transferred & Mastered/Remastered by: Cuztard Pi (remaster January 2020 a lot of of chatter by the crowd 2 Flac  
29. 10/20/05 Mr Kyps - Lower Parkstone, Poole, UK A- Source: Audience (20 feet from centre stage, with 12 inch left/right mic separation) Lineage: Original Master 2005: Stereo Omni Mics & Battery Box (9V) -> Creative JB3 (@48kHz) -> firewire -> HD -> Audition/Wavelab5 -> *.wav (@44.1kHz) -> CDR Remaster 2019: CDR -> *.wav -> Wavelab6 & HarBal -> *.wav -> Foobar2000 (level 8) -> *.flac -> Dime Recorded by: Cuztard Pi Transferred & Mastered/Remastered by: Cuztard Pi (remaster January 2019) Title: "Little Puddles" audience chatter but really solid 2 Flac  
30. 11/05/10 Rock Temple - Kerkarde, Holland A- Lineage : Zoom H1 > 96 kHz/24bit Wav > splice, manual depop, normalize & track split (goldwave) > 44,1 kHz/16bit > Flac 6 (TLH) 2 Flac  

Bugs Henderson  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/15/06 Dan's Silverleaf - Denton, TX A Uncirculated Aud Recording From Master. Recording Equipment, SharpMT280 Lineage: Two CD's Received In Trade-> EAC File Extraction-> Traders Little Helper For FLAC Encoding (Level 6) 2 flac  
2. 11/02/08 Gruene Hall - Gruene, TX A Audience->Sonic DSM-6S/L->Sonic PA-3SX->MT2496->cdwav recorded by seedy 2 flac  
3. 07/11/09 Saxon Pub - Austin, TX A soundboard-EAC-cdwav-traders little helper-dime seeded by doodahmon 7/13/09 2 flac  
4. 10/03/09 Fair-Cafe - Schortens, Germany A Lineage: audience recording with Soundman OKM II R > Sony MZ-R700 > HD > Miracle > 2CD set > EAC(secure level, enjoy EAC logs in German language) > Wav > TLH(level 8) > Flac (> dime > YOU) Taped by: Estimatedprophet, HANX :-))))) Title: Les Shuffles in A-Shortens 2 flac  
5. 03/11/10 Alte Muehle - Eutin, Germany A taped by: RCM uploaded by: RCM Schoeps MK41 > Actives > Nbox+ > R-09 (16bit/44.1kHz) >Secure Digital SD-card> >USB2.0Interface>soundforge/audioedit>Wav-Splitter>flac.frontend lev.8>flac 2 flac  

Burton Cummings  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/02/76 MasseyHall - Toronto, ON A Master Cassettes > WAV > FLAC level 8 (transfer: Nakamichi Dragon > M-audio interface > PC) 2 flac  
2. 06/16/77 Bottom Line (Early show) - New York, NY A   1 flac  
3. 08/01/88 Ontario Place Forum - Toronto, ON a- Source:Audience Recording(Unknown Deck/Mics)>Cassette(Generation Unknown)>Sony TC-D5M cassette Deck(Playback)>Edirol R-09 HR(24/44.1KHZ)>Cd Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper. 2 flac  
4. 11/03/94 South Station - Boston, MA A WBOS Music Festival For The Earth Series Source: Audience recording > Schoeps CMC 44 cardioids > Oade power supply > Oade-modified Panasonic SV255 > Dat Lineage: Dat > Sony DTC-2000ES > S/PDIF > M-Audio 410 > Adobe Audition > wav 16/48 > Adobe Audition > iZotope Ozone RX Advanced > wav 16/44.1 > CD Wave > flac 16 1 flac  
5. 12/20/95 Glen Gould Studios - Toronto, ON A Source:FM Broadcast>1st Generation Cassette>Sony TC-D5M Cassette deck(Playback)>Edirol R-09 HR(24/44.1 KHZ)> CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper. 1 flac  
6. 02/25/10 BC Place - Vancouver, BC 8 Lineage: Satellite Receiver -> DVD Burner -> DVD2AVI -> Audacity -> FLAC (Level 8) Audacity was used solely for amplification, track splits, and fade effects 2 Flac  
7. 05/30/11 Prospera Place - Kelowna, BC 8 Taper: LeifH Source: CSB's w/b. box (filter) > Sony WM D6C (Dolby B for recording) > Maxell XL II 100 + 90 Transfer: Master cassettes > Sony TC-WE475 (Dolby off) > H/K 3500 > Creative X-Fi Soundblaster > Wavepad Master's Edition @ 48000Hz > downsample to 16/44.1 > flac (8) via Frontend 2 Flac  
8. 07/23/11 The Canyon Club - Agoura Hills, CA A+ Source info: AT943 cards>Sony PCM-M10(24/96)>Adobe Audition 3 (normalize, resample/dither to 16/44.1)>CDWaveEditor 1.96>TLH>Flac Taper: David Sell (Falconidave) Location: 50' from right stack Sound Quality: Excellent 2 flac  
9. 11/29/11 Potawatomi Casino-Northern Lights Theater - Milwaukee, WI A Mics: DPA 4022 Recorder: Sound Devices 722 Location: Center floor in front of board. Recorded @: 24 bit 44.1K frequency recorded Dithered to 16b using Izotopes Advance FLAC to you guys 2 flac  
10. 01/18/12 Keswick Theater - Glenside, PA A source : schoeps mk-41 > actives > nbox + > sony pcm-m10 > 24/96 wav > dsp-quattro 3 > izotope src > MBIT+ > 16/44.1 wav > xACT 2.15 > flac taper : edtyre 2 flac  
11. 04/13/13 Wolf Den @ Mohegan Sun Casino - Uncasville, CT a- Recorded By: Starbraker Source: Zoom H2 w/internal mic setting @ 120 degrees > Wav (16/44.1) Wav > Soundforge 9.0 [editing & tracking] > TLH [SB's aligned] > Flac Level 6 1 flac  
12. 09/19/13 Massey Hall - Toronto, ON A Roland R-05 - Core Sound High End Binaurals Recorded and edited by BurnBoy 2 flac  
13. 09/27/13 Arcada Theatre - St. Charles, IL A Recorded by Roy Martin from the audience (3rd row) using a set of Sound Professionals SP-CMC-8 (Audio Technica cardioid mics elements) --> SP-SPSB-11 power supply (bass roll-off turned off) --> Zoom H2n (24-bit/96kHz). THIS IS A 16-BIT/44.1kHz FILESET FOR AUDIO CD BURNING. Cool Edit Pro used to downsample to 16-bit, fades & joining the two WAVs into a one hundred & twelve minute WAV. No EQ was done, so salt & pepper to taste. CD Wave Editor used to split the WAV into separate tracks. Trader's Little Helper used to fix SBEs ('-fixed' removed from the filenames) then encode to FLAC (Level 8). 2 flac  
14. 11/11/13 The Birchmere - Alexandria, VA A Source: CA-14(cards)>CA-9200>Sony M10(24/48) Transfer: Micro SDHC>PC>WAV>CQ Mastering>FLAC(16/44.1) Location: 15' from stage, dead center Taper: Lostbrook Mastering: CQ Covers: ethiessen1 2 flac  
15. 11/14/13 Keswick Theater - Glenside, PA A taped by my friend Tony (IMAGEMAN2005) Audience recording recorder sony pcm-d50 microfoon CA 14 cardio sound editing by Ane flipp022 flac level> 8 1 flac  
16. 07/31/15 Renaissance center - Detroit, MI 8 Zoom H2 > SD card SD Card> Laptop> CDWAVE> Flac Recording and transfer by martan 2 Flac  
17. 08/30/16 Artpark - Lewiston, NY A 16 bit version Taper: Binko Gear: Tascam DR-08 Transferred & mastered by }{eywood Lineage: DR-08 (wav @ 24/96) > USB > Adobe Audition 1.5 (EQ, peak limiting, splits & fades) > Xrecode II (conversion to 16/44.1) > TLH (sector alignment, flac 8) 2 flac  
18. 08/18/17 CNE Bandshell - Toronto, ON A 16 bit version Taper: Anonymous Gear: AT-831s > Tascam DR-08 Transferred & mastered by7 }{eywood Lineage: DR-08 (recording to .wav @ 24/96) > USB > Adobe Audition 1.5 (EQ, clap reduction, peak limiting, splits & fades) > Xrecode II (conversion to 16/44.1) > TLH (sector alignment, flac 8) 2 flac  
19. 07/02/19 Artpark - Lewiston, NY 8 Gear: CA14s > Tascam DR-08 Mastered by }{eywood Linege: DR-08 (recording to 24/96 .wav) > USB > Adobe audition 1.5 (EQ, peak limiting, splits & fades, conversion to 16/44.1) > TLH (sector alignment, flac 8) 2 Flac  
20. 08/21/19 PNE Amphitheatre - Vancouver, BC A Taper: LeifH Source: CA-11 (cardioid) > Bat2B > Zoom H1 @ 16/48 > microSD card Transfer: Memory card > PC via USB > Wavepad Masters Edition (edits, amplify, tracking, 16/44) > flac (8) via TLH 2 flac  
21. 10/08/19 Mary Winspear Centre - Charlie White Theatre - Sidney, BC A MIKEY 2.0 iPod Recording Microphone 16/44.1 Right of centre 1 flac  
22. 09/20/24 Arlington Music Hall - Arlington, TX A Source info: Schoeps MK41's>Nbob Actives>BabyNbox v2>Sony PCM-A10(24/96)>Adobe Audition 2024(normalize, tracking, dither)>CD Wave Editor 1.98>TLH>Flac(8) Taper: David Sell (Falconidave) Location: Balcony, DFC Sound Quality: Excellent 2 flac  
23. 01/14/25 Belly Up Tavern - Solana Beach, CA A+ Taper: lachtna Location: center stage, 7 rows back Linage: Schoeps MK4 > BabyNBox > Sony A10 > WAV (24/48) > SoundForge (levels, declick, denoise, fades) > CDWAVE (splits) > FLAC > MP3Tag (tags) 2 Flac  

The Byrds http://thebyrds.com
  Date Venue - City, State Sound Rating Notes Media  
1. 11/02/68 Avalon Ballroom - San Francisco, CA a- Soundboard From CD received in a trade, lineage unknown. 1 flac  
2. 05/23/69 Ash Grove - Hollywood, CA A Liberated Deep Six bootleg Excellent stereo soundboard re-pitched, de-hummed and remastered 1 flac  
3. 07/07/70 Concertgebouw - Amsterdam, Netherlands A+   1 flac  

Camel  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/18/75 Reading Town Hall - Reading, UK a- Lineage: Unknown Notes from the PRRP Re-Master: As good as this recording is, there were still a number of flaws that needed correcting. The speed of the recording was found to be in error and was fixed. A gentle noise reduction was used to allow more subtle detail to be heard. Lots of tape clicks and pops were found and repaired. Because of the venueacoustics, an adjustment to the tonality was made. Dynamics were adjusted and channel balance was corrected. Finally, the show was tracked using standard live and studio references. 1. Consistent speed error detected and corrected. 2. Gentle noise reduction applied. 3. Lots of clicks and a few pops repaired. 4. Dynamics adjusted. 5. Correct Channel imbalance. 6. Adjust Tonality. 7. Re-track using commercial references. 8. Friendship segment of Snow Goose not in recording. Not played? 2 flac  
2. 06/26/76 Boarding House - San Francisco, CA AA Lineage: Trade cdr>EAC>FLac FrontEnd Level 6>Dime 1 flac  
3. 02/09/79 San Jose Center - San Jose, CA A Taper, & Taping Gear: ??Unknown?? Trade: Takashi (Japan, THX!!!). Source: FM - Liberated Bootleg "Never Let Go"; TNT Studio label #TNT940152/153 Lineage: "FM" Trade CDR> (wav) EAC (secure mode)> (flac) Trader's Little Helper level 6 (align on sector boundaries) some hiss but overall a must 1 flac  
4. 02/11/79 Old Waldorf - San Francisco, CA A KLAX Berkley, radio broadcast. This is a very good, near mono, off-air recording from very low-gen (if not master) analogue tapes. It is clear and clean, although somewhat compressed. Two off-air analogue versions of this were used to assemble the complete broadcast, including 'Tell Me' and full intros, omitted on some traded versions. This has been pitched correctly, and slight eq balance applied. 1 flac  
5. 11/11/79 Audiomax - Hamburg, Germany A Lineage Unknown - FLAC files received in trade 2 flac  
6. 11/21/79 De Doelen - Rotterdam, Holland A Pre-FM tape > ? > CD-R received in trade > Sound Forge > .wav > Flac Frontend > .flac 2 flac  
7. 11/28/79 Plaza Toros Monmental - Barcelona, Spain B++ Canel - 1979-11-28 Plaza Toros Monmental, Barcelona ( Low Gen ) ( DAVROS069 ) Linage :- Tape Trade ( TDK-D c90 ) ( Low Gen ) - Denon tape deck - Yamaha Reciever - Phono Leads Into PC Soundcard - Nero Wave Editor - Wav - Tracks split - Traders Little Helper - Flac8 - SBE Checked - You. The highs were not evident on this show but still good enough to list it. No Lady Fantasy bummer 1 flac  
8. 01/28/80 Koseinenken Hall - Tokyo, Japan A Origin Unknown - FLAC files received in trade 2 flac  
9. 07/19/80 De Meshallen - Wijchen, The Netherlands A Lineage: Unknown recording device > CD > EZCDDAX rip > HD > SoundForge 7.0 > CD Wave > FLAC Frontend (level 6) 1 flac  
10. 02/06/81 Vereeniging - Nijmegan, Netherlands A   1 flac  
11. 05/16/82 Lverpool Empire Theater - Liverpool, UK A Mono Recording. Master cassette > CD-R (standalone recorder) > EAC > Sound Forge (remove dead space) > CD Wave > flac (level 8) > You 2 flac  
12. 05/29/82 Playhouse - Edinburgh, Scotland A   2 flac  
13. 05/29/82 Playhouse - Edinburgh, Scotland A Source: Unknown, low gen tape -> CD ->EAC->WAV->Cool Edit Pro -> CDWav Editor ->FLAC -> CD 2 flac  
14. 06/03/82 Hammersmith Odeon - London, England A FM recording. the speed was much too high and the sound very muffled. pitch shifted, eq. and balanced the volume 1 flac  
15. 08/28/82 Plaza de Toros Monumental - Barcelona, Spain a- cd trade 2 flac  
16. 08/30/82 Plaza De Toros Monumental - Barcelona, Spain A-   2 flac  
17. 04/27/84 Theatre Royal - Nottingham, United Kingdom AA Lineage: Trade cdr>EAC>FLac FrontEnd Level 6>Dime 2 flac  
18. 05/10/84 Odeon Theater - Birminghame, UK a-   2 flac  
19. 05/22/84 Maxim - Stuttgart, Germany A Lineage: AIWA HS-F1 with AIWA CM30 mic on 2 Maxell XL II C90. Transfer: Technics RS-BX646 > Zoom H2 (WAV) > Soundforge 14 (indexing, normalizing) > FLAC with TLH 2 flac  
20. 04/06/97 Sala Kongresowa - Warsaw, Poland A+ pre-FM Radio Broadcast from national Polskie radio p3 Source Mix Primary Source ("SHN"): Ripped using EAC with the correct read offset Then encoded to SHN using MKWact by Orion/Nepenthes Secondary Source: Crystal Moon (Highland 422-423) Additional lineage: SHN > TLH > FLAC > Audacity > FLAC > TLH (fix SBE) > FLAC (level 8) Setlist 2 flac  
21. 10/05/00 Wayterfront - Norwich, UK A   2 flac  
22. 10/07/00 Lomax - Liverpool, England A Source: Audience Transfer: CD-R from trade 100 years ago > EAC > FLAC Level 8 > you Sound Quality: A in my rating and ears.... 2 flac  
23. 03/29/01 Lasalle Coliseum - Buenos Aires, Argentina A+ South American Rajaz Tour Audience recording - unknown lineage Source: Blog download in FLAC format Lineage: AUD > ? > FLAC > TLH > WAV > Adobe Audition CS6 (re-tracking, fixed clicks and drop-outs) > TLH > FLAC (L8, SB aligned) 2 flac  
24. 06/26/03 The Catalyst - Santa Cruz, CA A   2 flac  
25. 06/29/03 NEARfest - Patriots Theater at the War Memorial - Trenton, NJ AA   2 flac  
26. 06/30/03 Birchmere Music Hall - Alexandria, VA A+ Audience recording Lineage: DAT > CD (clone from master) > EAC > SoundForge 7.0 > FLAC Frontend (level 6) 2 flac  
27. 10/16/03 Arsenaal Theater - Vlissingen, Holland AA   2 flac  
28. 03/02/14 Paradiso - Amsterdam, Netherlands 9 Recorded with Zoom H1 digital audio recorder, internal mics. Input level: 13 Lo-cut filter: on Samplerate: 96kHz/24bits Editted with Cool Edit Pro. Right channel +1.5 Db. Overall volume boost: +15 Db. Equalizing: very light bass cut, very light high lift. Tracks split and downsampled to 44kHz / 16 bits, with CD Wav Editor. Flacs and Fingerprints created with Trader's Little Helper. Flac level 6. We were seated at the front edge of Paradiso's balcony, on the right front side of the stage. Recorder was put on top of a bag, with mics pointing towards the speakers. First time that I recorded a gig in many years, very first time I did this with this Zoom H1 recorder. I don't think this is a bad result :-). I'm very happy with it. Never Let Go is split up in two parts - acoustic and electric part. Was confused while splitting tracks. 2 Flac  
29. 03/03/14 Muziekgebouw Frits Philips Eindhoven - Eindhoven, Netherlands A+ CD-buring notes: To burn the 2 sets onto 2 CD's, I have proposed to burn set and and the first 2 tracks of set 2 onto CD 1, and the rest onto CD 2. Please feel free to do it otherwise if you like. Recorder's notes: I arrived early in Carnaval-celebrating Eindhoven and found myself surrounded by thousands of partying people dressed in the most outraged outfits before I could make my way to the Eindhoven Muziekgebouw Fritz Philips for the 2nd Camel concert in The Netherlands, after their Sunday gig in Amsterdam’s Paradiso. This Monday, March 3rd, 2014, Camel played in De Lage Landen Zaal, for an audience of about 1,000 fans. Despite the many warnings not to make photographs or recordings, I managed to smuggle my kit into the hall and found myself a “sweet spot” in the middle of row 7 (seat 30) and managed to get away with this recording. The crowd was very quiet during the songs but compensated for this by a very enthusiastic applauding after each song, and the acoustics of De Lage Landen Zaal is pretty good. The sound was not overly loud and the sound-engineers had done an excellent job in finding a good sound balance in the PA-system, with two stacks each at the far side of the stage. So my recording ended up with a very decent impression of the actual sound of this concert. About the concert… Camel played with Dutch keyboard player Ton Scherpenzeel, instead of Guy LeBlanc due to Guy’s ill health, and boy they played! Without a word the band came on stage and started with the Snow Goose suit, which was played without any comments all the way to the end. If they played this music already for the umpteenth time, none of the band-members showed any sign of fatigue and put their whole soul into the music. It was 45 minutes of Camel-magic. The second set consisted of a selection of Camel songs, starting with a highlight (Never let Go) and ending with a highlight (Lady Fantasy), and in between Andrew, Colin, Ton and Denis brought every other track to another high level. Not that Jason did not contribute, but his role as second keyboard player seems more supportive, nevertheless indismissible. Andrew had some amplifier problems at the start of Echoes, which was adequately compensated by Ton and Colin repeating the chorus until an engineer had sorted out the issue and Andrew could continue: a concert without a glitch is just listening to a CD! The band seemed to enjoy themselves as much as the audience did and the second set took well over one and a quarter hour, with Ton’s lively keyboard playing in the reprise, Lady Fantasy, as a sound which will last for a long time. I was still whistling Lady Fantasy when I walked back through Eindhoven’s partying Carnaval crowd to my car, an unforgettable experience and a DVD (from the London concert in 2013) richer. If you like this recording, please support the band who made this possible, by buying their albums and enjoy the sound of Camel. This audience recording is for personal use only and please do not sell this - we are all fans and not business people! For personal use you may do whatever remastering/encoding you would like to do, but please do not re-distribute in any lossy format. If you do redistribute, please leave this info.txt file in the package. 2 flac  
30. 03/10/14 Town Hall - Birmingham, England A Taper 1: Boombox Location: Row C, seat 20 ~10' back midway between House Left Stack and Centre Stage Lineage: CA14 Cardioids > CA9200 > Edirol HR-09 (@24/96) > Cool Edit Pro 2 (edits, volume and downsample to 16/44) > CDWave > TLH > FLAC Taper 2: Paul44 Location: 3rd row just right of centre Lineage: Internal Mics > Zoom H2 > WAV > FLAC Taper 3 : Relayerx9 Location: Main balcony, Row A Seat 9, 20m back from the stage. Fairly centred, right in front of Andy Lineage: External Sony ECM-MS907 Mic (in 120deg) placed on balcony ledge > Sony Hi-MD MZ-RH10 (Hi-SP) > USB transfer to PC (WAV) > Soundforge 9.0 (remove clicks x3 and track split) -> FLAC 2 flac  
31. 03/21/14 Town Hall - Birmingham, UK A+ Taper 1: Boombox Location: Row C, seat 20 ~10' back midway between House Left Stack and Centre Stage Lineage: CA14 Cardioids > CA9200 > Edirol HR-09 (@24/96) > Cool Edit Pro 2 (edits, volume and downsample to 16/44) > CDWave > TLH > FLAC Taper 2: Paul44 Location: 3rd row just right of centre Lineage: Internal Mics > Zoom H2 > WAV > FLAC Taper 3 : Relayerx9 Location: Main balcony, Row A Seat 9, 20m back from the stage. Fairly centred, right in front of Andy Lineage: External Sony ECM-MS907 Mic (in 120deg) placed on balcony ledge > Sony Hi-MD MZ-RH10 (Hi-SP) > USB transfer to PC (WAV) > Soundforge 9.0 (remove clicks x3 and track split) -> FLAC 2 flac  
32. 07/06/15 St. Albans Arena - St. Albans, UK A Zoom H2n X/Y > SD > Goldwave Tweaks > CDR Recorded Middle Front A Disputandum Production 2 flac  
33. 07/07/15 The Bath Forum - Bath, UK A+ Lineage: Church Audio CA-14 cardioids > CA-9200 > Edirol R-09HR (@24/96) > Cool Edit Pro 2 > CDWave > TLH Recorded second row in line with (suspended) house right stack Recording, transfer & artwork by boombox 2 flac  
34. 07/11/15 Poble Espanol - Barcelona, Spain a- "Be Prog! My Friend" Festival Barcelona, Spain Poble Espanol 11 July 2015 Audience HD Recording by Jorgeprog ECM 717 > Zoom H2 (44.1/16) 2 flac  
35. 07/15/15 Kursaal - Limbourg, Belgium A edirol r05 and sony ecm-717 mic-soundforge-flac. only upped/balanced the sound. no eq. this recording turned out very good. best sit down in the dark and turn the volume up.... 2 flac  
36. 07/15/15 Kursaal - Limbourg, Belgium 9 Recorded by gaballus Linage: ZOOM H2N external mic OLYMPUS ME51S, wave 24.48 Mastered by rdwm Photos by gaballus Artwork, tracked & metadated by Jaraslesny Converted to flac 16.44 level8 with Foobar 2000 2 Flac  
37. 07/16/15 Tivoli Ronda - Utrecht, Netherlands A Recorded on iRiver H340 using Rockbox, r18339 build 080824. Recording format: 44.1 Khz WAV Microphones: Church ST-11 Cardiods Sound treatment with Soundforge 10.0 / Adobe 2.0 Sound editing with xACT 2.24 and Soundforge Flacs created with xACT 2.24 (level 7) 2 flac  
38. 07/17/15 Freilichtbühne - Lorley, Germany A Audience HD Recording ECM 717 > Zoom H2 (44.1/16) 2 flac  
39. 07/19/15 Miedzynarodowe TargiPoznanskie Hala - Poznan, Poland A+ Lineage: Sony ECM-719 -> Tascam DR-05 2 flac  
40. 05/18/16 Namba Hatch - Osaka, Japan AA Lineage: CD-r's 0 flac  
41. 05/20/16 Theater Roppongi - Tokyo, Japan A Tascam DR-05 > wav > flac 2 flac  
42. 05/22/16 Hibiya Open-Air Concert Hall - Tokyo, Japan A+ Tascam DR-05 > wav > flac 2 flac  
43. 05/19/18 Club Citta - Kawasaki, Japan AA Lineage: 3 CD-r's 3 flac  
44. 06/03/18 Dom Muzyki - Zabrze, Poland AA Recorded by gaballus Linage: ZOOM H2N external mic OLYMPUS ME51S, wave 24.48 Mastered by rdwm Photos by Bizon (special thanks) Converted to flac 16.44 with Foobar 2000 level 8 Artwork, tracked & metadated by Jaraslesny 2 flac  
45. 06/08/18 Muziekgebouw - Eindhoven, Netherlands AA Audience HD Recording Zoom H2 > Sony ECM 717 (44.1/16) 2 flac  
46. 07/14/18 Freilichtbuhne - Lorley, Germany AA Audience HD Recording Zoom H2 > Sony ECM 717 (44.1/16) 2 flac  
47. 09/07/18 Bridgewater Hall - Manchester, UK AA This is a great sounding boot without no lineage. Its rated AA because its that good. 2 flac  
48. 09/14/18 Town Hall - Birmingham, UK AA Linage ZOOM H2 Internal mics volume set at 79 remastered by Bigdee using Harbel to smooth out and raise the volume the results are very nice. 2 flac  
49. 09/17/18 Royal Albert Hall - London, England A Sonic Studios DSM-6>PA6-XP>M Audio Microtrack> Wavelab>CD Wave Editor>FLAC Level 8 An EBR Recording 2 flac  

Captain Beyond  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/19/72 Jai Alai Fronton Hall - Miami, FL B++   1 flac  
2. 05/26/77 Night Gallery - Waukegan, IL a- Total Time ::: 1:05:30 [Total upload time with NO OFFICIAL material 43:35] ::: VG++ stereo AUD (upgrade). Check samples for insufficiency, fence straddlin', sufficiently breathless anticipation. ::: Warts: Repaired dullspots & dropouts but know some are still present. #03 some AUD talk&annoying whistles (lowered) #01 cuts & #02 had splice (so now cleaned up&merged from feedback into #03). #16 fades in slightly late&a bit rough from tapeflip. 2nd half of show distortion slightly increased on loud parts (presumably the band TURNED IT UP). #21 some AUD talk&whistlers (now moved back&lowered). Fairly obnoxious whistler at gig but luckily distanced from taper & usually could be lowered. ::: COMPARISON CLAUSE: ORIGINAL"Mk1"full show 2009 glasnostrd19 upload (+some reseeds) is offspeed & muffled compared to this Mk3. ::: COMPARISON CLAUSE: This Mk3 is a MAJOR upgrade over glasnostrd19 "Mk1"version (lower generation & more natural sounding). ::: COMPARISON CLAUSE: "Mk2"included in"Completer"boot+"Anthology Live"official 2CD #02-06 partial set is is brighter but badly EQ'd. ::: COMPARISON CLAUSE: This Mk3 version is speedfixed, has NO EQ, & IMO is considerably better quality than the released partial version. ::: COMPARISON CLAUSE: CB's "The Completer"2CD Eclipse boot later reissued OFFICIALLY as"Live Anthology"on Cleopatra/Purple Pyramid with CD2 trax 8-13 "Live In Los Angeles May 26,1977"[Distant Sun//Dancing Madly Backwards (On A Sea Of Air)//Armworth//Myopic Void//Breath Of Fire (Part 1)//Breath Of Fire (Part 2)]. ALL versions Mk1+2+3 are the same original taper+location but NOT Los Angeles - DEFINITELY Waukegan. "Mk1"CD is EQ'd,w/audible issues at times. PP lifted their version from a boot as they often do & changed the location for unknown reasons for these songs to incorrect source info. ::: Often circulates as"Chicago"or"Los Angeles"but is Waukegan (northern Chicago suburb).Band says"Welcome to the Night Gallery"&mentions town twice. ::: Previously noted as "Jason Cahoon (or maybe Willy Daffern?) vocals" BUT band intros Willy&he also intros himself during the set. Cahoon left in '76. ::: NEWSPAPER listing: https://videttearchive.ilstu.edu/?a=d&d=vid19770509-01.2.47&srpos=3&e=-------en-20--1--txt-txIN-%22night+gallery%22------ ::: Promoting reunion LP"Dawn Explosion"(their 3rd) recorded '76-77 & issued April'77. 5 songs played here (#09/10/12/14/18), PLUS... ::: "Dawn Explosion"album name AND a song, recorded for album but then omitted&never officially released! AFAIK, this is the ONLY circulating vintage version. ::: Willy Daffern was the vocalist on actual album sessions, so we can assume this version the song "Dawn Explosion" is fairly similar to the unissued one. ::: "Fantasy"intro'd as off their "next"album but must be a slip of the tongue for "new", as they're clearly promoting the LP, which should've already been out. ::: Same era photo: https://1.bp.blogspot.com/-1Iz5KUg1NKQ/Uf_2tVNNEiI/AAAAAAAAAdQ/ujiyyp_dPPE/s1600/Captain+Beyond+4_thumb%255B9%255D.jpg ::: "The Vidette"(1977): "One of the biggest eye-openers of this month's concert agenda is Captain Beyond". ::: Vidette also lists 4 more May'77 Illinois gigs: 5/23 Oak Lawn // 5/25 Schaumburg // 5/27 Decatur // 5/31 Chicago. ::: EQ could provide some more clarity but plenty is obtained just thru treble/bass controls, so left it up to YOU. ::: Opening band thanked by CB. Local band? Do YOU remember who it was? Not listed in ad. Maybe the 22min tape filler on my tape. ::: If someone can tell us who the opening band was at this gig, perhaps the recording could be matched to them & uploaded. ::: CB says they'd played"down the street"(Chicago?)8-9 months before this(Aug/Sept'76?)&had had a"change of personnel"-in reference to no Rod Evans. ::: Tho' CB is purportedly Willy Daffern's vox debut, his rocks creds were excellent, in '69-71 he'd drummed for psych bands Hunger&Truk. ::: Surely more CB shows in this era were taped. Does anyone have OTHER 1977 recordings? Recording Information ::: unknown stereo tape recorder/microphone(s) -> master (narrow) stereo tape (probably cassette deck with OK ALC on & single point stereo mike, very possibly built in) -> ? (analog-only generations) -> low generation ('80s transfer) Maxell XLII-90 cassette, Dolby B on. Playback 2021-01-27 ::: low generation ('80s transfer) Maxell XLII-90 cassette on Nakamichi 680ZX cassette deck, Dolby B on, azimuth adjusted for individual tape, heads cleaned & demagnetized -> Sony Linear PCM Recorder PCM-M10 (48kHz/24bit wav file) -> computer -> Audacity [normalisation to remove DC offset (NOT to normalize volume), channel/phase alignment, fades, manual one-at-a-time glitch, bump, clap, pop, click, dropout & dullspot repairs, volume adjustments, #01-03 +2.7%, #04-15 +1.8%, #16-17 +1.3%, #18-25 +2.05% avereaged pitch (speed) fixes with single pass per segment after frequency analysis & with CD pitch verification (pitch averaged in sections to keep changes minimal. "Dancing"only song that sounded a bit off from CD/album pitch but that version about 1% fast if guitar was tuned to A440), NO equalisation or noise reduction] -> CD Wave (track splits) -> 48kHz/24bit flacs (Trader's Little Helper) -> yr ears. (NOTE: Previously uploaded version said mono, but all versions are narrow stereo. Possibly OK quality ALC was used & maybe recorded with a single point stereo mike). Freed 2022-01-xx. Line-up ::: William "Willy" (or "Willie Dee") Daniel Daffern - vocals // Larry "Rhino" Reinhart (†R.I.P. 2012†) - electric guitar // Lee Dorman (†R.I.P. 2012†) - electric bass, backing vocals // Robert E. "Bobby" Caldwell - drums, percussion, backing vocals. Nothing here ever commercially released to my knowledge. If I'm wrong, please advise & I'll take the offending trax offline. DimeTravel 598 ::: Thanks to the original taper & traders! Sincere thanks to whomever uploads this for me. ::: Corrections welcome ::: Personally, tho' I thought the first 2 albums SMOKED from when they were released & have provided never-ending, frequent listens over 5 decades(!) but IMO, the "Dawn Explosion" reunion album was/is a weak effort, mostly only interesting in a derivitive sense. I expected it might grow on me over time, but it never happened, whereas the status of the first 2 remains intact. However, even without the fine Rod Evans vocal work, this set is much more interesting&enjoyable&consistent than the 1977 album. "Breath Of Fire" has almost Axis leanings at times & "Sweet Dreams" comes off as something of a Trower-style tribute to my ears, "Fantasy" is pretty much ripped from earlier songs, Rhino-wise, & the vocal delivery not all that great. "Oblivion", the Rhino-bent instrumental is one of the best new songs. The live "Dawn Explosion" has some fine moments & certainly stands up to the other new material just fine - one wonders both why it wasn't included on the album AND why the original studio version has yet to appear. Overall, this is EXCELLENT, with thundering bass & great guitar & drumming & the vocals are satisfactory enough (and maybe it's not the worst thing that they are a bit low in the mix here). Worked on an EQ version but decided much of what I was doing was easily done with treble control, so have at it. Originally had ZERO intention of spending so much time repairing this, but enjoyed it more than expected. Imagine the coughing toker daydreaming that 45 years later someone would be lowering his input for more musical enjoyment to an AUD tape. Myself, I even went to the effort of filming CB in '73 in Charlotte (super8, previously outed), they rocked! I should say, for those who haven't heard it, there are a number of interesting items to hear on the 2017"Lost&Found 1972-1973"CB collection with early demos, etc - however, sad they didn't appear long ago & even sadder that a bit more effort wasn't put into it in the studio for sound improvements - even a novice will find it easy to improve the sound over the CD versions on a number of the tracks. Still, not to be missed by any hardcore fan. Bobby Caldwell presumably was living in Chicago at the time of this show. Caldwell continues with a version of Captain Beyond to this day tho' he surely makes more cash with his Frank Sinatra cover band! The recent CB reunion vids on YT leave me insufficiently breathless - this is a better era, even if not primetime. Listen, enjoy, show appreciation, share, give, spread peace. Yrs truly, Knees Support the artists and/or their families! www.officialcaptainbeyond.com -- www.facebook.com/OfficialCaptainBeyond -- www.theofficialbobbycaldwellsite.com Do whatever you want with it except sell it, 'cause that ain't cool! 1 flac  
3. 07/06/18 City Winery - Boston, MA AA SP-CMC-8c===SP-SPSB-11 (12v) Bass Roll Off set @ 69hz to Roland R-05 (Line In)===SDHC SanDisk 16GB Memory Card @ 48/24(Downsampled to 44.1/16) 2 flac  

Carl Palmer's ELP Legacy  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/20/19 The Pavillion Toyota Music Factory - Irving, TX A Roland R-09HR internal mics > WAV > Sound Forge Pro 12 > iZotope Ozone 8 Pro > iZotope Rx Rinal Mix > FLAC This is from a festival Carl , John Lodge, Asia, and YES 1 flac  

Carlos Santana  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/16/78 The Bottom Line - New York, NY A So, I started out with this very nice sounding FM show and have since been advised that it had tiny micro gaps at the end of most of the tracks. It also had a number of small drop-outs in Track 7 disc one. I "fixed" all of the errors and now have to upload the whole torrent again. So if you want the "fixed" version of this show you'll have to download the whole thing again. Sorry about the problems. It is a fantastic show... Enjoy the tunes, twofthrs Trade CD>EAC>HD>fix flaws>FLAC 2 flac  

Carlos Santana & John McLaughlin  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/04/73 Santa Monica Civic Center - Santa Monica, CA a-   2 flac  
2. 09/12/73 Celebrity Theatre - Phoenix, AZ a- Lineage: CDRs from a trade/CDEx/Adobe AuditionFlacfrontend/TLH/you 2 flac  
3. 09/12/73 Celebrity Theatre (Late Show) - Phoenix, AZ A Lineage: CDRs from a trade/CDEx/Adobe Audition/Flacfrontend/TLH/you 2 flac  

Carly Simon  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/02/95 Grand Central Station - New York, NY 8.5   1 Flac  
2. 08/22/95 Concord Pavillion - Concord, CA 9 Source : Audience Recording > 1st generation cassette (courtesy of Steve K. archive) Transfer : Sony TC-WE 475 > Tascam DR-40 Linear PCM Recorder 16/44.1 kHz) Editing : Soundforge (tracking) > Wave > Traders Little Helper (SBE aligned) Flac level 8 1 Flac  

The Cars  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/05/79 North Hall Auditorium - Memphis, TN 8.5 Source : Soundboard Recording. Sony 700mb Cd-R > EAC (Exact Audio Copy) Version 1.Beta 3 > 16-Bit, 44.1kHz Wav > Traders Little Helper > FLAC (Level 8). 1 Flac  
2. 10/31/80 Nakano Sun Plaza Hall - Tokyo, Japan A King Biscuit Flower Hour SBD tape > FM > Cassette > CDRx > WAV > FLAC > shntool ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) 1 flac  
3. 10/31/80 Nakano Sun Plaza Hall - Tokyo, Japan 8 The Cars - Panorama Tour (1980) (Live, 10-30-80 at Nakano Sun Plaza Hall, in Tokyo, Japan.) (Pre FM Edited Soundboard) [03] - 10-30-80 at Nakano Sun Plaza Hall, in Tokyo, Japan. (Pre FM Edited Soundboard) Recieved in trade on CD-R in the mail from Chris in Ohio. This is the most complete version of this show I have in Flac more complete version I have in Mp3 though. Verified losless on Trader's Little Helper. Ripped from CD-R into Wav Files then converted to Flac (Level 8) Files on Trader's Little Helper as well. 1 Flac  
4. 03/24/82 Nassau Coliseum - Uniondale, NY a- Taper : Steve T ''AKA'' Little Red Bag Editing : Joe D'Amico ''AKA'' Joebeacon Nakamichi CM 300s w/CP4 Shotgun Capsules > Sony D5 Master Tapes > Nak Dragon Tape Deck > Korg MR-1000 > Adobe Audition CS6 > Ozone 5 > Traders Little Helper ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) 2 flac  

Cat Stevens http://www.yusufislam.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 11/09/73 Aquarius Theatre - Hollywood, CA A its really great for its age This has been on vinyl boot, and other recordings from the radio broadcast, but this is the complete version with Dr. John and Linda Ronstadt. From Reel to Reel tape of broadcast (KLOS Los Angeles) FM>3-3/4 ips Reel>MetalCass>Creative WavStudio 44.1k/16bit>CD>EAC>TLH SBEs fixed>Flac 8>You Speed Adjusted +1.75% (video as reference) No signal processing Quality A+ This Still has the orginal Sansui QS encoding and will decode the orginal quadrophonic mix with Dolby ProLogic, DPLII or better decoders. 2 flac  
2. 02/27/76 Boston Music Hall - Boston, MA a- Audience Stereo FOB Sony ECM-99A > Sony TC-152SD Teac X-1000R > Tascam CD-RW900 1st Gen Reel > CDR > EAC Secure > Audacity (edits) > CD Wave (tracks) > FLAC Total Time - 87:11 Thanks to the taper! Transfer and encoding by Steve Hopkins Note: first set taped from center orchestra... second set from right side directly in front of p.a. 2 flac  
3. 11/22/79 Year of the Child Concert - London, England 9 FM broadcast -> Master Reel on Revox B77 Playback Lineage Master Reel on same Revox B77 -> Alesis Masterlink ML9600 @ 24/88 -> AIFF -> Foobar2000 to FLAC 1 Flac  
4. 06/12/23 Zitadelle Spandau - Berlin, Germany A Lineage: CA 11 > A3 Adapter > line in > Edirol R-09 (16/44) > audacity 1.3 (16/44) > flac 8 2 flac  
5. 06/18/23 Auditorium Parco della Musica - Rome, Italy A Taper: Earendil69 Sennheiser Ambeo + Metarecorder on iPhone 7+ remaster : rdwm 2 flac  

Celebration Day: A Night Of Led Zeppelin  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/26/11 The Pageant Theatre - St. Louis, MO 8 Gear Used: Source 1: Studio Projects C4 Cardiod Caps > Edirol R-09 Portable recorder Source 2: SBD > Tascam DR-07 Portable Recorder Matrix combined sources using: Sound Forge 9.0 > CDWav > TLH > .flac files 3 Flac  
2. 02/25/12 The Pageant Theatre - St. Louis, MO 8 Source 1: Studio Projects C4 Cardiod Caps > Edirol R-09 Portable recorder Source 2: SBD > Tascam DR-07 Portable Recorder Matrix combined sources using: Sound Forge 9.0 > CDWav > TLH > .flac files 3 Flac  
3. 02/27/15 The Pageant Theatre - St. Louis, MO 8 Source 1: Studio Projects C4 MKII Cardiod Caps > Tascam DR-07 Portable recorder Source 2: SBD > Tascam DR-07 Portable Recorder Matrix combined sources using: Sound Forge 9.0 > CDWav > TLH > .flac files 3 Flac  
4. 02/28/15 The Pageant Theatre - St. Louis, MO 8 Source 1: Studio Projects C4 MKII Cardiod Caps > Tascam DR-07 Portable recorder Source 2: SBD > Tascam DR-07 Portable Recorder Matrix combined sources using: Sound Forge 9.0 > CDWav > TLH > .flac files 3 Flac  

Century's Crime  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/25/25 Grenswerk - Venlo, The Netherlands 8.5 Taper: dorenberg Recording gear: Tascam DR-2d internal mics at 24bit/96kHz Transfer: SDHC card --> Audition 24bit --> Level normalizing --> Splitting --> WAV 16bit --> FLAC level 6 (TLH) --> You 2 Flac  

Charlie  
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/77 Ivanhoe Theater - Chicago, IL 9 no lineage but a good guess 1 Flac  

Charlie Daniels Band http://www.charliedaniels.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 09/12/75 Volunteer Jam II - Murfreesboro, TN A lineage: WAAF 107.3 FM (Worcester) broadcast > Sansui 8 receiver > unknown reel recorder @ 3.3/4 ips, no dolby > Sony PR-150 7" reel tapes > Teac X-700R reel deck > soundforge (16 bit 44.1 khz wav) > flac (sb's aligned) 0  
2. 03/16/76 Stanley Theater - Pittsburgh, PA A Lineage - master reel to reel tape > Toshiba PT-862D stereo tape deck > Pioneer cassette deck, model forgotten > TDK SD90 high bias 1st gen cassette tape > SONY TC-WE475 stereo double cassette deck > ZOOM H2 handy digital recorder > SanDisk 4GB SDHC card > wav files > Wav files tracked here (ZOOM) > Files transferred to HD here > Cakewalk Pyro 2005 (retracking and editing of tracks done here) > Trader's Little Helper (encode level 8, aligned on sector boundaries) 1 flac  
3. 05/05/76 Orpheum Theatre - Boston, MA A- Opening set for Little Feat Audience Stereo Sony ECM-99A > Sony TC-152SD FOB, microphone hand-held Nakamichi MR-1 > Tascam DA-20 MKII > Philips CDR-775 Master Cassette > DAT > CD > EAC secure > FLAC Dolby B decoded, no processing or EQ Total Time – 65:40 Recorded and transferred by Steve Hopkins 1 flac  
4. 10/28/76 C.W. Post College - Long Island, NY a- Recorded off a WLIR broadcast. I recorded it onto cassette using a Technics 646D. I transfered it to my MAC using a single well Sony KA1ESA and used Peak to track it. I didn't use Dolby to record or for playback. I don't like the loss of Highs with Dolby. 1 flac  
5. 11/15/76 Convention Center - Dallas, TX A excellent for its age Mics: (2) Sony ECM 19B > Recorder: Sony TC-152 > Tape: TDK SA-C90 - these are the original analog cassette tapes > Playback Deck: Tascam 130 > Nikko 32 Band EQ > Akai DR16 Digital Hard Disk Recorder > Sony PCM-R500 DAT Recorder > Sony DAT Tape > HHB CDR-800 Compact Disc Recorder > HHB CDR > WAV > SHN 1 flac  
6. 11/22/76 KMET Studios - Los Angeles, CA AA   1 flac  
7. 11/22/76 KMET Studios - Los Angeles, CA AA A must have 1 flac  
8. 04/28/78 Suffolk Forum - Commack, NY A Source: Pre-FM SBD feed > Nak 550 > Maxell UDXL2 (no NR) via Peter Hedeman Transfer: MC > Nak CR7-A (azimith adjust) > SBM-1 (s/pdif) > Lynx Studio Technology One (soundcard) > SoundForge 4.5 > CD Architect 4.0f > Red Book CDR > SHN Re-Master: SHN > WAV > Wavelab 6.1 (tracking, patching) Patched with: Unknown post-FM SBD 2 flac  
9. 01/13/79 Volunteer Jam V - Nashville, TN A+ Source : FM broadcasts > CD sources (courtesy of Wes Meyette archive) Transfer : CD extract > CD Wave Editor (tracking) > Sound Forge (volume) > Wave > TLH (sbe aligned) Flac 8 1 flac  
10. 02/17/79 Capitol Theatre - Passaic, NJ A FM > ? > CDR > EAC > WAV > TLH > FLAC  
11. 05/04/79 Nassau Coliseum - Long Island, NY 8.5 WLIR Re-Broadcast I recorded it onto cassette using a Technics 646D. I transfered it to my MAC using a single well Sony KA1ESA and used Peak to track it. I didn't use Dolby to record or for playback. I don't like the loss of Highs with Dolby. 2 Flac  
12. 05/19/79 Met Center - Bloomington, MN A FM Broadcast-> Cassette-> WAV-> SHN-> WAV-> CDR -> EAC -> FLAC 2 flac  
13. 09/01/79 Saratoga Performing Arts Center - Saratoga Springs, NY A The Ken G. Collection [Vol. 316] Source: WNEW-FM 102.7 Broadcast > TDK D-C90 Cassette Master Transfer: TDK D-C90 > Sony Deck TC-WE 475 > JVC XL-R2010 CD-RW > Soundforge 9.0 > Wav > TLH [SB's aligned] Flac Level 8 Traders Den 1/26/15 Transferred, Channels Balanced and Tracked by George [kingrue Upload 392] 1 flac  
14. 08/31/80 Hartford Civic Center - Hartford, CT A SBD > ? > Bootleg cd: 'The Devil Went Down To Hartford' (Royal Sound Music RSM 013 SQ) > Eac > Wav > Flac 1 flac  
15. 07/14/82 Civic Auditoreum - Portland, OR A Source: Soundboard > cassettes > Maxell UDXLII cassettes Transfer: UDXLII's > Nakamichi Dragon > Olympus LS-10 > Soundforge 9 > 16bit/44100hz 2 flac  
16. 09/03/16 Lakeview Amphitheater - Syracuse, NY A Lineage: AT933(c) mics > church bbox > Sony M10 > Sony Vegas PRO 9 > CD Waveditor (track) > flac8 Recorded by: Bouliasoul Tracked by: smores 2 flac  

Cheap Trick  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/01/77 El McCombo - Toronto, ON a- LINEAGE FM Broadcast Analog of unknown gen to CDR KRW Transfer To EAC Secure Mode to TLH Flac Level 8 No EQ or Tampering 1 flac  
2. 11/14/77 Stanley Theatre - Pittsburgh, PA a- Lineage: Unknown, CD> wave > Sony Soundforge > FLAC Art: wayshway (bigfatorangecat) 1 flac  
3. 12/31/77 Long Beach Arena - Los Angeles, CA A 1977 Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 49 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Yamaha KX-W592 Cassette Deck > Sony R-500 DAT > Analog Master DAT Clone > Focusrite Scarlett 6i6 > Sound Forge Audio Studio 13.0 capture > Adobe Audition > iZotope RX8 > iZotope Ozone 8 > Audacity > TLH > FLAC 1 flac  
4. 12/08/78 Capital Theatre - Passaic, NJ A FM rebroadcast of show over 102.7, WNEW-FM New York, NY USA Lineage: from my off-air master cassette tape WNEW-FM > Technics Receiver > BIC tapedeck > Maxell UDXLII C90 tape > Sony TC-WE835S Cassette Deck > PC Soundmax Audio Card > Sony Sound Forge 9.0 > FLAC Level 6 aligned on SB Original recording and and transfer by beatpop. Posted December 2008. 1 flac  
5. 12/15/78 Orpheum Theater - Boston, MA A- 1st Generation Audience From The JEMS Archive Transferred and Presented By Krw_co LINEAGE AUDIENCE ANALOG MASTER>1ST GENERATION ANALOG>NAKAMICHI DR-1 (w/manual azimuth adjustment)> FIBER OPTIC>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS AND EDITS>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) NO EQ OR OTHER TAMPERING 2 flac  
6. 02/03/79 Liverpool University - Liverpool, UK A FM>cassette>27 years>wav>flac 1 flac  
7. 12/31/79 Fabulous Forum - Inglewood, CA a- Lineage: Bought tape (ca. 1980) -> played on a Nakamichi deck -> custom made audio cables -> E-MU 1212m sound card -> Sound Forge Audio Studio (volume increase) -> tlh Quality: Excellent, no signal fluctuations, hiss, harsh frequencies, etc. Last track is a notch below for some reason. 1 flac  
8. 03/24/80 Ocean State Performing Arts Center - Providence, RI A lineage: FM pre-recorded broadcast (on vinyl promo discs) > Sansui 8 reciever with wire FM antenna > unknown average quality cassette deck (dolby off) > Maxell UD 90 min. master cassettes (normal bias/EQ) > played on tascam 112 into soundforge (wav) > flac (sb's aligned) > torrentially yours. 2 flac  
9. 10/17/98 Paradise Theater - Boston, MA A DAT -> CDRW700 -> EAC -> Soundforge -> FLAC 1 flac  
10. 07/21/19 O2 Academy - Glasgow, Scotland a- Recorded on an Olympus WS832 WAV > FLAC8 via TLH 2 flac  
11. 07/26/19 Event Center - Charlestown, WV A Lineage: CMC-2 mics > SPSB-11 > Edirol R-09 > WAV (48/24) > Sound Forge Pro (44.1/16) > TLH > FLAC 2 flac  
12. 08/14/21 Talking Stick Casino - Scotsdale, AZ A- Tascam DR-05(int. mic) SP 32GB Memory Card @ 96/24(Downsampled to 16 x 44.1 EQed) [Audacity] enhanced music/vocals [iZotope] (tracked on sectors) EAC (flac level 8) - YOU!! NOTE: Good Capture not much drunk chatter but some .... Length: approx. 1 hour 41 min. 2 flac  
13. 05/18/23 NYCB Theatre - Westbury, NY a- Sony ECM-717 mic > Sony PCM-A10 Transfer: .wav File > iZotope RX8 / 0zone 9 (mastered) > xACT 2.50 > FLAC 2 flac  

Chicago  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/09/73 Chicago Stadium - Chicago, IL B++   1 flac  
2. 09/07/73 Concertgebouw - Amsterdam, Holland A+ Pinkrobert.net 1 flac  
3. 06/12/74 Louisville Convention Center - Louisville, KY A Lineage: REEL(M) > DVD-A > PPCM [24bit; 96kHz] > WAV [24bit; 96kHz] > WAV [16 bit; 44.1kHz] > FLAC [level 8] 1 flac  
4. 04/13/75 Beacon Theater - New York, NY A   2 flac  
5. 08/03/77 Unknown - Verona, Italy a- Has Hiss Lineage: ? > cdr trade circa 2005 Transfer: EAC > Wavelab (tracking and tweaking) > wav (44.1-16) > Flac (level 8) > you ! whotrader-1563-chi-1977-08-03-44 2 flac  
6. 11/21/77 LA Forum - Los Angeles, CA A- Lineage : Cdr Trade -> EAC -> Traders' little helper (checksum & flac conversion (6)) 2 flac  
7. 08/11/78 Greek Theater - Los Angeles, CA A King Biscuit supergroups 2 flac  
8. 08/12/79 Grant Park - Chicago, IL A+   1 flac  
9. 06/06/82 Irvine Meadows Amphitheater - Irvine, CA A- Audience show traded many years ago Lineage : Cdr Trade -> EAC -> Traders' little helper (checksum & flac conversion (6)) 2 flac  
10. 08/05/82 Park West - Chicago, IL A CD-R>Adobe Audition CC>increase levels 3db>phase correction>fades>Flac SBE fix/Checksum files done in Traders Little Helper 2 flac  
11. 07/01/87 Forest Park - St. Louis, MO A- Quite a bit of talking Chrome Tapes -> Marantz Deck -> Zoom H2N (24 bit file) -> Audacity (Level Channels, 16 bit, Track split) 2 flac  
12. 07/25/21 DTE Energy Music Center - Clarkston, MI A Schoeps MK41s > Nbob Actives > Baby Nbox > Sony A10 > 16 bit, 44.1 kHz, 1,536 kbps > TLH (flac level 8) recorded by guitard 2 flac  
13. 07/23/22 Riverbend Music Center - Cincinnati, OH A Taper: Charles Dewey Cole, IV Location: section 100, row J, seat 105; mics mounted on baseball hat brim. (see chart here: http://s1.ticketm.net/tm/en-us/tmimages/venue/maps/ch6/14490s_a.gif) Source: CA-14 Cardioids > CA-9200 > Sony PCM-A10 (24 bit @48kHz) > Adobe Audition 3.0 (dithered to 16 bit @44.1kHz) > Cd Wave > FLAC Conversion: Charles Dewey Cole, IV Equipment: Sony PCM-A10 > (USB) @ 48kHz > 44.1kHz > Cd Wave 2 flac  
14. 11/01/22 Wagner Noel Performing Arts Center - Midland, TX A Lineage: Zoom H1 w/internal mics (16/44) > Adobe Audition CC2020 (appending and trimming) > CD Wave Editor (track) > flac8 Recorded by: f2walsh Tracked by: smores 2 flac  

Chilliwack  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/20/74 Unknown - Vancouver, BC A- Conversion = ? >CDR Trade>EAC>Wav>Flac Sound Quality approx 7 out of 10 samples to be provided sorry no art work A Bargain Basement Tape Production 1 Flac  
2. 08/24/02 Unknown - Sudbury, ON A This rare show was found on Usenet ca. 2005 or 2006. It is likely sourced from a minidisc recording, and is therefore lossy. I know of no lossless source. If one turns up, I will gladly discontinue this set, but I don't think it will happen. This stereo audience recording is an entertaining listen. I hope there are other Chilliwack shows out there - this is the only one I've ever seen. 2 flac  
3. 08/30/08 PNE Amphitheatre - Vancouver, BC A- Taper: LeifH [2008#21a] Source 1: iRiver H10 (internal mic) @ 16/44.1 > 5 GB internal memory Transfer: PC via USB > Wavepad Masters Edition (edits, EQ, tracking) > flac (8) via TLH 2 Flac  
4. 08/29/09 Global BC Amphitheatre - Vancouver, BC A Source: Church-Audio STC-11 stereo cardioid mics (in collar) > Church-Audio STC-9000 pre-amp > Edirol R-09 > SanDisk SD Memory Card @ 24 bit/48 kHz Mastering: .WAV > Sound Forge 9.0a (normalize) > CDWav (tracking) > Cool Edit Pro 2 (dithered and downsampled to 16 bit/44.1 kHz) > FLAC Frontend level 5 > FLAC > TagScanner 6.0.33 (tagging) Location: 10' from stage, 5' left of DFC Recorded and mastered by: Dennis Orr (project #135) 2 flac  
5. 01/21/11 Sound Academy - Toronto, ON A Iriver H120 (Rockboxed) - SP-CMC-8 (Cards) Recorded and edited by BurnBoy 2 flac  
6. 05/18/11 Parking Lot Of Rutland Centennial Hall - Kelowna, BC a- Taper: LeifH [2011#11] Source: CSB > 9v battery box > Sony WM D6C (Dolby B for recording) > TDK CD Power 110 + Maxell UD XL-II 90 Transfer: Master cassettes > Sony TC-WE475 (Dolby off) > H/K 3500 > Creative X-Fi Soundblaster > Wavepad Master's Edition > tracking and 16/44.1 > flac (8) via Frontend 1 flac  
7. 09/07/15 Swangard Stadium - Burnaby, BC A Source: CSB (filter) > Zoom H1 @ 24/48 > Scandisk 16GB microSD card Transfer: Memory card > PC via USB > Wavepad Master's Edition (edits, amplify, tracking, downsample to 16/44.1) > flac (8) via Frontend 2 flac  
8. 05/22/25 Massey Hall - Toronto, ON 9 Core Sound High End Binaurals -> Roland R-05 -> Soundforge -> CDWave -> FLAC + add tags Recorded and edited by BurnBoy All files tagged. 2 Flac  

Chris DeBurgh  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/23/83 The Forum - Montreal, QC A   1 flac  
2. 10/05/15 Centennial Concert Hall - Winnipeg, MB a- Source: CA-14(cards) > CA9100 > ZoomH4n > SD 24/48 Transfer: SD > iZotopeRX (gain, ozone,resample, dither 16/44.1) > CDWave (tracks) > Frontend (FLAC level 8) > TLH (ffp) > MD5sum The Hands of Man Tour 2 flac  

Chris Rea  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/15/93 Aberdeen Exhibition Centre - Scotland, UK A- CD 1 recorded on: Yamaha CT810 tuner>Audiolab8000A amp>NakamichiBX300E>TDK SA90cass master CD 2 recorded on: Yamaha CT810 tuner>Audiolab8000A amp>NakamichiBX100E>TDK SA90cass master Transfer by: TDK SA90>NakamichiBX300E>Audiolab8000A>Terratec Aureon>CoolEditPro>CDWave>flac I use 2 cassette decks and two tapes to avoid tape flips, so no music lost. 2 flac  
2. 01/30/98 Shepherds Bush Empire - London, England AA Source: BBC Radio Broadcast > DAT Clone Transfer: Sony DTC-ZE700 > optical cable > JVC XL-R2010 CD-RW (44.1 kHz) (transferred 11/24/14) Editing: Soundforge (tracking) > Wave > TLH (sector boundary aligned) Flac level 8 1 flac  

Chris Thompson  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/24/10 Unknown - Aschaffenburg, Germany A   2 flac  
2. 01/04/11 Unknown - Oberndorf, Germany a-   2 flac  
3. 07/16/17 Amphitheatre - Sankt Goarshausen - Freilichtbühne Loreley, Germany a- Source: Audience HD Recording Taped by: SF Mastered by: CF Zoom Q2n > 16/44 > internal mics > GoldWave > Trader's Little Helper > Flac Level 8 2 flac  
4. 05/12/18 Bordesholm - Albatros, Germany AA Core Sound Binaural > CS Battery Box (flat) > Olympus LS-11 (24bit/48khz) > Secure Digital SD-card>USB2.0 Interface>soundforge/audioedit>Wav-Splitter>flac.frontend lev.8>flac 2 flac  
5. 06/03/22 Prelaten - Tromso, Norway A Roland R-05 > wav > flac Recorded by HPJ 2 flac  
6. 09/23/22 Burgerhaus - Schwegenheim, Germany a- Source: Audience Zoom H4n Recording Recorded by Jofisch Lineage: OKM 2 mics(A3) > Zoom H4n (16/44) > Audacity > Flac 8 2 flac  
7. 09/25/22 Colos-Sall - Aschaffenberg, Germany A Source: Audience Olympus LSP4 Recording Taped by: SF Transferred by: SF Track Setting & Re-Work: CF Olympus LSP4 > Internal Mics > 24/48 > CD Wave > dbpoweramp > Flac Level 8 2 flac  

Christine McVie  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/16/83 The Country Club - Reseda, CA A FM-sourced; lineage unknown (db.etree = "a 'Superstars In Concert' radio broadcast") 1 flac  
2. 04/30/84 Uptown Theater - Kansas City, MO a- Transfer: ms master > 1st Gen 1980's Tape Trade > MacBook Pro > Audacity > Peak Pro XT (volume smoothing / subtle tweak / edit / index) > xACT 2.21 > FLAC 2 flac  
3. 05/08/84 RKO Palace Theater - Columbus, OH A maud-off my master tape 2xnak300>sonyd5 recorded front row balcony-maybe not dead center > unknown > FLAC 2 flac  

Chuck Berry  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/26/72 Allen Theater - Cleveland, OH B++ Source : WNCR 99.5-FM broadcast > no lineage > cd-r (courtesy of M.R. archives) Editing : CD Wave Editor (track splits) > SHNtool (SBE aligned) > TLH Flac level 8 1 flac  

Chuck Berry & Ron Wood  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/25/86 The Ritz - New York, NY A "Ritz 6th Anniversary Party" Recording: Shure Mic > Sony WM-D6C 2020 Transfer: Master Tapes > Nakamichi DR-01 (azimuth adjusted) > Sound Devices USBPre2 > Audacity > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.39 > FLAC 2 flac  

Chuck Negron  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/27/12 Town Center Park pavillion - Hamden, CT a- zoomh4 24/48>Audacity >FLAC >TLH-sbe-fix. Comment: 6' on stand 30' from right stack. reduced bass -3 to -1db<300hz. Show is 97 mins. taperchuck3 enjoy! 1 flac  

City Boy  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/09/77 Fox Theatre - San Diego, CA B++ Master Tape by Michael Cariola Location: Center Section (left side), Row 2 Recorder: Realistic portable with onboard microphones > Sony Low Noise C90. Lineage: Sony Low Noise C90 > Tascam 302 > Sony PCM M-10 at 96/24 Wave files edited with CD Wave Editor V. 1.98 > 96/24 and converted to FLAC using Trader's Little Helper V2.8.3.182. Tape covertion and editing by Michael Cariola 1 flac  
2. 09/18/78 Paradise Theater - Boston, MA A- FM Radio broadcast, originally recorded on cassette tape. Lineage: FM > cass. > ? > WAV > FLAC 1 flac  
3. 12/20/78 Cafe' Campus - Montreal, QC B++ unknown audience recording Trade CDR > EAC > WAV > FLAC Frontend > FLAC > you Good for as old as it is and not a lot of recorders of this band 1 Flac  
4. 03/05/79 The Bottom Line - New York, NY A   1 Flac  
5. ??/??/79 My Father's Place - Old Roslyn, NY A WLIR-FM radio broadcast FM > cass. > DAT > Dreamhire's Pro Tools > WAV > FLAC 1 Flac  

Clamshell Benefit  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/23/78 Unknown - Boston, MA AA Audience Stereo FOB Master Cassette > DAT > CDR > EAC > FLAC Nakamichi MR-1 > TaScam DA-20 > Tascam CD-RW900 Azimuth aligned; Dolby B decoded, no processing or EQ Total Time - 142:55 Thanks to FF for the cassettes Transfer and encoding by Steve Hopkins 2 flac  

Classic Albums Live  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/06/14 Wolf Den @ Mohegan Sun Casino - Uncasville, CT 9 Recorded by Starbraker Location: Taped from the front table, dead center. Record setting on low gain. Source: Zoom H2 w/internal mic setting @ 120 degrees > Wav (16/44.1) Wav > Soundforge 9.0 [editing & tracking] > TLH [SB's aligned] > Flac Level 6 2 Flac  
2. 01/16/26 Massey Hall - Toronto, ON 9.5 Lineage: Sound Professionals SP-CMC-8 (Cards) -> SP-SPSB-8-MKII-S -> Sony PCM-M10 -> Soundforge -> CDWave -> FLAC + add tags Recorded and edited by BurnBoy 2 Flac  

Classic Rock All Stars  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/21/97 Riverwalk Center - Breckenridge, CO 9 Soundboard Analog Master From The Krw_co Collection Transferred and Presented By Krw_co LINEAGE SOUNDBOARD ANALOG MASTER>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV(24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(24/96KHZ)>TRADERS LITTLE HELPER FLAC (LEVEL 8) 2 Flac  

Climax Blues Band  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/25/74 Performance Center - Cambridge, MA A Audience Mono Sony TC-55 with built in condenser mic and auto level control Teac X-1000R > Tascam DA-20 > Tascam CD-RW900 Master Cassette > Reel > DAT > CD > EAC > FLAC No noise reduction, processing or EQ Total Time - 67:29 Recorded and transferred by Steve Hopkins 1 flac  
2. 11/19/76 Civic Hall - Guildford, England A Source: FM Broadcast > Cassette Master (TDK-SA) Transfer: Sony Deck TC-WE 475 > gold tipped cables > JVC XL-R2010 CD-RW (44.1 Hz) Editing: Adobe Audition (phase correction) > Soundforge (editing & tracking) > Wav > TLH (SB's aligned) Flac Level 6 1 flac  
3. ??/??/76 BBC Paris Theatre - London, UK A Recieved in a trade a few years ago. FM recording from the BBC Rock Out series. Enjoy the tunes, twofthrs 1 flac  
4. 08/06/77 Boston Garden - Boston, MA A Hezekiahx2 Analog Master to 1st Gen Reel to Reel at 7.5 ips Transferred and Presented By Krw_co LINEAGE HEZEKIAHX2 MASTER CASSETTE TO REEL TO REEL 1ST GENERATION AT 7.5 IPS > TEAC A-7300 REEL TO REEL>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)> MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV/16/44.1>TLH FLAC 8 Gear: Sony TC-153 w/ ECM-99 1 point Stereo Mic w/ cane Location: Approx 12th row 2 flac  
5. ??/??/79 BBC In Concert - Unknown, Unknown AA BBC recording 1 flac  
6. 02/22/80 Paris Theater - London, UK 9   1 Flac  
7. 01/16/82 Oberrheinhalle - Offenburg, Germany AA FM > Uher Report Monitor 2000 (1/2 track, 3 1/2 ips) March 2007: Revox A77 (1/2 track, 3 1/2 ips) > Audiophile 2496 > CDWave > Flac frontend 2 flac  

Club Floyd  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/29/18 Club One - Feeding Hills, MA AA Zoom H1 > Wav (44.1/16) > Cool Edit Pro (minor edits) > Wav > Trader's Little Helper > FLAC 8 (no SBE) 2 flac  

Cold Chisel  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/29/78 St. Leonards Park - Unknown, Australia A+ Label: Universal Music Australia Pty Ltd ‎– CCSLP001 Format: Vinyl, LP, Limited Edition, Promo, Stereo Country: Australia Released: 04 Mar 2015 Genre: Rock Recorded live on 28th May 1978. All tracks previously unreleased. Track 3 is a completely different version of the rare song F-111. LP issue was limited to the first 1,500 people to order the Chisel Vinyl Box Set. Cold Chisel are the classic Australian pub rock band, playing a tough breed of rock and blues inspired by '70s bands like Free, Deep Purple, and Led Zeppelin, but characterized by the storytelling skills of their main songwriter, Don Walker, whose personal influences came from Bob Dylan. Between 1978 and 1983, Cold Chisel ruled as Australia's most popular band on record and on-stage. They sold over six million records in Australia alone, most of that number after their 1983 breakup and 1998 reunion. They came together in Adelaide during September 1973 on the initiative of guitarist/singer Ian Moss. In the beginning, the band used a different name for every performance. After they used the name of the Don Walker song "Cold Chisel" for one particular performance, that name stuck. Keyboard player Walker gradually came up with a strong catalog of songs to match the group's tough rock reputation on-stage, centered mainly on their raw-voiced, vodka-swilling, dripping-with-sweat singer Jimmy Barnes. Cold Chisel resettled in Sydney hoping to land the record contract that had alluded them for more than a year. In the era of Fleetwood Mac, ELO, and the Eagles, Cold Chisel's sound was not deemed commercial. However WEA Records took the chance and their self-titled first album was released in April 1978 without setting the world on fire. The first single, "Khe Sahn," about an Australian Vietnam veteran, was banned from airplay over part of the lyric. It has since become one of the most played classic rock tracks on Australian radio. 2 flac  
2. 04/27/79 Bombay Rock - Melbourne, Australia A+ This live album was recorded at Bombay Rock, in Melbourne, Australia April 27th 1979 All Recordings (P) 2014 Cold Chisel Pty Ltd. Artwork (C) 2014 Cold Chisel Pty Ltd.All rights reserved. Marketed in Australia by Universal Music Australia Pty Ltd under exclusive license. Manufactured & distributed in Australia by Universal Music Australia Pty Ltd under exclusive license. This LP was released for Record Store Day 16/04/2016. 1 flac  
3. 12/01/79 Marconi Stadium - Sydney, Australia A- Source: Soundboard? Location: Marconi Stadium, Sydney, NSW, Australia Lineage: SB-Cassette-WAV(Audacity)-FLAC(Eufony) 2 flac  
4. 04/12/80 Manly Vale Hotel - Sydney, Australia A   1 flac  
5. 12/03/82 Markthalle - Hamburg, Germany a-   2 flac  
6. 12/28/19 Factory theater - Sydney, Australia A Zoom H4 (internal mics) > Sandisk 8GB SD Card > Adobe Audition CS6 (WAV>FLAC and track splitting) 0 flac  
7. 10/26/24 Flemington Racecourse - Melbourne, Australia 8 Recorded by eckythump from near the front, left hand side of floor Mastered by Matt Jones Source: Nokia Lumia 930 (called Lumia Icon in North America) w/built-in HAAC mics > Audio Recorder Pro app > 16bit/48 KHz PCM/WAV 2 Flac  

Comfortably Numb  
  Date Venue - City, State Sound Rating Notes Media  
1. 03/04/16 Algonquin commons Theater - Ottawa, ON AA source / lineage: balcony seats, near center > Zoom H1 (built in mics @ 24/48) > Har Bal 3.0 (EQ) > WAV > foobar2000 > FLAC level 8 (24bit/48kHz) 2 flac  

Copperhead  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/28/72 The Longbranch - San Francisco, CA A Source: Soundboard 7" Reel (possibly 1st gen) from the collection of Nick Gravenites Lineage: wav > iZotope RX 10 Advanced > iZotope Neutron 4 > CD Wav > flac 16 Early and late 1 flac  
2. 01/08/73 Roy Chen's Studios - San Francisco, CA AA SBD > ? > unknown processing > CDR > EAC > FLAC It's VERY likely these are from JC's masters, or 1st generation, but this can't be confirmed. 1 flac  
3. 04/22/73 Record Plant - Sausalito, CA AA SBD > ? > unknown processing > CDR > EAC > FLAC It's VERY likely these are from JC's masters, or 1st generation, but this can't be confirmed. 1 flac  
4. 11/30/73 Winterland - San Francisco, CA A Source: SBD Master > 2nd Gen Cassette > CDR > Sound Forge Extraction > CD Wave Editor > FLAC (opening for Quicksilver & Sons of Champlin) 1 flac  

Country Joe McDonald  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/02/76 Uni-Mensa - Bremen, Germany A CDR (preFM) - xACT 2 flac  

Cowboy Junkies www.cowboyjunkies.com
  Date Venue - City, State Sound Rating Notes Media  
1. 07/31/01 Ventura Theater - Ventura, CA A Neumann AK-40's (x/y) >LC3 >KM-100's >Beyer MV-100 >SBM-1 >Sony TCD-D7 DAT Master (Recorded, And Processed, By OldNeumanntapr) FOB; Microphones On A Nine-Foot Stand, From The Back Of The Second Tier. DAT Master Transferred: Tascam DA-30 >HHb CDR 800 PRO CD Masters >FLAC (Level 8) + Tags Via xACT 2.48 2 flac  
2. 08/16/05 Mountain Winery - Saratoga, CA AA Source: Schoeps MK4 + Schoeps MK8 "Mid-Side">M222>NT222DC>Lunatec V3 (digi-out at 24/88.2)>Sound Devices 744T. Transfer: Adobe Audition 1.5 (process to stereo with Waves S1 Shuffler, normalize with Waves L3 Ultramaximizer)>R8Brain Pro (resample to 44.1 using MinPhase setting) >Wavelab 5.0 (dither to 16-bits using UV22HR)>CDWav1.93>FLAC Frontend>.flac (no DAE). Loud applause between songs was limited after normalization using the Waves L3. 2 flac  

Crabby Appleton  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/26/72 Allan Theater - Cleveland, OH a- Source : WNCR 99.5-FM broadcast > no lineage > cd-r (courtesy of M.R. archives) Editing : CD Wave Editor (track splits) > SHNtool (SBE aligned) > TLH Flac level 8 1 flac  

Creed  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/09/25 Norwegian Gem Pool Deck Mainstage - Unknown, Unknown 8 SOURCE: Edirol R09HR (with CA Ugli preamp and CA-Omni mics clipped to shoulders) LOCATION: Approx 20 yards out from stage, dfc (moved to left stack for encore as it didn't appear like they were coming back out and no one was cheering) 1 Flac  

Creedence Clearwater Revival  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/16/69 Max Yasgur's Farm - Bethel, NY a- Complete Show Performance [Nothing here is from any commercial releases. This is a true recording from my friend] Source: Master Soundboard Tape [sound is a bit distorted a few times but no flaws] Track 01: Source from Eric Blackstead own Soundboard Master Tape [first 42.5 seconds] Honest I can not confirm wether he was using tape or reel. Trying to think he knew to tape flip after about 32 minutes. Before the long songs. I have the Band CCR, Janis & Sly. I think he might of been on stage because they were on all after one another, The recording all sound from the same source. This one is probably the worse because they came on after the dead Lineage: sbd > master tape >original cdr >eac (sercure) > wav Adobe3 > flac[level 6] 1 flac  
2. 01/30/70 Fantasy Records Studios - Berkeley, CA A Source: Ex+ Stereo Soundbord Recording Lineage: Great Dane Records (CD 9403) Boot 1CD > EAC > FLAC 1 flac  
3. 01/31/70 Oakland-Alameda County Coliseum - Oakland, CA A+   1 flac  
4. 04/20/70 KB Hallen - Copenhagen, Denmark a- Source : audience recording > unknown lineage > cd-r (courtesy of M.R. archives) Editing : Soundforge (volume adjustment) > Wave > TLH (SBE aligned) Flac level 8 Traders Den - June 25, 2019 posted by kingrue upload 1995 1 flac  
5. 05/13/70 Madison Square Garden - New York, NY A RADIO BROADCAST WNEW Radio NY Soundboard 5-13-1970 LINEAGE: CD > EAC > FLAC >DIME 1 flac  
6. 07/04/71 Fillmore West - San Francisco, CA A (SOUNDBOARD 60:00 MINUTES) SOURCE-LINEAGE: SDB > PRE-FM REEL TO REEL @ 3.75 /IPS > DAT > MAC PRO-TOOLS > WAV > SHN > WAV > WAV > FLAC-8 1 flac  
7. 09/16/71 Deutschlandhalle - Berlin, Germany A AUD MASTER > 3RD GEN REEL > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC 1 flac  

Dan Fogelberg  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/01/71 The Early Years 1967-1971 - Var, Var A Lineage: Onkyo TX8511>SoundBlaster (Live! 24 bit External)>wav(CD Wave Editor @ 16bit)>flac I have put these up elsewhere a long time ago. The only thing that has changed are to the text file, and the addition of tags to the files. 1 flac  
2. 12/31/73 ebbetts field - denver, CO A+   1 flac  
3. 02/22/74 City Auditorium - Thalia Mara Hall - Jackson, MS A broadcast live from WZZQ-FM Source: FM capture / rig unknown Transfer: Dbpoweramp rip accurate / tag edits > Advanced Renamer > TLH checksums & torrent. 1 flac  
4. ??/??/74 VPRO Studios - Hilversum, Netherlands A   1 flac  
5. 05/15/75 Springfield Civic Center - Springfield, MA a- MAC w/ Sony ECM 220 > Sony TC-152 > 7" Reel @ 7.5 ips > CDR > EAC > WAV > TLH > FLAC 1 flac  
6. 01/18/76 Ford Auditorium - Detroit, MI A Lineage: ANA(M)>WAV [96kHz/24bit]>WAV [44.1kHz/16bit]>FLAC [Level 8] Transfer: Nakamichi CR-7A>PreSonus FireStudio Project>Adobe Audition 3.0>Cdwave editor>FLAC frontend 1.7.1 Taping Gear: radioshack dictation style deck w/builtin in mic Taped By: Friend of JEMS Transferred By: Mike Ziegler Has some static and audio hum but its a nice sounding boot for the time period 1 flac  
7. 01/30/76 Orpheum Theater - Boston, MA A Steve Hopkins MAC w/ Sony ECM-99a > Sony TC-152SD 3th row orchestra, dead center > DAT > CDR > EAC > WAV > TLH > FLAC 1 flac  
8. 03/07/76 Santa Monica Civic Center - Santa Monica, CA A KMET FM Los Angeles broadcast of a KBFH show. Includes guest appearences by Joe Walsh and Eagles' members Don Henley & Don Felder. Joe wasn't an Eagle quite yet. Notes: I originally had both an incomplete 2 disc version of the show and a 1 disc edited version which had the Fools Gold tracks, but neither were of great quality and I did not end up using either one in putting this version together. I then traded for an improved 2 disc version of the show from Rich Boretz (Richb77@comcast.net) (see his notes) which included a couple of songs my version didn't have like Big Bad John and a much improved 1 disc edited version with some of the original commercials intact from John (cdtraderjohn@aol.com) in Mass. The only problem with the improved 1 disc version was that there were some skips in one of the encores, As The Raven Flies. I used both Rich's version and John's edited version to put this together. Rich: I was able to remove all problems (gaps, station ID spots,static) in soundforge, then resample so that the speed is now correct. After all that, it really sounds good! I got this with gaps between some songs, and some station ID spots and a few other small glitches. It had also been transferred to CDR without resampling, so it was slow and low pitched. Lou: The following tracks were pieced together from John's improved edited single disc version of the show. This source had better quality plus the 2 disc version did not have the 2 Fools Gold songs nor the KBFH Intro & Outro. I also used the opening Pioneer and Scotch ads but left out a couple more during the show which were superfluous from the single disc source: Disc 1: t01,02,03,07,08,15,16 Disc 2: t05,08,10,11,12 Disc 2, track 10, was pieced together from the original source and the single disc source, as the single disc source had some skips but it was of better quality. Both encore songs are now improved. Some of the track transitions still sort of fade out and then in a bit and I couldn't see a decent fix for these, so I left them alone. This is probably a result of of commercials or the KBFH announcer being edited out at some point. Volume levels were raised and normalized in Cool Edit. All in all, I think we now have a much improved version of what I initially received, both of the 2 disc and 1 disc versions. 2 flac  
9. 04/17/79 Unknown - Unknown, CO A-   2 flac  
10. 04/18/79 St. John's University - New York, NY A Recording Equipment: Internal Mic - Sanyo tape deck - Alesis TapeLinkUSB - Audacity - WAV Taper: Lostbrook Mastering: CQ 2 flac  
11. 04/21/79 Hill Auditorium - Ann Arbor, MI A- Source: Audience capture on Cassette Transfer: cassette in Tascam CC-222 MK II > analog out > to SONY- ICD-SX750 PCM / wav recorder 16/44 > USB to desktop > CDWAV (track split) > Stamp ID3 Tag Editor > TLH checksums & torrent. 1 flac  
12. 04/??/79 Unknown - Cincinnati, OH A   2 flac  
13. 05/06/79 Steps of the Capitol - Washington, DC a-   1 flac  
14. 10/30/81 Chicago Stadium - Chicago, IL a- Source: Audience capture / rig unknown Transfer: cassette >SONY TC-WE835S >analog out > to SONY- ICD-SX750 PCM / wav recorder 16/44 > USB to desktop > CDWAV (track split) > FLAC level 8 >Stamp ID3 Tag Editor > TLH checksums & torrent 2 flac  
15. 12/10/83 Reunion Arena - Dallas, TX AA Taper: mjk5510 Recording: Sony ECM939T Mic > Unknown (I originally thought it was my Sony D6 but I don't think I was running that until the summer of '84) Transfer: Audience Master > Nakamichi DR-01 (azimuth adjusted) > Audacity 2.39 > Peak Pro 6 (pitch adjusted) > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.21 > FLAC 2 flac  
16. 12/18/83 Kemper Arena - Kansas City, MO AA SEAT: Left Mezz about 10th row and 15th row main floor. Tape: Maxell 750 HGX Gold (do I need to mention) Beta II DECK: Sony units: PCM-F1 Digital Audio Processor/SL-2000 Video beta MICS: AKG 460-B w/ ck1 capsules Playback on SAME UNITS BUT NOT identical units (tracking adjusted). *I tested at least 12 beta units before I found a good sounding one.* Analog out on PCM> Using Chord Company cables to and from Naim preamp Played through the Naim Audio NAC-52 pre-amp> to the Marantz CDR-600 (Philips CDR-101) Standalone CDR Burner. Mastered to Gold Satin Taiyo Yuden 74-ZY CDR's (never anything else) **Naim Audio Unitiserve Music Server ripped** Sound Forge just to track right, 2 flac  
17. 04/21/84 The Myriad - Oklahoma City, OK A   2 flac  
18. 04/27/84 Bob Devaney Arena - Lincoln, NE 9 Mics: AKG 460B w/ ck1 capsules *HOMEMADE 48V phantom power (ADD TO ALL THESE PCM SHOWS)* Recorder: Sony PCM-F1 Digital Audio Processor w/Sony SL2000 Beta video recorder 2 channel digital recorder Master Sony L-750 Beta Tape played back on SAME GEAR (not exact machines/calibrated) analog out > Naim NAC 52 Preamplifier > Recorded to Nagra 7 (24b 192khz) SD Card connected through a ProGrade Digital Dual-Slot Location: Hmmmmmmmmmmm Sony Sound Forge just to track. 2 Flac  
19. 05/29/84 Madison Square Garden - New York, NY A-   2 flac  
20. 04/09/85 Universal Amphitheatre - Los Angeles, CA A LINEAGE PRE FM LP MASTERS NEWMARK TURNTABLE TO CDR TO PLEXTOOLS PRO/WAV 16/44.1 TO AUDIO CLEANING LAB FOR TRACK MARKS AND EDITS/WAV 16/44.1 TO TLH FLAC LEVEL 8 2 flac  
21. ??/??/85 Westwood One - New York, NY A+   2 flac  
22. 07/18/87 Marcus Ampitheater - Milwaukee, WI a- Lineage: 1st generation cassettes received in trade. PLAYBACK: SONY TC-WE835S Stereo Cassette Deck > TASCAM CD-RE 5000 PRO. TRANSFER: EAC > CDWAV > FLAC (level 8) 2 flac  
23. 11/10/87 Riverside Theater - Milwaukee, WI a- recorded from the second row of the mezzanine. STEALTH RIG: SONY WMD-3 w/sony stereo mic. The master tapes were mailed out for transfer and this is what I got back TRANSFER: EAC > CDWAV > FLAC (level 8) 2 flac  
24. 07/19/88 Blosso, - Cleveland, Ohio - Cleveland, OH A Source: Audience capture on Cassette Transfer: SONY MXD-D40 analog out > to SONY- ICD-SX750 PCM recorder > USB to desktop > CDWAV (track split) > Stamp ID3 Tag Editor > TLH checksums & torrent. 2 flac  
25. 06/26/91 Riverside Theater - Milwaukee, WI a- needs volume boost Lineage: STEALTH RIG: SONY WMD-3 Cassette. Master Cassettes were mailed out for transfer and this is what I got back... TRANSFER: EAC > CDWAV > FLAC (level 8) recorded from the second row center this show is the night after the Fox Theatre show in St. Louis, MO. where the live video & cd "Greetings From The Weset" were recorded. I hope you enjoy it and share it.ost 2 flac  
26. 11/10/91 Ohio Theater - Columbus, OH AA Recording: AKG 414B > Panasonic SV250 DAT Recorder Transfer: DAT Master > Fostex D-5 > Optical Cable > Audacity (16/48) > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (Post Production > 16/44) > xACT 2.39 > FLAC 2 flac  
27. 11/20/91 Front Row Theater - Cleveland, OH AA Recording: AKG 414B > Panasonic SV250 DAT Recorder Transfer: DAT Master > Fostex D-5 > Optical Cable > Audacity (16/48) > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (Post Production > 16/44) > xACT 2.39 > FLAC 2 flac  
28. 02/15/92 Roseland Theater - Portland, OR A Lineage: Tapes received in trade (MAXELL XLII-90) Transfer: Sony TC-WE835S>RCA 10 Band Graphic EQ (w/ Spectral Analysis)>TASCAM CDRW-5000 PRO> EAC>CDWAV>FLAC level 8 w/ SBE correction. Notes: Solo Show 2nd show of the tour, there are fades between songs, and I tracked out alot of space, no music was lost. enjoy. 2 flac  
29. 07/17/92 SDSU's Open Aire Theatre - San Diego, CA A+ Lineage: Unknown method of transfer from master DAT recording provided by Third Eye Productions Editing by Wes Meyette using CD Wave Editor 2 flac  
30. 10/31/93 Milwaukee Auditorium - Milwaukee, WI A LINEAGE: STEALTH RIG UNKNOWN. AUDIENCE CASSETTE MASTERS (TAPER WISHES TO REMAIN ANONYMOUS) TRANSFER: SONY TC-WE835S > TASCAM CD-RW 5000 PRO > EAC > CDWAV > FLAC (LEVEL 8). 2 flac  
31. 06/22/97 Riverside Theatre - Milwaukee, WI A Original Lineage: SONY WD-3 / MASTER CASSETTE TO CDRW TRADED TO ONE PERSON. LOST MASTER TAPES TO THEFT TRADED FOR ANOTHER COPY> REC'D TAO W/ DIGI POPS. TRYING TO LOCATE 1ST GEN TAPE FROM ANOTHER TRADE, UNTIL THEN WE HAVE THESETRADE DISCS TRANSFER: EAC > CDWAV > FLAC (level 8) 2 flac  
32. 06/27/97 Warwick Musical Theater - Warwick, RI A sony stereo mic > sony d6 > cool edit (to cut tracks) > flac 8 > tlh 2 flac  
33. 08/09/97 Sokol-Blosser Winery - Portland, OR a- CDR rip 2 flac  
34. 08/04/99 Meadow Brook Music Theater - Rochester Hills, MI A-   2 flac  
35. 10/07/00 Chastain Park Amphitheatre - Atlanta, GA a- CDR rip 2 flac  
36. 06/26/02 Red Rocks Amphitheater - Morrison, CO a- CDR rip 2 flac  
37. ??/??/04 Soundstage - Chicago, IL A CDRrip 1 flac  

Dan Fogelberg & Fools Gold  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/20/75 San Diego Sports Arena - San Diego, CA AA LINEAGE FM BROADCAST REEL MASTER @ 3 & 3/4 IPS>AKAI GX 4000-D REEL TO REEL> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS EDITS AND VOLUME ADJUSTMENT>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) 1 flac  

Danny O'Keefe  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/18/23 McCabe's Guitar Shop - Santa Monica, CA A+ Recorded by -M- SP-CMC8 (Audio Technica at-943 microphone pair) > SP-SPSB-11 (battery box) > Sony PCM M-10 @ 24-48 iZotope RX8 advanced & Har-Bal 3.7 > CD Wave > Korg Aqua (16-44) > TLH (flac 8) 1 flac  

Dave Alvin & the Guilty Men http://www.davealvin.net
  Date Venue - City, State Sound Rating Notes Media  
1. 04/17/97 Cinema Communale - Chiari, Italy 8.5   2 wavs  

Dave Mason  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/20/75 San Diego Sports Arena - San Diego, CA AA LINEAGE FM BROADCAST REEL MASTER @ 3 & 3/4 IPS>AKAI GX 4000-D REEL TO REEL> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS EDITS AND VOLUME ADJUSTMENT>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) 1 flac  
2. 06/09/22 Mystic Theater - Petaluma, CA A+ Recorded by Daspyknows Front 30 feet from stage dead center Schoeps MK4 NBox Platinum Tascam DR-2D 24 Bit 48K Processed using Soundforge 13, resample, to 16bit 44.1K TLH to convert to Flac Master 2022.041 1 flac  

David Allan Coe  
  Date Venue - City, State Sound Rating Notes Media  
1. 01/26/83 KRO Studios - Hilversum, Holland A   2 flac  
2. 10/23/08 Neighborhood Theatre - Charlotte, NC A- Source: Church Audio Cards(on collar) > STC-9000 > JB3(44.1) > WAV > Audition 1.5(normalized 98%, peaks removed) > CD Wave(tracked) > WAV > FLAC Location: DFC, ~25-30' back, ~5.5' high 2 flac  

David Bowie http://www.davidbowie.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 09/16/74 Convention Center - Anaheim, CA a- Mike Millard Original Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 31 Recording Gear: (Probably) Shure microphones > Sony TC-152SD Cassette Recorder Transfer: Mike Millard Master Cassettes > Yamaha KX-W592 Cassette Deck > Sony R-500 DAT > Analog Master DAT Clone > Focusrite Scarlett 6i6 > Sound Forge Audio Studio 13.0 capture > Unfilter > iZotope RX6 > iZotope Ozone 8 > Audacity > TLH > FLAC 2 flac  
2. 06/12/83 Ullevi Stadium - Gothenburg, Sweden 8.5 Known lineage: Unknow generation 2xc90 TDK CDing II chrome tapes by trade > Audacity 2.0 wav files aquisition, tracks splitting > FLAC Frontend flac files encoding (level=5), flac files fingerprints > mkwACT whole set MD5 file signature > dime > you. 2 Flac  
3. 08/14/83 Inglewood Forum - Los Angeles, CA AA David Bowie The Forum Inglewood, CA August 14, 1983 Mike Millard First Generation Cassettes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 34 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: First generation cassettes made by MM for Jim R > Nakamichi RX-505 (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX6 > iZotope Ozone 6 > MBIT+ resample to 16/44 > Audacity > TLH > FLAC 01 The Jean Genie Intro 02 Star 03 “Heroes” 04 What In The World 05 Golden Years 06 Fashion 07 Let’s Dance 08 Breaking Glass 09 Life On Mars 10 Sorrow 11 Cat People 12 China Girl 13 Scary Monsters (And Super Creeps) 14 Rebel Rebel 15 White Light, White Heat 16 Station To Station 17 Cracked Actor 18 Ashes To Ashes 19 Space Oddity 20 Young Americans 21 Fame 22 TVC-15 23 Stay 24 The Jean Genie 25 Modern Love Known Faults: -None Introduction to the Lost and Found Mike the MICrophone Series Welcome to JEMS’ Lost and Found Mike the MICrophone series presenting recordings made by legendary taper Mike Millard, AKA Mike the MICrophone, best known for his masters of Led Zeppelin done in and around Los Angeles circa 1975-77. For the complete details on how tapes in this series came to be lost and found again, as well as JEMS' long history with Mike Millard, please refer to the notes in Vol. One: http://www.dimeadozen.org/torrents-details.php?id=500680. Until 2020, the Lost and Found series presented fresh transfers of previously unavailable first-generation copies made by Mike himself for friends like Stan Gutoski of JEMS, Jim R, Bill C. and Barry G. These sources were upgrades to circulating copies and in most instances marked the only time verified first generation Millard sources had been directly digitized in the torrent era. That all changed with the discovery of many of Mike Millard’s original master tapes. Yes, you read that correctly, Mike Millard’s master cassettes, long rumored to be destroyed or lost, have been found. Not all of them but many, and with them a much more complete picture has emerged of what Millard recorded between his first show in late 1973 and his last in early 1992. The reason the rediscovery of his master tapes is such a revelation is that we’ve been told for decades they were gone. Internet myths suggest Millard destroyed his master tapes before taking his own life, an imprudent detail likely concocted based on the assumption that because his master tapes never surfaced and Mike’s mental state was troubled he would do something rash WITH HIS LIFE’S WORK. There’s also a version of the story where Mike’s family dumps the tapes after he dies. Why would they do that? The truth is Mike’s masters remained in his bedroom for many years after his death in 1994. We know at least a few of Millard’s friends and acquaintances contacted his mother Lia inquiring about the tapes at the time to no avail. But in the early 2000s, longtime Millard friend Rob S was the one she knew and trusted enough to preserve Mike’s work. The full back story on how Mike’s master tapes were saved can be found in the notes for Vol. 18 Pink Floyd, which was the first release in our series transferred from Millard’s original master tapes: http://www.dimeadozen.org/torrents-details.php?id=667745&hit=1 http://www.dimeadozen.org/torrents-details.php?id=667750&hit=1 David Bowie, The Forum, Inglewood, CA, August 14, 1983 Our Millard mission marches on with another David Bowie title, this one from the Serious Moonlight tour at the Forum, August 14, 1983. Coincidentally, that just happens to be eight years to the day after last week’s Clapton concert, also at The Forum. This show is a particular favorite of Jim R’s who recently found his set of first-generation cassettes dubbed for him by Mike himself. We do not have the master cassettes or a DAT transfer of this show, so barring the discovery of more Millard master tapes (rest assured the quest continues), Jim’s first-gen copy is the best known source for Mike’s recording of the show. As any Bowie collector knows, Serious Moonlight was his first tour in five years and rode the success of his smash album and single of the same name, Let’s Dance. What I love about this tour (which JEMS saw and recorded in Tacoma, WA) is the wide swath of material Bowie performed touching all his biggest hits and singles, but also less likely picks such as “Breaking Glass,” “What In The World,” “White Light, White Heat” and “TVC-15.” A fantastic mix. Also Bowie was in great voice, as you can hear for yourself on “Life On Mars,” “Heroes,” “Sorrow” and my favorite song of the night, the brilliant “Station To Station.” I’ve yet to hear a weak Serious Moonlight show and this one is no exception. As one can imagine, opening night in LA for this tour would have been a very big deal indeed. Mike is a little behind his sweet spot to record and in fact his proximity to the PA sounds about the same as his Bowie ’78 recording. Though we are working this time from first-gen copies and not masters, we still get Millard’s trademark full fidelity, with a rich low end and clear highs. Samples provided. Here’s what Jim R recalled about the Bowie ’83 show: In opening, I should state that so far I have not found my ticket stub for this show. I do have a handful of stubs that are no longer readable due to heat damage, so it could be one of those. In addition. I did not take any photos, which I typically use to trigger memories of the show. So this is based strictly on my memories from 37 years ago. Mike and I together attended the David Bowie concert at the Forum on August 14, 1983. We sat on the floor 10-15 rows back on the left side. Definitely behind our "Sweet Spot,” therefore, the sound is not as clear as last week's Clapton from 2nd row center. After five years away from touring, Bowie tickets were in extreme high demand. He only played two nights at The Forum, but could have easily sold out seven nights (he did swing back later that year to play Anaheim Stadium). Scalper prices were so high we could only afford 10-15 rows back. Bowie was a mega star thanks to Let’s Dance and MTV. At this time The Forum had a strict "No Cameras or Recorders” policy. Mike got his equipment in via a payoff to security. My camera equipment was left at home, a sacrifice, so to speak, in order to not bring attention to the two of us. A 35mm SLR camera with a large zoom lens is easily spotted. During the recording, Mike passed the completed tapes to me one by one. If he got busted he would give them blanks. The show was a lot of fun with Bowie playing songs from all eras. There is one side benefit to attending his concerts, so many beautiful women in attendance, most of which could have been models. Finding my copy of this show made my day a few weeks back. I thought I had already unearthed all the dubs Mike did for me, with the Bowie show missing in action. Luckily, it was one of several tapes I recently uncovered and shared with JEMS, expanding our list of known Millard recordings to over 300. I look forward to this one getting released. ### JEMS is proud to partner with Rob, Jim R and Barry G to release Millard's historic recordings and to help set the record straight about the man himself. We can’t thank Rob enough for reconnecting with Jim and putting his trust in our Millard reissue campaign. He kept these precious tapes under wraps for two decades, but once Rob learned of our methods and stewardship, he agreed to contribute the Millard DATs and cassettes to the program. Our gratitude for the work of post-production supervisor mjk5510 is understandably considerable. The whole system grinds to a halt without him. I can’t recall a period in my lifetime of such strife, helplessness and suffering. I would point out that Bowie’s touring bands from 1974 on were a mix of races and backgrounds, reflecting what used to be an American ideal: The Melting Pot. Music transcends and unites. Be like Bowie: support inclusivity. Lastly, cheers to the late, great Mike the MICrophone. His work never ceases to impress. May he rest in peace. BK for JEMS 2 flac  
4. 09/27/90 Estadio Nacional - Santiago, Chile 8.5 Audio Source: Soundboard (but could be also from the TV channel sound desk, provided from the soundboard). Lineage: Soundboard > ? > CD-R or Bootleg > EAC Secure Mode > WAV > FLAC 8 > MWP 2 Flac  

David Lindley  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/18/81 The Forum - Inglewood, CA a- Mike Millard First-Generation Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 165 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder JEMS 2022 Transfer: Mike Millard First-Generation Cassette > Nakamichi Cassette Deck 1 azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 3.1 capture > iZotope RX > iZotope RX9 Advanced and Ozone 9 > MBIT+ resample to 16/44.1 > Audacity > xACT 2.50 > FLAC 1 flac  
2. 05/15/84 Montmatre - Copenhagen, Denmark AA Source: 2x SONY ECM-150 mics -> SONY TC-D5M -> SONY FeCr90 Transfer: Master tape -> Nakamachi (azimuth) -> Joemeek C2 -> Technics SH-8065 > Phillips cdr-800 -> Eac -> flac A Honecker Recording 2 flac  
3. 04/04/88 The Bottom Line - New York, NY 8.5 Phil Chen Collection Source : Unknown recording equipment (TDK-SA) Soundboard Transfer : Nak BX-300 > Sony PCM M10 (24/48) > CD Wave Editor > Transferred & tracked by Wes Meyette Uploaded By ; "Lucifer Burns" 1 Flac  
4. 10/27/04 Sogo Live - Baton Rouge, LA A+ CSB>MD 722>WAV>Sound Studio 2.0 (Tracking)>SHN DFC, 20ft. from stage. Mics clipped to venue pole Taper: Hoyt Ledet Transfer 2020: SHN>xACT (decode, encode, tagging)>FLAC 1 flac  
5. 02/23/07 Aladdin Theater - Portland, OR A Sonic Studios DSM-6P's >Sony TCD-D7 (1st Row Balcony) >Samplitude Red Roaster >CD >FLAC Recorded / Transferred By DAT CC. ********************************************************************** FLAC Tags Via xACT 2.52 By OldNeumanntapr (+ front cover artwork) 2 flac  
6. 01/18/11 SLO Brewing CO. - San Luis Obispo, CA     1 flac  
7. 01/29/12 SLO Brewing CO - San Luis Obispo, CA AA CA Neumann AK-40's (x/y) >LC3 >KM-100's >Beyer MV-100 >Sony TCD-D8 Master DAT Transferred: Tascam DA-P1 >S/PDIF >HHb CDR 800 PRO, CD Masters >Audacity 1 flac  
8. 01/04/15 Aladdin Theater - Portland, OR A Source: Dennis' Audience recording> Audio Reality Stealth Condenser Mics >Sony PCM-M10 "WAV" (16 bit 44.1khz)master > FLAC > Traders little helper > DIME > You = ENJOY. FLAC Tags Via xACT 2.52 By OldNeumanntapr (+ front cover artwork) 2 flac  
9. 10/22/15 Freight & Salvage - Berkeley, CA 9 Source: AT825 > SD 744T > WAVE (24/44.1) Transfer: SD 744T > Mac Pro (Logic/xACT) > FLAC16 (level 8) [Mar 2025] 2 Flac  
10. 03/23/16 Maverick Saloon - Santa Ynez, CA   Neumann AK-40s (ORTF In Hat) >LC3 >KM-100s >Beyer MV-100 >Sony PCM-M10 (16bit/48khz) iZotope RX4 Advanced & Har-Bal 3.0 (post production) > Audacity (Track Splits, DownSample To 16 Bit/44.1k) >FLAC (Level 8) + Tags Via xACT 2.37 Recorded, Audacity, FLAC, & Tags By OldNeumanntapr Post Production by Flying -M- 1 flac  
11. 08/26/17 Lobero Theatre - Santa Barbara, CA AA Neumann AK 40s (ORTF) >LC3 >KM100s >Beyer MV-100 >Tascam DR-100mkII (24bit/48khz) WAV >iZotope RX6 Advanced & Har-Bal 3.0 > WAV >Audacity (Track Splits, Down Sample / Dither To 16bit/44.1khz) >FLAC (Level 8) Plus Tags Via xACT 2.39 Recorded, Audacity, FLAC, & Tags By OldNeumanntapr iZotope / Har-Bal Post Production By Flying M 1 flac  

David Lindley & El Rayo-X  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/30/82 The Keystone - Palo Alto, CA A Lineage: Original pre-FM vinyl > Audacity > Wav > Flac (L8, align on SBs) 2 flac  
2. 08/09/86 The Coach House - San Juan Capistrano, CA AA Source: Early show: Soundboard: Cassette Master > Cassette w/ no Dolby Late show 1st 90: Soundboard: Cassette Master > Cassette w/ no Dolby > Cassette w/ Dolby B Late show rest: Soundboard: Cassette Master > Cassette w/ no Dolby Transfer: > Nakamichi CR7A (with Dolby on/off per tape source) > Soundforge > CDWave > TLH Flac level 6 Repairs and modifications by Flying -M- (October 2018) Har-Bal 3.0 & iZotope RX6 advanced > CD Wave > Goody * > TLH (flac 8) Goody's additional lineage: (March 2020) foobar2000 (WAV) > Audition (Late show up to 'Mercury Blues' - Pitch Bender +31 cents) [defects that were repaired] 2 flac  
3. 08/23/87 Calaveras County Fairgrounds - Angels Camp, CA AA Recording Info: UltraMatrix SBD > PCM Master (Sony Betamax/TDK HS) Transfer Info: PCM Master (Sony SL-HF66) > Sony PCM-601ESD > Behringer Ultramatch Pro > Tascam DA-3000 (16-bit/44.1k) > Samplitude Pro X3 Suite > FLAC/16 (1 Disc Audio / 1 Disc FLAC) All Transfers and Mastering by Charlie Miller charliemiller87@earthlink.net June 8, 2018 1 flac  
4. 08/13/89 Universal Ampitheater - Los Angeles, CA A+ Mike Millard First Generation Cassette via JEMS The Lost and Found Mike the MICrophone Tapes Volume 62 Opening for Jackson Browne Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard First Generation Cassette > Nakamichi CR-7A (azimuth adjustment; Dolby On) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX8 > iZotope Ozone 8 > Audacity > TLH > FLAC 1 flac  

David Lindley & Hani Naser  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/22/92 Camp Mather - Yosemite, CA AA In-House FM >DAT >CDR >FLAC Trade CDs >FLAC (Level 8) Vis xACT 2.37 2 flac  
2. 05/22/92 Strawberry Festival - Camp Mather, CA AA In-House FM >DAT >CDR >FLAC Trade CDs >FLAC (Level 8) Vis xACT 2.37 0  
3. 06/21/96 Town Park - Telluride, CO A Source: DAT Transfer: Otari DTR 8s -> Korg MR2000-s @ 16-48 (via coax) -> iZotope RX 8 advanced (Flying -M-) WAV >Audacity (Track Splits, Downsample To 16 bit / 44.1kHz) >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr 1 flac  

David Lindley & Jackson Browne  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/19/87 Civic Auditorium - Santa Cruz, CA AA PCM Digital Soundboard; PCM >DAT >CDR >FLAC Trade CDs >FLAC (Level 8) Via xACT 2.37 2 flac  

David Lindley & Wally Ingram  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/04/98 Lobero Theatre - Santa Barbara, CA AA Neumann KM-184’s (ORTF On T-Bar)>Custom XLRs >PSC Phantom Supplies >TCD-D7 Master DAT Transferred: Sony PCM-R500 >S/PDIF >Tascam HD-P2 (16 Bit/48khz) > WAV >Audacity (Track Splits, Downsample To 16 Bit 44.1k, Minor Edits, Normalize) >FLAC (Level 8) + Tags Via xACT 2.37 Recorded, Audacity, FLAC’d, & Tagged By OldNeumanntapr Master DAT Transferred By Terry Watts 2 flac  
2. 12/06/98 Cuesta College Auditorium - San Luis Obispo, CA AA Neumann KM-184’s (ORTF On T-Bar)>Custom XLRs >PSC Phantom Supplies >TCD-D7 Master DAT Transferred: Sony PCM-R500 >S/PDIF >Tascam HD-P2 (16 Bit/48khz) > WAV >Audacity (Track Splits, Downsample To 16 Bit 44.1k, Minor Edits, Normalize) >FLAC (Level 8) + Tags Via xACT 2.37 Recorded, Audacity, FLAC’d, & Tagged By OldNeumanntapr 2 flac  
3. 06/22/99 Great American Music Hall - San Francisco, CA A Source: CS Cardioids (center floor) > battery box > Tascam DA-P1 > DAT (44.1kHz) Transfer: DAT > Sony R500 > Mac > FLAC (level 8) [Mar 2023] 2 flac  
4. 11/18/03 Great American Music Hall - San Francisco, CA A Source: CS Cardioids (center floor) > battery box > Tascam DA-P1 > DAT (44.1kHz) Transfer: DAT > Sony R500 > Mac > FLAC (level 8) [Mar 2023] 1 flac  

David Surkamp  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/03/01 Roxy bar - unknown, Italy A   1 flac  

Def Leppard  
  Date Venue - City, State Sound Rating Notes Media  
1. 02/26/83 Royal Court Theatre - Liverpool, England a- Lineage: unknown --> Maxell UL 90 --> Yamaha KX-670 (Dolby Off, Play Trim +0) --> ESI U24 XL --> Adobe Audition 2020 (ASIO 2.0) --> WAV (44100 Hz, 2 Channels, 32-bit) --> Amplitude +11-14/9 db --> Splitting Tracks (Audacity WAV) --> FLAC (Level 8, 44100 Hz, 2 Channels, 16-bit) 2 flac  
2. 06/27/83 Great Allentown Fair - Allentown, PA A- LINEAGE AUDIENCE ANALOG MASTER>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) 2 flac  
3. 08/03/83 Coliseum - Seattle, WA a- Lineage:SBD>UNKNOWN>QUALITYBOOTZ>YOU A+ SQ 2 flac  
4. 09/10/83 Great Western Forum - Los Angeles, CA A   2 flac  
5. 10/20/83 Rolling Stone - Milan, Italy A I recorded this show from a private FM radio in Milan (Radio Peter Flowers I think) few days after the show. Sometimes they broadcasted some shows. Fantastic days! lineage: Maxell UL tape > Cubase SX3 > dbpoweramp > Flac files 1 flac  
6. 11/05/83 Palais des Sports - Orléans, France A-   2 flac  
7. 12/05/83 Hammersmith Odeon - London, England A Released CDR -> EAC -> Flac 2 flac  
8. 01/25/84 Kosemenka Hall - Osaka, Japan A   2 flac  
9. 09/15/96 Unknown - Montreal, QC A SBD > ? > CD-R received in trade > EAC > FLAC 2 flac  
10. 07/01/05 Maine Savings Amphitheater - Bangor, Me 8 Taper: Massu2 Rig: OKMIIr > PCM-M10 Location: Sec. 102, Row F 2 Flac  
11. 04/05/13 Joint at The Hard Rock Casino - Las Vegas, NV A Lineage: 1. Multiple IEM Receivers > Multitrack Recorder (24/44.1) 2. AT853-SC > Battery Box > Tascam DR-2D (24/44.1) All recordings from this residency came from Team Las Vegas 2013, which consists of: Hoserama Bigdigs26 CPSCPS -- Mixe by sharebear/hoserama Dithered using Izotope MBIT+ Flac'ed using Trader's Little Helper Mix Version 20230318 2 flac  
12. 04/13/13 The Joint @ Hard Rock Cafe - Las Vegas, NV A Lineage: 1. Multiple IEM Receivers > Multitrack Recorder (24/44.1) 2. AT853-SC > Battery Box > Tascam DR-2D (24/44.1) All recordings from this residency came from Team Las Vegas 2013, which consists of: Hoserama Bigdigs26 CPSCPS Mixe by sharebear/hoserama Dithered using Izotope MBIT+ Flac'ed using Trader's Little Helper Mix Version 20230318 2 flac  
13. 11/17/15 Qantas Credit Union Arena - Sydney, Australia 9 SP-CMC-8 (AT 943) > SP-SPSB-11 > Edirol R-09 (16/44.1) > Adobe Audition 3 (with iZotope Ozone 4 mastering plug-in) > CD Wave Editor (track splitting) > HAT (align sector boundries, FLAC) 2 Flac  
14. 08/27/16 Hollywood Casino Amphitheatre - Maryland Heights, MO 9 Taper: cptncrash76 Equipment: SP-CMC-1 > SP battery box > Tascam DR-05 Location: LAWN 2 Flac  
15. 10/24/18 Nippon Budokan - Tokyo, Japan A+ Source: Multiple Stereo IEM Matrix Recording Lineage: Original Silver CDR > EAC > WAV > TLH > FLAC Notes - Hysteria being performed in full at Budokan. This is the first of a three show run in Japan. IEM feed sounds like Joe, Phil, and Viv to my ears. Bought this CD set from Japan. The first song post-Hysteria set is rotating, which sees Let it Go come in. 2 flac  
16. 05/26/22 Whisky A Go-Go - Hollywood, CA A+ Lineage: Multiple IEM Receivers > Multitrack Recorder @ 24bit 44.1khz Recorded by Hoserama Mixed by hoserama Dithered using Izotope MBIT+ Flac'ed using Trader's Little Helper Mix version 20220530 1 flac  
17. 09/07/22 Oracle Park - San Francisco, CA A Lineage: 1. 2x IEM Receivers > Multitrack Recorder @ 24bit 44.1khz 2. Panasonic ZS100 camera audio Both recorded by bigdigs26 Mixed by hoserama Dithered using Izotope MBIT+ Flac'ed using Trader's Little Helper Mix version 20220919 2 flac  
18. 09/09/22 Allegiant Stadium - Las Vegas, NV a- SP-CMC-4U -> A10 -> Soundforge -> FLAC 1 flac  
19. 08/05/24 Fenway Park - Boston, MA A Taper: Massu2 Rig: OKMIIr > Sony PCM-M10 Location: RF Box 95, Row QQ 2  
20. 07/01/25 Maine Savings Ampitheater - Bangor, ME 7.5 aper: Massu2 Rig: OKMIIr > PCM-M10 Location: Sec. 102, Row F Too much audience participation who really didn't sing that well 2 Flac  

Dennis DeYoung  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/15/04 Beacon Theatre - New York, NY A Taper- PT Converted by - AdamPerk Core Sound Binaurals>Archos Gmini 120>USB>Wavlab>CDWave>CDR>EAC>Flac Front End (Compression Level 6)>CDR>FLAC(8) 2 flac  
2. 11/18/06 F. B. Kirby Center - Wilkes-Barre, PA 9 Source: HEBs (DPA 4061s) > CS batt box > Edirol R-09 (line in, 24/48) Transfer: Wav file > Sound Studio > xACT > FLAC (level 8) Taping location: Center section floor, row 13 Taped & transferred by: TT Dennis DeYoung: Vocals, keyboards Glen Burtnik: Guitar, vocals Tommy Dziallo: Guitar Hank Horton: Bass, vocals John Blasucci: Keyboards Kyle Woodring: Drums Kate Milan: Backing vocals Suzanne DeYoung: Backing vocals 2 Flac  
3. 11/19/06 Kimmel Center - Philadelphia, PA 8.5 Source: HEBs (DPA 4061s) > CS batt box > Edirol R-09 (line in, 24/48) Transfer: Wav file > Sound Studio > xACT > FLAC (level 8) Taping location: Side, stage right Taped & transferred by: TT Lineup: Dennis DeYoung: Vocals, keyboards Arnie Roth: Orchestra conductor Amick Byram: Guest vocalist, backing vocals Kate Milan: Guest vocalist, backing vocals Tommy Dziallo: Guitar Hank Horton: Bass, vocals John Blasucci: Keyboards Kyle Woodring: Drums Suzanne DeYoung: Backing vocals 2 Flac  
4. 03/22/07 Theatre du Casino - Gatineau, QC 9 Source: HEBs (DPA 4061's) > CS batt box > Edirol R-09 (line in, 16/44.1) Transfer: Sound Studio > xACT > FLAC (level 8) Taping location: Second row, 8' ROC Taped & transferred by: TT This was the first of a two-night stand in Gatineau. For some reason Styx and Dennis have always been enormously popular in Quebec. Suite Madame Blue is a huge song there... a recent poll in Quebec found Suite Madame Blue number three on the all time list of favorite songs behind Stairway to Heaven and Hotel California. So it's interesting that Dennis plays SMB as the first encore at these shows, as opposed to playing it in the regular setlist as he does in the States. This Thursday night show is notable for the first ever playing of a new song, This Time Next Year. Dennis said that he's been working on a new studio album - his first solo rock album in 18 years - and hopes to release it in a couple months. I'm definitely looking forward to this one. 2 Flac  
5. 03/23/07 Theatre du Casino - Gatineau, QC 9 Source: HEBs (DPA 4061's) > CS batt box > Edirol R-09 (line in, 24/44.1) Transfer: Sound Studio > xACT > FLAC (level 8) Taping location: Eighth row, dead center Taped & transferred by: TT This is the second night of the Gatineau shows. Setlist is the same except for a reversal of the new song, This Time Next Year, and Pieces of Eight. The band also adds an intro to This Time Next Year which was not played the previous night. If you're wondering which night to download, I can offer the following... Compared to Thursday, sound quality of the recording might be a tad better on this one (Friday) though there was a guy next to me clapping pretty loud at times. Also, performance-wise, on this night (Friday), Dennis amazingly forgets the opening words to Castle Walls and chooses to start over. (I say 'amazingly' as I've never heard him mess up *any* lyrics - as opposed to another beloved band of mine, whose name I won't mention, whose lead singer frequently forgets lyrics even with a teleprompter.) I thought he showed a lot of poise in his recovery, even joking later about not remembering the words to his own songs. 2 Flac  
6. 05/23/08 Rib America Festival, Soldier's Memorial - St. Louis, MO A Edirol R-09 Portable recorder > Built-in mics > Sound Forge 4.0 > CDWav > .shn files 2 flac  
7. 04/19/13 Massey Hall - Toronto, ON a- Core Sound Cardiods > Iriver H120 (Rockboxed) Recorded and edited by BurnBoy 2 flac  
8. 07/14/14 Keswick Theatre - Glenside, PA A Source: Schoeps MK4 > actives > tinybox > Sony M-10 (24/48) Transfer: wav file > Sound Studio (convert 16/44.1) > xACT > FLAC (level 8) Recording location: Orchestra center 5th row Recorded by: Tapehead2 2 flac  
9. 07/17/14 Keswick Theater - Glenside, PA 8 Source: Schoeps MK4 > actives > tinybox > Sony M-10 (24/48) Transfer: wav file > Sound Studio (convert 16/44.1) > xACT > FLAC (level 8) Recording location: Orchestra center 5th row Recorded by: Tapehead2 2 Flac  
10. 09/22/17 Ameristar Casino - Kansas City, MO a- Sony M10 > Audacity > CD Wave 1 flac  
11. 09/29/18 Parx Casino - Bensalem, PA A AT943 > SP-SPSB-10 > Sony M10 (24/48) Transfer: wav file > Sound Studio (16/44.1) > xACT > FLAC (level 8) 2 flac  

Dickey Betts www.dickeybetts.com
  Date Venue - City, State Sound Rating Notes Media  
1. 11/03/74 Ultrasonic Studios - Hempstead, NY AA Source: FM Soundboard 2 flac  
2. 12/14/74 Winterland - San Francisco, CA AA   2 flac  
3. 04/19/77 The Bottom Line - New York, NY A source: fm simulcast reel master 10.5"@7.5 ips on sony tc-755 w/teac an180 nr taped by Jerry Moore lineage: reel master on sony tc-765>teac an-180>sbm1>dat>cdr>eac>cd wave>flac transfers by Rob Berger 2 flac  
4. 05/07/89 Unknown - Orlando, FL 8.5 Lineage: ? > cassette trade circa 1993 Transfer: TEAC W1200 > Zoom H4n (96-24) > Wavelab (tracking and tweaking) > wav (44.1-16) > Flac (level 8) > you ! whotrader-1701-db-1989-07-05-44 1 Flac  

Dickey Betts & Great Southern  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/09/02 Mulcahy's - Wantagh, NY 8.5 ???>CD>EAC>SHN Audience recording, no source info Loud crowd 2 Flac  
2. 07/20/03 Clinton Square, Main Stage - Syracuse, NY A   1 flac  
3. 05/15/08 Indian Crossing Casino - Waupaca, WI A Sony PCM-M1 Dat Recorder, Sonic Studio Mics 2 flac  
4. 06/08/13 Sherman Theater street Stage - Stroudsburg, PA a- Lineage: CA-14 omni-directional mics -> CA-9100 pre-amp -> 6" custom GAKables mini star quad cable -> Sony PCMM10 (Line In) Transfer: Sandisk 16GB Class 4 micro mobile ultra, 24bit 96kHz -> HDD Audio Software: iZotope RX II Advanced (minor edits, SRC, MBIT+) -> WAV 16bit 44.1kHz -> CDWAV (tracking) -> TLH -> Flac level 8 Recorded and transferred by Drgiggles1 Recorded from in front of stage left stacks. The last 41 minutes mics and recording rig placed on platform approximately 18" from the stacks. 2 flac  
5. 08/22/14 The Canyon Club - Agoura Hills, CA a- Source info: CA-14 cards>Naiant Tinybox>Sony PCM-M10(24/96)>Adobe Audition CS6(normalize, resample/dither to 16/44.1)>CD Wave Editor 1.96>TLH>Flac Taper: David Sell Location: 60' from left stack Sound Quality: Excellent 2 flac  

Dickey Betts & the Great American Music Show  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/14/74 Winterland Ballroom - San Francisco, CA a-   2 flac  

Dickey Betts Band  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/28/85 My Father's Place - Roslyn, NY a- Source: sbd >mc> dat /m > cdr > eac > flac 1 flac  
2. 08/19/86 Unknown - Charleston, SC B++ Source: SBD > Beta Hi-Fi > PCM > DAT (emphasis on) Transfer: Fostex D-15 > Tascam DA-3000 > WAV @ 16/44 Master: SOX (de-emphasis); Wavelab 12 (tracking, fades) > FLAC 1644 2 Flac  

Dire Straits https://www.direstraits.com/
  Date Venue - City, State Sound Rating Notes Media  
1. 12/19/80 Westfalenhalle - Dortmund, West Germany A Additional comments Famous recording, part of it has been released on various silver pressed bootlegs as soundboard recordings. Taken from a professional picture disc CD-R edited on only 10 limited edition copies (I have copy # 6). This bootleg is a professional mix of all available soundboard sources and is as complete as possible: 1) There is an amazing and inedit intro from The good, the bad and the ugly theme (never edited in official bootlegs versions) 2) Once upon a time in the west has the real begin and has no fade in like official bootleg versions 3) Nice mixing between the end of Once upon a time in the west and Down to the the waterline (better than the mixing of official bootleg versions) 4) Private investigations has the real end and has no fade out like official bootleg versions 5) Sultans of swing has the real begin and has no fade in like official bootleg versions 6) Tunnel of love has the real end and has no fade out like official bootleg versions 7) Solid rock has the real begin and has no fade in like official bootleg versions 8) Solid rock has also a longer end than official bootleg versions The title of the bootleg is taken from a line that Mark Knopfler says during the concert. Sadly, John Lennon was murdered on 8th December 1980. From that moment on, Mark dedicated the song News to John Lennon. 1 flac  
2. 05/05/81 Rhein-Main-Halle - Wiesbaden, West Germany A no lineage probably ripped from cdr crowd is a little close to recorder 2 flac  
3. 06/17/81 Palais Des Sports - Paris, France A aud SM master. Recorded on Sony TCD5 M with Beyer dynamic M 201 mics (from 1st row center balcony, no crowd noise). 2 flac  
4. 12/01/82 Sheffield City Hall - Sheffield, England A Source: Unknown Audience Format : 2 CDR Soundquality 8.5 (scale 1-10) ******************************************************************************** Trade FLACs >WAV >Audacity (Combine Tracks To A One-Track File, Slightly Amplify (.08db), Remove And Repair Several Small 'Click Spikes', Possibly From A Previous Digital Transfer, Re-Track On Original Index Points, Fix SBEs) >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr 2 flac  
5. 12/07/82 Edinburgh Playhouse - Edinburgh, Scotland a- Format: 2cdr source: audience JTT's Master Cassettes > 2 x Sony C60 > Akai GX95 (Playback) > Soundforge 9 > FLAC Frontend Level 6 Align on Sector Boundaries Non Destructive Tape Flip Edit at 10:33 in Disc Two, Track 5 2 flac  
6. 12/13/82 De Montfort Hall - Leicester, England a-   2 flac  
7. 12/16/82 Conference Center - Brighton, England B++ Source: Audience Format: 2CD-R 2 serious mic bumps on Industrial Disease 2 flac  
8. 12/17/82 National Exhibition Center - Birmingham, England a-   2 flac  
9. 12/18/82 Wembley Arena - London, England a-   2 flac  
10. 12/18/82 Wembley Arena - London, England a- Lineage: Weizman‘s (unknown but low) gen. analog cassette tape>my Maxell XL II cassette (in 80‘s trade)>fresh March 2016 transfer with Sony D5 cassette walkman (azimuth adjusted, pitch checked)>Sony PCM>wav>Audacity (for track marks, editing etc.)>FLAC (level 8) Dime>youhoo! 2 flac  
11. 12/19/82 Wembley Arena - London, England A   2 flac  
12. 12/20/82 Wembley Arena - London, England A- Unreleased Date. Taken from master cassette tapes. Complete concert featuring the rarely played It never rains! 2 flac  
13. 04/03/83 Koseinenkin Hall - Tokyo, Japan A Lineage: Original Pro CD-Rs > XLD (secure and accurate ripper) > FLAC 2 flac  
14. 04/05/83 Expo Hall - Osaka, Japan A   2 flac  
15. 06/16/83 Sportpaleis Ahoy - Rotterdam, Holland A+   2 flac  
16. 06/22/83 Palais des Sports - Paris, France A Audience SM master, FLAC First upload ever from my master cassettes. Recorded from center balcony 1st row (same position as on 1981 june 17 yet ul on Dime) with TC-D5M and Beyer Dynamic M 201 N mics. I was above the crowd, no chat around. Cable mic problems made most of the show was recorded on one channel only. 01, 02, 03, 15 and 16 only are stereo, the rest is on two mono channels. Ticket scan added. *********************************************************************************************** FLAC >WAV >Audacity (Combine All 'Mono' Tracks To A One-Track File, Insert .30 milliseconds of Silence To Start Of Right Channel To Mimic A 'Stereo' Effect, Re-Track On Original Index Points And Also Split 'Romeo And Juliet' And 'Love Over Gold' Into Two Separate Tracks) >Combine Faked Stereo Tracks With Original Unblemished Stereo Tracks >Fix SBE's >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr 2 flac  
17. 06/26/83 Les Arenes - Bayonne, France a-   2 flac  
18. 05/23/85 Rijnhal - Arnhem, The Netherlands a-   2 flac  
19. 05/27/85 Foret Nationale - Brussels, Belgium a-   1 flac  
20. 06/01/85 Plaza de Toros Vista Alegre - Bilbao, Spain a- partial recording 1 flac  
21. 06/08/85 Palais des Sports - Toulouse, France A Audience Master Lineage: Tape(0) > Technics EH750 > PC > Audacity > Wav > Flac (Level 8, SBE OK) Length: 2:02:31 2 flac  
22. 06/12/85 Palais des Sports - Grenoble, France a- Lineage: Unknown recording device > 2nd generation tape > Teac Tape Deck AD-RW900 > Creative Sound Blaster Audigy > HD > SoundForge 7.0 > CD Wave > FLAC Frontend (level 6) 2 flac  
23. 06/29/85 National Exhibition Centre - Birmingham, UK A Lineage: 2xSony HFS90 cassettes bought from the taper shortly after the concert at a record fair in Birmingham and thought to be 1st generation -> Yamaham KX-493 cassette deck - > Audacity for track splitting nothing more -> FLAC -> TLH. Setlist: Total running time - 2:05:11 2 flac  
24. 06/30/85 National Exhibition Centre - Birmingham, England A Lineage: 2xSony HFS90 cassettes bought from the taper shortly after the concert at a record fair in Birmingham and thought to be 1st generation -> Yamaham KX-493 cassette deck - > Audacity for track splitting nothing more -> FLAC -> TLH. 2 flac  
25. 07/01/85 National Exhibition Centre - Birmingham, England A   2 flac  
26. 07/04/85 Wembley Arena - London, England a- [A] guest player Sting [B] guest player Pete Townshend Good sound quality, complete show featuring Sting and Pete Townshend as special guests. This is the first of twelve consecutive nights at Wembley Arena! Very funny is the Laurel and Hardy tune that is played at the very end of Solid rock. ------------------------------------------------------------------------------------------------------------------------------------------------------------- I´ve remaster this recording. I correct the speed and tone; the speed was too fast and the tone so much high (sorry for my bad english) Enjoy! Terry85 19-03-2016 2 flac  
27. 07/05/85 Wembley Arena - London, England a- Recording: Sony ECM939LT > WM-D6 Taper: JimCT Transfer: Hobbes4444 Mastered: mjk5510 Transfer: Master .wav file > iZotope RX 8 / ozone 5 (mastered) > xACT 2.21 > FLAC 2 flac  
28. 07/10/85 Wembley Arena - London, England AA THE LONG STRAIT WALK TO WEMBLEY sounboard Enlight 2014 Version 2 flac  
29. 07/11/85 Wembley Arena - London, England a-   2 flac  
30. 07/16/85 Wembley Arena - London, England A Audience: A- Source Unknown, Analog Cassette, No Dolby > Audacity > FLAC Definitely not from the master, quite possibly first generation. I made no modifications to the sound of this show as it came off the tape in February 2009. 2 flac  
31. 07/25/85 Ottawa Civic Centre - Ottawa, ON A Brothers in Arms Tour ********************************************************************************************** FLAC >WAV >Audacity (Combine Tracks To A One-Track File, Amplify By 3db, Re-Track On Original Index Points) >FLAC (Level 8) + Tags Via xACT 2.50 By OldNeumanntapr ********************************************************************************************** 2 flac  
32. 08/16/85 Majestic Theatre - San Antonio, TX A From Secrets In The Closet Silvers 2 flac  
33. 09/04/85 Red Rocks Amphitheatre - Morrison, CO A Linage: master cassette > ? > 2nd generation cassette Transfer: Sony TC-WC475 > Sony DTC-ZE700 > E-MU E-DSP Soundcard > 16/48 wav > Wavelab (tracking and tweaking) > you ! whotrader-100-DS-1985-09-04 2 flac  
34. 11/19/85 Hanns-Martin-Schleyerhalle - Stuttgart, Germany A+ Aiwa CM 30 Stereo Cardioid >Sony WM-D6C (Nico Remaster) ********************************************************************** FLAC Tags Via xACT 2.50 By OldNeumanntapr 2 flac  
35. 12/07/85 Apollo - Manchester, England A   2 flac  
36. 04/26/86 Entertainment Center - Sydney, Australia A+ Source: sbd/Video feed>vhs?>cd 2 flac  
37. 06/18/86 Wembley Arena - London, England A FM > unknown > CDR > WAV > FLAC 1 flac  
38. 02/08/92 Great Western Forum - Los Angeles, CA A+ Mike Millard Original Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 32 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Yamaha KX-W592 Cassette Deck > Sony R-500 DAT > Analog Master DAT Clone > Focusrite Scarlett 6i6 > Sound Forge Audio Studio 13.0 capture > iZotope RX6 > iZotope Ozone 6 > Audacity > Peak Pro 6 > xACT 2.39 > FLAC 2 flac  

Dixie Dregs  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/03/78 Fox Theater - Atlanta, GA A+ soundboard recording> unknown transfer> FLAC > 2006 seed reseed: retracked with volume adjustments and repairs [a few clicks], no EQ or other processing applied; new FLAC-8 files and checksum files created and this info file revised; original info file included 1 flac  

Doc Watson & David Grisman  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/10/97 Catawba Valley Arts & Science Center - Hickory, NC AA Schoeps CMC 5 w/MK-4's >Sonosax SX-M2 >DAT; Front Row Center, Balcony Trade DATs > WAV Via: Tascam DA-P1 >S/PDIF >Tascam DR100mkII (16 bit/48k) WAV >Audacity (De-Amplify Between-Song Applause / Crowd Noise By 4.5 db, minor edits, repairs, Track Splits, Down Sample To 16bit/44.1khz) >FLAC (Level 8) Via xACT 2.47 Trade DAT transferred, Audacity Post Production, & FLAC By OldNeumanntapr 2 flac  

Don Felder  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/09/21 Batavia Downs Gaming and Hotel - Batavia, NY A Lot of talking by the taper Taped by Binko for Poignant Pros Gear: Tascam DR-08 Transferred & mastered by }{eywood Lineage: DR-08 (recording to 24/48 .wav) > USB > Adobe Audition 1.5 (EQ, peak limiting, splits & fades) > Xrecode III (conversion tl 16/44.1) > TLH (sector alignment, flac 8) 2 flac  
2. 08/10/21 Jackson County Fair - Jackson, MI A Schoeps MK41s > Nbob Actives > Baby Nbox > Sony A10 > 16 bit, 44.1 kHz, 1,536 kbps > TLH (flac level 8) recorded by guitard running time: 1 hr 26 mins 3 secs 2 flac  
3. 01/21/23 Ballys Lake Tahoe - Stateline, NV A rsplanka master recording Very good recording, check out the samples, sorry no artwork Lineage: Recorded on TDK SA 90's. Recorded with a Sony Wm-D3 ( it still works ), supplied stereo mic, SB16, CDR, You Enjoy the show !! 2 flac  

Don Henley  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/17/85 Universal Ampitheater - Los Angeles, CA A Transfer: 1st Gen Tape > .wav File > Peak Pro 6 (pitch adjusted) > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.39 > FLAC 2 flac  
2. 06/29/91 Miami Arena - Miami, FL A Taped by Dolphinsmile Sennheiser 2002>Sony D6>to Microtrack 16/48 using Nakamichie cassette deck>Goldwave tracking>TLH8 Taped and Produced by Dolphinsmile for the Dolphinsmile Archive 2 flac  
3. 08/09/91 Indian Field Ranch - Montauk, NY a- From the Ken G. Collection (Vol. 47) Source: Sony PC-62 stereo mic > Sony WM-D3 Cassette Master (Maxell XL-II) Transfer : Sony TC-WE 475 > JVC XL-R2010 CD-RW (44.1) Editing : Soundforge (CD extract & tracking) > Wave > TLH (SBE aligned) Flac 8 Transferred & Tracked by kingrue upload #139 / 2105 (repost) 1 flac  
4. 09/07/91 Irvine Meadows Amphitheatre - Irvine, CA A Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 216 1644 Edition Contrast Clause: 2496 Edition here: Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder JEMS 2023 Transfer: Mike Millard Master Cassettes > Nakamichi Cassette Deck 1 azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 3.1 capture > iZotope RX > iZotope RX8 Advanced and Ozone 10 > MBIT+ resample to 16/44.1 > xACT 2.50 > FLAC 2 flac  
5. 06/19/93 Jones Beach - Wantagh, NY B++ The Ken G. Collection [Vol 167] Source: Sony Stereo Tie Clip mic > Sony WM-D3 Cassette Master Transfer Lineage: Maxell XL-II > Sony Deck TC-WE 475 > JVC XL-R2010 CD-RW [standalone] > Soundforge 9.0 > Wav > TLH [sector boundary aligned] Flac Level 8 Traders Den 10/13/14 Transferred, Balanced and Tracked by George [Upload 311] 2 flac  
6. 07/06/93 Cynthia Woods Mitchell Pavilion - Woodlands, TX A Cassette Tape > Goldwave > CD Wave 2 flac  
7. 09/06/93 Foxboro Stadium - Foxboro, MA A- Source: Original Bootleg Silver CD>WAV(WMP)>FLAC(TLH) 1 flac  
8. 09/17/11 Greek Theatre - Los Angeles, CA A Mikes: Schoeps mk4 > Actives > NBox > ALD: Williams Stereo ALD > Edirol o9> Recorder: Edirol r-O9hr (24b) Transfer: Goldwave (Volume Boost, Compression > Dither to 16b) > Media Monkey (Flac Transfer L8) Matrix Transfer and Mixdown: Goldwave Recorded and Mixed by Scooter123 Location: DFC Directly Behind Soundboard Tapers Trade List: http://db.etree.org/mylibbydog 0  
9. 06/13/13 Budweiser Stage - Toronto, ON A Roland R-05 - Core Sound High End Binaurals Recorded and edited by BurnBoy 2 flac  
10. 06/13/13 Budweiser Stage - Toronto, ON A Sony PCM-M10 - SP-CMC-8 (Cards) Recorded and edited by BurnBoy 2 flac  
11. 11/10/15 Sony Centre - Toronto, ON A Lineage: Sound Professionals SP-CMC-8 (Cards) -> Sony PCM-M10 -> Soundforge -> CDWave -> FLAC + add tags Recorded and edited by BurnBoy 2 flac  
12. 06/22/16 Heineken Music Hal - Amsterdam, Holland A+ Lineage: Edirol R-09 + Sound Proffesional SP-CMC-8 Mics. Editing with Adobe Audition. Encoded to flac level 8, with align on sector boundaries 2 flac  
13. 07/13/16 South Okanagan Events Centre - Penticton, BC A+ Source: CAFS omnis (on glasses) > CA-9100 > Sony PCM-M10 @ 24 bit/48 kHz Mastering: .WAV > Sound Forge Pro 11.0 (Build 299) [iZotope Mastering Suite (declick); minor edits, normalize, & fades] > CDWav (tracking) > iZotope MBIT+ (dithered and downsampled to 16 bit/44.1 kHz) > Trader's Little Helper (level 5) > FLAC > TagScanner 5.1 (tagging) Location: Section 102, Row 6 (back right corner) Recorded by: Seth Meister Mastered by: Dennis Orr 2 flac  
14. 09/07/16 Wolf Trap Filene Center - Vienna, VA A Lineage: SP-CMC-8's -> SP-11 Batt Box -> Edirol R09-HR 24/96 -> PC -> Audacity for tracking, +12 dB Boost -> dbPowerAmp for conversion to 16/44 (16 bit version only)-> uploaded Recorded from first row (behind pit) center. 2 flac  
15. 09/17/16 Arena @ Mohegan Sun Casino - Uncasville, CT A Sennheiser ME-104's>Tascam DR-07 (16/44.1, 40hz bass rolloff) >USB> PC> GoldWave v5.56> CDWaveEditor v1.96 (track split)> TLH> Flac (6) Taper: Ringfedder 2 flac  
16. 09/20/16 Blue Hills Bank Pavilion - Boston, MA AA SP-CMC-8c===SP-SPSB-11 (12v) Bass Roll Off set @ 69hz to Roland R-05 (Line In)===SDHC SanDisk 16GB Memory Card @ 48/24(Downsampled to 44.1/16) 2 flac  
17. 06/13/17 Budweiser Stage - Toronto, ON A Roland R-05 - Core Sound High End Binaurals Recorded and edited by BurnBoy 2 flac  
18. 06/13/17 Budweiser Stage - Toronto, ON A Sony PCM-M10 - SP-CMC-8 (Cards) Recorded and edited by BurnBoy 2 flac  

Don Henley & Stevie Nicks  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/04/05 PNC Bank Arts Center - Holmdel, NJ 8.5 LINEAGE: SP-CMC-4 (cardiod) mics > SP battery box w/bass roll over > Sony TCD-D8 DAT Recorder > Line-IN > Adobe Audition 2.0 > .WAV > FLAC Frontend > .FLAC 3 Flac  

Don McLean  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/20/74 The Bottom Line - New York, NY 8.5 source: FM reel master taped by Jerry Moore lineage: tape delayed broadcast on WNYU 4/24/74> 7" reel @ 3.75 ips, dolby b 1 Flac  
2. 03/02/84 Soft Rock Café - Vancouver, BC 9 (Audience First-Generation) Taper: TM Transfer: First-Generation .wav file > iZotope RX / ozone 9 (mastered) > xACT 2.59 > FLAC 1 Flac  

Donovan  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/09/76 The Bottom Line - New York, NY     2 flac  
2. 04/10/76 Bottom Line - New York, NY A Changes applied to the record: Total remastering Lineage: FM reel master->M-Audio transit->Cool Edit->CD Wave Editor->FLAC->Adobe Audition remastering->WAV->FLAC 2 flac  

Doobie Brothers  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/20/74 Knebworth Festival - Hertfordshire, UK A Lineage Pole mounted Sony mics and Nagra deck > 16 bit digital file> mac hard drive > audition and acoustica 7 premium edits , tone down applause ,improve levels where there were major fluctuations , repair wind noise, take out/tone down other noises and chat > x)> xact flac transfer Recorded by JK to whom we should all be eternally grateful , remastered and transferred by GGB. 1 flac  
2. 10/08/75 Mid-South Coliseum - Memphis, TN A lineage: FM broadcast > Yamaha RX-500U reciever with FM wire antenna > Naka. BX 125 cassette recorder, dolby off > Maxell XLII 90 min. cassette > played on tascam 112 into soundforge (wav) > flac (sb's aligned) > torrentially yours. 1 flac  
3. 10/09/75 Von Braun Center - Huntsville, AL A   1 flac  
4. 07/23/76 Arrowhead Stadium - Kansas City, MO a- Source : Audience Recording > 2nd gen cassette (Maxell XL-IIS) (courtesy of Wes Meyette archive) Transfer : Nak Dragon > Sony PCM-M10 > CD Wave Editor (tracking) > Soundforge (editing) > Wave > TLH (sbe aligned) Flac 8 Traders Den - February 27, 2020 Transferred & Tracked by Wes Meyette Posted by kingrue upload #2378 2 flac  
5. 11/05/76 Boston Music Hall - Boston, MA A Audience Stereo FOB (probably Sony ECM-99A > Sony TC-153SD) Teac X-1000R > Tascam CD-RW900 2nd Gen Reel > CDR > EAC Secure > Audacity (edits) > CD Wave (tracks) > FLAC Total Time - 106:42 Thanks to the taper! Transfer and encoding by Steve Hopkins Note: sounds like there may be some undecoded dolby in this lineage... 1  
6. 08/31/77 Rainbow Theatre - London, England A+   1 flac  
7. 12/31/78 Fabulous Forum - Inglewood, CA A Really great FM Broadcast, cool show.... 1st generation cassette > behringer ultra curve pro deq 2496 audio equalizer > tascam audio cdrw750 > plex tool professional XL > wav > flac. 2 flac  
8. 01/25/90 Pearl Harbor Benefit - Honolulu, HI A Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon KRock FM Station > Harman Kardon Receiver > Sony 501 ES > NEC VHS Recorder Sony VHS Player > Sony 501ES > Korg Mr 1000 > Audio Gate > Cool Edit > Master Files > Adobe Audition > Ozone > Traders Little Helper So I Did This Show Over A While Back Because I Lost It In A Hard Drive Crash. I Lost It Again Or Just Never Put On Hard Drive But I Can't Seem To Find It So Hopefully This Is Last Time Doing It . Enjoy. 2 flac  
9. 07/02/91 Mann Music Center - Philadelphia, PA A   2 flac  
10. 07/07/91 Mark G. Etess Arena - Atlantic City, NJ 8 Source: Nak 300s > D5(?) by Barry Levitt Transfer: MC (1.5x SA-X 100) > Nak Dragon > Tascam DA-3000 (DSF 1-bit/5.6 MHz) > EZ CD Audio Converter > PCM @ 2496 Master: Wavelab 12 (tracking, levels, cross-fades, glitch repair) > FLAC 1648 Thanks to Barry for taping, Liza for preserving his tapes until they could be digitized, and to Ted Mattes for facilitating 2 Flac  
11. 09/02/91 Camp Pendleton - Oceanside, CA A- Source : unknown mics > Sony TCD-D3 DAT (Recorded & Transfer by Third Eye Productions) Editing : CD Wave Editor (tracking) > Wave > TLH (sbe aligned) > Flac 8 (Tracked by Wes Meyette) 2 flac  
12. 08/01/94 Concord Pavilion - Concord, CA A Lineage: First Generation Silver CD>WAV(WMP)>FLAC(TLH) 2 flac  
13. 05/09/96 Coral Sky Ampitheater - West Palm Beach, Fl 8 Source: FOB Sonic Solutions DSM-3 - Cassette Master - recorded by Jim Vita R.I.P. Transfer: Cassette > Nakamichi DR3 > Sound Devices 744T > 24/48 wav - transfer by Jon Pasternak 2 Flac  
14. 06/25/98 Westbury Music Fair - Westbury, NY A (TapeTyrant Archive Series Volume 9) DAT Soundboard > Fostex D-5 > Audacity > iZotope RX 8 > xACT 2.50 > FLAC 2 flac  
15. 06/29/98 Westbury Music Festival - Westbury, NY A DAT Soundboard > Fostex D-5 > Audacity > iZotope RX 8 > xACT 2.50 > FLAC 2 flac  
16. 07/02/98 Petrillo Music Shell @ Grant Park - Chicago, IL a- LINEAGE KRW_CO AUDIENCE DAT MASTER RECORDING(48KHZ)>SONY PCM R-500 DAT> FIBER OPTIC>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (16/48KHZ)> MAGIX AUDIO CLEANING LAB FOR TRACK MARKS AND EDITS WAV 16/48> TLH FLAC (LEVEL 8) GEAR: SONY DAT D8 RECORDER AND CORE SOUND MICS WITH BASS ROLL OFF 2 flac  
17. 08/06/08 Douglas County Fair - Roseburg, OR 9 LINEAGE SOUNDBOARD MASTER WAV (16/44.1KHZ)TO MAGIX AUDIO CLEANING LAB MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(16/44.1KHZ)>TRADERS LITTLE HELPER FLAC(LEVEL 8) LINEAGE ANALOG SOUNDBOARD MASTER WAV (16/44.1KHZ)TO MAGIX AUDIO CLEANING LAB MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(16/44.1KHZ)>TRADERS LITTLE HELPER FLAC(LEVEL 8) 2 Flac  
18. 01/23/10 Fox Theater - Oakland, CA A Schoeps MK4s >RBox >Tascam DR100 (24bit/48kHz) Recorded By DaspyKnows WAV Files Sent Privately By Daspy. WAV >FLAC (Level 8) + Tags Via xACT 2.48 By OldNeumanntapr Featured Bonnie Raitt, Steve Miller Band, The Doobie Brothers, George Thorogood, Roy Rogers, Charlie Musselwhite and Elvin Bishop. M.C. Wavy Gravy. 2 flac  
19. 12/07/10 Masonic Auditorium - San Francisco, CA 8.5 FOB Stealth Recording (MikeSF) 2 Flac  
20. 10/12/12 Massey Hall - Toronto, ON A Roland R-05 - Core Sound High End Binaurals Recorded and edited by BurnBoy 2 flac  
21. 11/23/19 Westchester County Center - White Plains, NY A Source: master audience recording Taper: larryrulz Location: first row, balcony Lineage: Sound Pro AT943 (cardioid) > Sony M10 (24/44) > Audacity (amplify, EQ, tracking) > TLH > FLAC 6 > foobar2000 (FLAC tags) Sound: mp3 samples attached in the Comments 2 flac  

The Doors of the 21st Century  
  Date Venue - City, State Sound Rating Notes Media  
1. 09/29/02 Molson Park - Barrie, ON a- Conversion = DAT > Pioneer PDR-609 standalone burner>EAC> Soundforge 6.0> 2 flac  
2. 08/30/03 Red Rocks Amphitheatre - Morrison, CO A Source: Soundboard recording, torrented on Dime years ago. Uploaded by WildJon 1 flac  
3. 12/31/04 House of Blues - Anaheim, CA A   2 flac  

Dreamers  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/17/23 Burlington Performing Arts Centre - Burlington, ON A+ Core Sounds Binurals w/battery pack (filter on) > Mic In > Sony PCM-M10 > Audobe Audition > WAV > Trader's Little Helper > FLAC Supertramp cover band 2 flac  

Dust  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/19/71 Brooklyn Tech High School - Brooklyn, NY B++ This one there are none around thats why its here 1 flac  

Dwight Twilley Band  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/10/77 Main Point - Bryn Mawr, PA A FM>MASTER CASSETTE>STAND ALONE BURNER>WAV>AUDICITY FOR TRACKING>FLAC 1 flac  

The Eagles http://www.eaglesband.com/
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/74 Beacon Theatre - New York, NY A Silver cd, flac 1 flac  
2. 04/25/94 Warner Brothers Studios - Burbank, CA A+   2 flac  
3. 09/22/02 World Arena - Colorado Springs, CO 8.5 Source: Audience Transfer: CD-R from trade > EAC > FLAC Level 8 > you 3 Flac  
4. 05/29/06 Arena di Verona - Verona, Italy A (MRDR Master Series Volume 74) Recording: Sony ECM717 > Sony MZ-R700 MD Transfer: MiniDisc Master > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.39 > FLAC 2 flac  

Echoes  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/21/07 Freilichtbuhne Lorley - ST. Goarshausen, Germany A Source: Audience Mini Disc Recording Taped by: KS Transferred by: KS 2 flac  

Echoes of Pompeii  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/24/19 Reggie's - Chicago, IL A Source: Schoeps CCM4V'S>Lunatec V2>Sound Devices 722 (24/44.1) FOB/DFC/KFC/ZFC/AARP Clamped To Front Of Balcony DSP: Sound Devices 722>Sound Forge 10.0>CD Wave>flac(16) ID3 Tagged In Foobar 2000 Recorded By: Z-Man Seeded By: Z-Man 2 flac  

Edgar Winter Band  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/29/11 Santa Cruz Beach Boardwalk - Santa Cruz, CA AA Recorded By Daspyknows Seated in dead center slightly more than halfway between stage and soundboard Schoeps MK4s >NBox >Tascam DR-2D (24bit/48kHz) Processed Using Soundforge 10b, Resample To 16bit/44.1khz *************************************************************** Trade WAV >Audacity (Combine Tracks To A One-Track File, Apply Selective Compression to Specific Frequency Spikes, Amplify by 3.4 db, Retrack On Original Index Points, Fix SBEs) >FLAC (Level 8) + Tags Via xACT 2.48 By OldNeumanntapr 1 flac  
2. 06/06/13 Roppongi - Tokyo, Japan A Source : Sanken COS-11XPT > handmade power supply > SONY D-50 Transferred : USB > PC > Sound Engine Free > flac(level8) Taped&Transferred by untan 1 flac  

Edgar Winter Group  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/14/75 Long Beach Arena - Long Beach, CA A Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 94 1644 Edition Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder JEMS 2021 Transfer: Mike Millard Master Cassettes > Nakamichi Cassette Deck 1 azimuth-adjusted playback > Focusrite Scarlett 6i6 > Sound Forge Audio Studio 13.0 capture > Adobe Audition > iZotope RX8 > iZotope Ozone 8 > MBIT+ resample to 16/44.1 > Audacity > TLH > FLAC 1 flac  

El Monstero y Los Masked Avengers  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/21/08 The Pageant Theatre - St. Louis, MO A+ GEAR USED: SBD audio > Edirol R-09 portable recorder > Sound Forge 4.0 > CDWav > TLH >.flac 3 flac  
2. 12/25/10 The Pageant Theatre - St. Louis, MO A Source 1: Studio Projects C4 Cardiod Caps > Edirol R-09 Portable recorder > Sound Forge 9.0 Source 2: SBD > Tascam DR-07 Portable Recorder > Sound Forge 9.0 Matrix combined sources using: Sound Forge 9.0 > CDWav > TLH > .flac files 3 flac  
3. 12/23/11 The Pageant - St. Louis, MO A Gear Used: Source 1: Audio-Technica AT4040 Cardiod Condenser > Edirol R-09 Portable recorder Source 2: SBD > Tascam DR-07 Portable Recorder Matrix combined sources using: Sound Forge 9.0 > CDWav > TLH > .flac files 3 flac  
4. 08/23/14 Forest Park - St. Louis, MO A Gear Used: Source 1: Audio-Technica AT4040 Cardiod Condenser > Edirol R-09 Portable recorder Source 2: SBD > Tascam DR-07 Portable Recorder Matrix combined sources using: Sound Forge 9.0 > CDWav > TLH > .flac files 3 flac  
5. 12/25/15 The Pageant Theatre - St. Louis, MO AA Source 1: Studio Projects C4 MKII Cardiod Caps > Tascam DR-07 Portable recorder Source 2: SBD > Tascam DR-07 Portable Recorder Matrix combined sources using: Sound Forge 9.0 > CDWav > TLH > .flac files 3 flac  
6. 08/26/17 Hollywood Casino Amphitheatre - Maryland Heights, MO A- TAPER: SHANE E. CALHOON (tapersec1968(at)gmail(dot)com) GEAR USED: Tascam DR-07 Portable Recorder > Built-in mics > Sound Forge 9.0 > CDWav > TLH > .flac files 3 flac  

Electric Light Orchestra  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/07/72 Civic Hall - Guildford, UK B++ Original Lineage - CDR From Trade > EAC (Secure Mode) > WAV > Trader's Little Helper > FLAC (level 8) 1 flac  
2. 04/19/73 Paris Cinema (plus others) - London, England A Trade CDR > EAC > FLAC 1 flac  
3. ??/??/73 Unknown - unknown, Japan A   1 flac  
4. 09/27/74 Rhein-Neckar-Halle - Eppelheim, West Germany A- 'The Great Music Festival' was a rock concert festival in September 1974 with shows at two locations, the Rhein-Neckar-Halle in Heidelberg-Eppelheim and the Westfalenhalle in Dortmund, both with more or less the same line-up. Some background information first: Last Autumn I visited my old friend HB in Mannheim who had recorded close to 200 concerts in the Mannheim/Frankfurt area from 1970 until about 1975. He used a portable RtR mono tape recorder with a single external mono microphone but copied his masters onto 18cm reels when back at home after the shows, as tapes were expensive at the time and archiving this way was cheaper than keeping the master tape of every show. Speaking to several tapers of the time, this must have been fairly common practise. Compact Cassettes were considered cheap and unreliable at the time. Over the years he copied some of his back-up masters onto cassette tapes as the quality of these had improved dramatically by the late seventies and they were easier to handle. Later on copies of the reels were also made with a DAT recorder, but I'm not sure on the whereabouts of these. Fortunately HB was wise enough to keep his RtR back-up tapes. The shows he recorded back then covered nearly all genres from Rock to Jazz, including Led Zeppelin, ELP, Yes, Genesis, Pink Floyd and even Ike and Tina Turner, Ray Charles, Blood, Sweat and Tears and many many more. So when I arrived at his appartment in Mannheim on a Saturday lunchtime he had a huge cardboard box of reels on the floor of his living room and he gave me the whole lot for a fresh digital transfer. Digital transfer done by myself with my revised Revox and my MixPre3 for very best results.. HB's back-up master tape reel to reel, Tape #22, Side 1, Track 1 Original Recording Equipment: mobile RtR recorder, most probably a Telefunken 300TS halftrack mono , maybe with the single external microphone TD33 with balance input control. Source Master Tape: Unknown, probably 13cm BASF or Shamrock RtR (wiped when re-used later) Original back-up Tape: 18cm BASF, AGFA or Shamrock RtR 1/4 Track mono Playback Tape Deck: Revox A77 on 1/4 track mono, 9.5cm per minute Digital Recorder: Sound Devices MixPre3 Manual azimuth alignment (with mono headphone output setting on the MixPre 3 - which in most cases enables pinpoint accuracy) Audacity: edited, normalised and de-noised iZotope RX9: Kirchhoff EQ plus Brainworx bx Stereomaker plug in 1 flac  
5. 11/01/74 Michigan Palace - Detroit, MI A- Recording Gear: Lloyd's 8-Track Cartridge Recorder > Lloyd's mics JEMS Transfer: Master cartridge > Panasonic 8-track player > McIntosh C32 Preamp > Wavelab @ 96/24 .wav capture and mastering > iZotope RX and Ozone > MBIT+ convert to 16/44.1 > Peak Pro 6 (post production) > xACT 2.39 > FLAC 1 flac  
6. 11/10/74 Massey Hall - Toronto, ON 8 The SF Tapes Volume Two (Likely) Recording Gear: Sony TC-110 and Unknown Microphone JEMS Transfer: JEMS Transfer: Master Cassette > Nakamichi RX-505 azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 3.1 capture > iZotope RX10 Advanced and Ozone 9 > FLAC 1 Flac  
7. 12/07/74 Palace Theater - Providence, RI AA Sony TC-152SD Tape Recorder Sony ECM-99 Stereo Microphone Maxell cassettes Mastered and FLAC'ed by Carl Morstadt (dantalion8@yahoo.com) Master Cassette -> Nakamichi CR-3A cassette deck with azimuth correction -> M-Audio Firewire Audiophile 2496 -> CDWAV 24-bit/96-KHz wav files -> Goldwave (normalizing and crossfades) -> CDWAV (track breaks) -> dBpowerAMP Audio Converter (24-bit/96-KHz wav files converted to 16-bit/44.1 KHz wav files) -> FLAC Front End (FLAC 8 with sector boundary alignment) FLAC files tagged with Foobar2000 Live Show Tagger No EQ'ing. 2 flac  
8. 12/11/74 MECCA Arena - Milwaukee, WI B++   2 flac  
9. 12/06/75 New Victoria Theater - London, UK B++   2 flac  
10. 02/08/76 Seattle Center Arena - Seattle, WA A Recording Gear: Sony ECM-22P Microphone > Tandberg Model 11 Portable Reel to Reel JEMS 2016 Transfer: Master reel > Tandberg Model 11 > Sound Devices USBPre 2 capture (24/96) > iZotope RX and Ozone > MBIT+ convert to 16/44.1 > Peak Pro XT (volume smoothing / edit / index) > xACT 2.35 > FLAC 2 flac  
11. 03/04/76 Cobo Arena - Detroit, MI A Advent Dynamic Mics>Sony 153SD Cassette Deck(Dolby B)> Advent CRO2 Cassettes>Nakamichi Playback deck> Nakamichi outboard Dolby B Unit>Wavelab>Flac 2 flac  
12. 03/07/76 Century Theatre - Buffalo, NY B+ Conversion = 2nd gen cassette>Pioneer Stand Alone Burner PDR-609>EAC> Soundforge 9.0>CD Architect 5.2>Wav>Flac 2 flac  
13. 03/16/76 IMA Auditorium - Flint, MI A Source: Audience Lineage: Advent CRO2 Cassettes>Nakamichi 670 Playback deck> Nakamichi outboard Dolby B Unit>Wavelab>wav24/96>wav16/44>Flac Taping Gear: Sony TC-153SD(Dolby B), Advent Dynamic Mics Taped and transferred by JEMS 2 flac  
14. 03/19/76 Orpheum Theatre - Boston, MA A   2 flac  
15. 06/22/76 Guildhall - Portsmouth, UK a-   1 flac  
16. 01/30/77 Long Beach Arena - Long Beach, CA A- This is a Master Audience Recording by Michael Cariola using a Realistic portable recorder and using onboard microphones. Recording Location: Floor of Arena, Centered and about 100 feet back from the stage. Lineage: Maxell UD C120 tape > Tascam 302 > Sony PCM M-10 at 96/24 Wave files > Audacity for volume adjustment and single splice on violin solo. CD Wave Editor V. 1.98 for tracking > 96/24 and converted to FLAC using Trader's Little Helper V2.8.3.182. Tape and conversion and editing by Michael Cariola. 2 flac  
17. 02/17/77 Madison Square Garden - New York, NY B++   2 flac  
18. 02/23/78 Festival Hall - Osaka, Japan A Source: Unknown (AUD>???>trade>CDR>EAC>WAV>Trader's Little Helper>FLAC (level 8)) 2 flac  
19. 06/10/78 Wembley Arena - London, England A   1 wav  
20. 08/10/78 Chicago Stadium - Chicago, IL B++ Conversion = Unknown gen cassette>Pioneer Stand Alone Burner PDR-609>EAC> Soundforge 9.0>CD Architect 5.2>Wav>Flac 2 flac  
21. 08/22/78 The Aladdin Theatre - Las Vegas, NV 8   1 Flac  
22. 08/26/78 Anaheim Stadium - Anaheim, CA a- Lineage: Jon Wizardo Master Cassette Tape> Nakamichi Dragon> HHB CDR > CD WAV 2 flac  
23. 09/27/78 Boston Garden - Boston, MA a- Recording lineage: Nakamichi CM-100/CP-1 -> Nakamichi 550 -> Maxell UD XL II C90 Transfer lineage: Maxell UD XL II C90 -> Sony WM-D6C -> line level converter -> Focusrite Scarlett 2i2 3rd Gen -> Adobe Audition 3.00 -> WAV 48KHz/24-bit -> Special Processing -> FLAC 2 flac  
24. 10/07/81 Civic Center - Hartford, CT B++ lineage: master tape > wav 16/44 > soundforge (tracking and a lot of loud clap reduction) > flac 8 (sb's aligned with TLH) recorded by Kirit Kapadia transferred by Joe Burns w/ Nak BX-300 and Marantz PMD 570 prepped and flac'ed by glasnostrd19 1 Flac  
25. 10/08/81 Meadowlands Arena - East Rutherford, NJ B+ Conversion = 2nd gen cassette>Pioneer Stand Alone Burner PDR-609>EAC> Soundforge 9.0>CD Architect 5.2>Wav>Flac 2 flac  
26. 11/02/81 MECCA Arena - Milwaukee, WI B++ Lineage: Unknown audience recording > cassette Transfer: Cassette > Harmon Kardon TD 302, heads aligned to tape > M-Audio Audiophile 2496 PCI soundcard > Audacity @ 24/48 for edits and tracking > Flac level 8 and checksums with traderslittlehelper > tagged with tag&rename > 24/48 conversion to 16/44.1 with dBpoweramp. March 2020 - arfarf 2 flac  
27. 12/01/81 Wembley Arena - London, England A   1 flac  
28. 02/10/82 Ahoy - Rotterdam, Netherlands a- There are so few from the Time tour that are worth even keeping this is one a- might be a little too good but its an ok recording and glad to have it 2 flac  
29. 02/13/82 Festhalle - Frankfurt, Germany B++ Lineage: MC copy from master: Sound Forge 6.0 ->High end polish, bass boost ->NR, track splitup ->Flac Frontend level 6, sectors aligned and verified.->Torrent 2 flac  
30. 02/18/82 Unknown - Lyon, France A- audience unknown lineage Trade cdr > EAC > FLAC This is a pretty good one and there are so few from this time period 2 flac  
31. 03/04/82 Sarrlandhalle - Saarbrucken, Germany B++ average ELO show 2 Flac  
32. 10/02/82 Ahoy Club - Rotterdam, Netherlands a- Rare show 2 flac  
33. 07/12/86 Unknown - Dortmund, Germany A- audience unknown lineage Trade cdr > EAC > FLAC 2 flac  
34. 07/13/86 Unknown - Stuttgart, Germany A Conversion = ? gen cassette>Pioneer Stand Alone Burner PDR-609>EAC> Soundforge 9.0>CD Architect 5.2>Wav>Flac Sound Quality about 7 out of 10 azimuth aligned sorry no artwork samples to be provided A Bargain Basement Tape Production ELO in the 80's the boots were less than to be desired this one nhowever is one of the best I have come across 1 flac  
35. 07/13/19 Wells Fargo Center - Philadelphia, PA AA source : microtech gefell m21 > nbob active cables > nbox platinum > sony m10 > 24/48 wav adobe audition > ozone advanced 8 > xact 2.45 > flac 16/44.1 2 flac  

Electric Light Orchestra Part II  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/03/00 Frontier Days Festival - Arlington Heights, IL 8.5 NAGRA IV-S MASTER RB Recorder: Nagra IV-S Reel to Reel analog: http://home.comcast.net/%7Eanalog414/4s.gif Tape: Scotch 3M-967 good for 48.30 minutes Mics: AKG 414 (48 volts in Nagra) Played back on identical machine> Pre-amp: Naim 52 CDR Recorder (Stand Alone): Panasonic CDR-??? (My first ever burn, friends cdr unit). CDR: Taiyo Yuden Memorex 74-DA PC Drive: UltraPlex40max SCSI EAC>FLAC>To You Guys, enjoy, RB 2 Flac  
2. 11/15/03 Estadio Mapacho - Santiago, Chile AA Lineage: Radio > MZ- R701 > PC >Ad. Audition> CD WAVE EDITOR> FLAc 2 flac  

Elkie Brooks  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/08/77 Green Golders Hippodrome - London, UK A FM > Cassette > Audacity (track split) > Traders Little Helper (FLAC Level 8) > TTD This one has got a little bit of hiss on it, but otherwise it's a decent recording considering the age of the tape. She started out on a solo career when she was 15 or so with not very much success. Then she formed Vinegar Joe (along with the late, great, Robert Palmer and her ex-husband Pete Gage) and went solo again when they split up in 1974. Pearl's a Singer is probably her best known single. Recorded by harryh using a Phillips cassette recorder. 1 flac  

ELO Tribute Show  
  Date Venue - City, State Sound Rating Notes Media  
1. 08/29/23 Woodbridge High School - Woodbridge, NJ A Lineage: Zoom H2 (120 degree mic pattern) > WAV (onto SD card) > Nero wave editor (trim & fade end tracks) > Cool Edit Pro (balanced channels, then volume boost, hard limited to -0.1dB) > Trader's Little Helper (sb-aligned) > FLAC 2 flac  
2. 07/23/24 Woodbridge High School - Woodbridge, NJ A+ Lineage: Zoom H2 (120 degree mic pattern) > WAV (onto SD card) > Nero wave editor (trim & fade end tracks) > Cool Edit Pro (balanced channels, then volume boost, hard limited to -0.1dB) > Trader's Little Helper (sb-aligned) > FLAC 2 flac  

Eloy  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/19/73 Zur Grille - Minden, Germany A source: audience recording by "Herb Smith" as "WILLIAM TELL EDITION" 029 UHER 714 Reel to Reel Deck > Quelle Single Cardioid MicMaster Reel transfer: Sony CDR-W66 Standalone CD Burner w/"super bitmapping on" > CDR > Plexwriter Premium II CD-Transport > iMac 3.06 GHz Intel Core Duo with iTunes 9.2.1 into WAW > DVDR > WAV > TLH > FLAC 1 flac  
2. 12/27/74 Grille - Minden, Germany AA source: audience recording provided by "Herb Smith" (from original taper with his consent) as "WILLIAM TELL EDITION" 064 Sony ECM 100 or 101 Mic > (Monacor) Tape > Sony TC 377 Reel 2 Reel Deck transfer: Master Reel > Revox A 77 > Teac GE-20 EQ > DAT Panasonic SV 3700 > Micromega Professional Solo-3 CD Recorder> CDR > Plexwriter Premium II CD-Transport > iMac 3.06 GHz Intel Core Duo with iTunes 9.2.1 into WAW > DVDR > WAV > TLH > FLAC 1 flac  
3. 03/29/75 Underground - Bonn, Germany A source: audience recording by BORIS lineage: audience cassette (2nd gen) with azimuth correction, no dolby -> 24bit wavelab with waves EQs -> wav 16bit -> flac frontend sound sample provided in comments section 2 flac  
4. 10/12/75 Morgens um 7 - Hamm-Sieg, Germany A source: audience recording, a bit muffled but ok for the age, and it's Stereo, too remastered by Wannerl: - pitch correction (-11 cent) - balance adjusted - click removal - treble enhancement 2 flac  
5. 03/15/77 Muzikhalle - Hamburg, Germany a- "DAWN" - tour source: audience recording checked for losslessness w/ TLH note by KSISIT: had 6 different versions in stock and grabbed out the best sounding of the lossless ones. have also a crystal-clear sounding version but only in mp3 format. other versions were seeded among others by LONGTALLERIC and BLOOP2000. date and venue confirmation see attached ticket stub. note by FBAUER: this is the best sounding version - but not tracked correctly (see times below) 2 flac  
6. 03/06/78 Rosengarten Mozartsaal - Mannheim, Germany A source: audience recording, transferred by KSISIT in 2013 checked for losslessness w/ TLH 1 flac  
7. 03/11/79 Neue Welt - Berlin, Germany A   2 flac  
8. 03/19/79 Sporthalle - Cologne, Germany A   1 flac  
9. 03/21/79 Saarlandhalle - Saarbrücken, Germany 8 Mastered by Roughcut. Artwork by Mc-Merc. Lineage: Unknown generation cassettes > Sony TC-WE475 > SB X-FI Platinum > Guitar Tracks Pro 3.0 > TLH > Flac Notes from Roughcut: The show must have originally been recorded on 90 minute tapes. But, my tapes are 60's. There was plenty of overlap, so I could make those interruptions disappear. There was an original tape flip at 42:41. At 58:18 tape 2 ends, the beginning of tape 3 seems to be defective, until 62:00. I did 2 transfers of the tape side, I could not improve the quality of that section. At 62:00 the sound returns to normal. There were breaks at the encores, ( probably original tape flips ). I put fades there. No EQ, No noise reduction. 2 Flac  
10. 05/15/79 CCH Halle - Hamburg, Germany a- Has pops and clicks but its Eloy and there are not many 1 flac  
11. 10/15/80 Stadthalle - Offenbach, Germany A source: audience recording in a "B" quality by KLAUSB source and lineage unknown dropouts removed w/ Adobe Audition by FBAUER in 12/2011 checked for losslessness w/ TLH 2 flac  
12. 10/18/80 Konrad-Frey-Halle - Bad Kreuznach, Germany A source: Unknown Generation Cassettes > Sony TC-WE475 > SB X-FI Platinum > Guitar Tracks Pro 3.0 > TLH > FLAC > Nero Wave Editor > FLAC checked for losslessness w/ TLH Mastered by ROUGHCUT. 2 flac  
13. 04/26/82 Rhein-Mosel-Halle - Koblenz, Germany a- source: audience recording in a "B" quality by DRWIPP beyer mics > uher report stereo 210 > mc > dat > ? > cdr retracking and tracknames in 04/2011 by FBAUER checked for losslessness by DRWIPP's personal confirmation: the lossy look-alike is caused by denoising at first transfer. upload with permission by the dimemods, screenshot of frequency analysis attached. 2 flac  
14. 05/04/82 Meistersingershalle - Nuernberg, Germany A "COSMIC PLANET" - tour source: audience recording Aiwa HS-F2 portable recorder & Aiwa CM30 external microphone Sony Tape Recorder > TDK-Cassette > Onkyo Tape Deck > Wavelab > TLH tracknames by LUCIFERBURNS in 2013 2 flac  
15. 05/13/82 Metropol - Berlin, Germany A source: mix of SBD and AUD tracks source and lineage unknown retracked and renamed by FBAUER in 12/2011 checked for losslessness w/ TLH note by REDHOUSE1: This is a compilation from an incomplete soundboard and an incomplete audience recording. Sound quality equals (even in the SB parts which were recorded using automatic levelling) the recently uploaded Koblenz show from the same tour. So, don't expect high end quality ;o) 2 flac  
16. 04/29/83 Ruehrersaal Halle - Nuernberg, Germany a- "PERFORMANCE" - tour source: audience recording checked for losslessness w/ TLH correct tape speed checked 2 flac  
17. 05/12/83 Quartier Latin - Berlin, Germany A source: audience recording lineage unknown checked for losslessness w/ TLH 1 flac  
18. 06/06/83 Bataclan - Paris, France a- source: audience recording checked for losslessness w/ TLH 2 flac  
19. 06/15/83 Unknown - Paris, France AA source: FM recording out of the collection from KLAUSB 1 flac  
20. 05/25/84 Leine Domicil - Hannover, Germany A source: audience recording transfer: Sony-Tape-Recorder > TDK-Cassette > Onkyo-Tape-Deck > Wavelab > TLH 2 flac  
21. 05/27/84 Marquee - London, UK A source: audience recording transfer: first generation tape > Magix Audio Lab > Wav > DBpoweramp > flac 2 flac  
22. 05/28/84 Marquee - London, England A source: audience recording taper and lineage unknown speed corrected by FBAUER in march 2011 1 flac  
23. 09/27/84 Maxim - Stuttgart, Germany A source: audience recording This concert was taped with a Toshiba-walkman (don't know what kind of Toshiba it was) and an unknown microphone clipped on the walkman. Master - Audience recording from old Maxell UD C-90 Tapes (BIbER master-series #020) 2 flac  
24. 11/27/94 Unknown - Köln, Germany A source: audience MD recording in an "A-" quality disc from trade was total in disorder - new sequence according to the audience video sound sample provided in comments section 2 flac  
25. 04/09/95 Zeche - Bochum, Germany AA source: audience recording by KLAUSB CD1 tr#7, CD2 tr#2 + #3 dropouts removed w/ Adobe Audition CD2 right channel volume +3db w/ Adobe Audition CD2 gentle high boost equalizing w/ Adobe Audition trackmarks by FBAUER in 11/2011 checked for losslessness w/ TLH 2 flac  
26. 04/09/95 Zeche - Bochum, Germany A source: audience recording by KLAUSB CD1 tr#7, CD2 tr#2 + #3 dropouts removed w/ Adobe Audition CD2 right channel volume +3db w/ Adobe Audition CD2 gentle high boost equalizing w/ Adobe Audition trackmarks by FBAUER in 11/2011 checked for losslessness w/ TLH 2 flac  
27. 07/17/11 Burg Herzberg Festival - Breitenbach, Germany a- A Starmelt99 Magic Point Stealth And Blind Audience Recording MASTER Aiwa DS-5 (Charlotte Sometimes (Fortunately In Good Mood)) - Zoom H2 (Still In Fast-Eddie-Modus) (16Bit 44.1Khz) - USB - HD Amplification - Tracking - Flac Edits : Fade In , Fade Out , Amplified L 8.33db R 6.46db , Nothing else was done All Parts Containing Music , Myself or the Audience were left UNTOUCHED besides Amplification 2 flac  
28. 01/23/13 Gloria - Cologne, Germany A+   2 flac  
29. 01/24/13 Ringlokschuppen, - Bielefeld, Germany A Rec. Info: OKM2R -> Zoom H2n (at WAV 16/44) -> SD -> HD -> Audacity (edit/remaster) -> WAV 16/44 -> TLH8 -> FLAC -> DIME -> YOUR EARS AND MIND...ringing the big bells in Paris! Recorded by yours truly at 2nd row a bit left of center stage, facing the HUGE keyboard tower of Mr. Folberth. Overall indoor sound was a bit uneven, and I might come out as a pisser, but the really "old" tracks didn't get much volume output, instead of other 80/90's tunes. I've this recording a bit (took me 5 hours), but just a bit. This was way too bass heavy, so I cleaned that just a little. Ok, enough of little bits. Not my best recording, but far from my worst. A few crappy pics from my cheap camera included as well... 2 flac  

Elton John  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/26/70 Music Hall - Cleveland, OH A-   1 flac  
2. 10/11/71 Koseinenkin Hall - Toyko, Japan AA   2 flac  
3. 02/05/72 Royal Festival Hall - London, UK 8.5 Royal Festival Hall, London, England February 5, 1972 (sleeve erroneously says 3 March, 1971 http://www.eltonography.com/albums/unauthorized/index.html) *second orchestral show Tittle: Concertstück Label / Catalog: Super Sonic - SS2000012 Released: 2000 Type: SBD Quality: A Lineage: Silver CD -> WAV Exact Audio Copy -> FLAC Trader's Little Helper 1 Flac  
4. 05/03/72 University of Notre Dame - South Bend, IN A   1 flac  
5. 10/20/72 Seattle Center Coliseum - Seattle, WA 7.5 Lineage: Master Reels>Tandberg Model 11>Wavelab 96/24>wav 44.1/16>flac Taping Gear: Uher R2R deck, Sony ECM-22P mic Taped and Transferred By: JEMS 1 Flac  
6. 11/13/72 Scope Auditorium - Norfolk, VA 8 Elton John - Mega-rare restored LP "Live (CBM)", Scope Norfolk, VA 1972-11-13 and Hwd Bowl 1973-09-07 AUD - Speed corrected and rejoined (mp3 sample included) great show This album has never sounded better, and for once you can actually hear it properly. From a mint, fairly well-pressed copy (well, as well-pressed as CBM ever was, which is terrible) this album has been shaken, stirred and EQed to squeeze as much sound out as possible. For those of you unfamiliar with this particular performance, Elton's guitarist Davey Johnstone was laid up in a New York hospital with a bad tooth abcess and the band is now playing as a trio. This performance is stellar! There's also an additional track thrown in from the Hollywood Bowl from the following year. A very small amount of noise reduction was used in order to quiet the snowstorm apparent between tracks. A very complex EQ was used in order to clarify the performance. Fades were applied wherever deemed necessary. This album ran way too fast. It's now been pitched properly. Grab it! Lineage: CBM LP -> Audacity ->Sound Forge 11.0 ->Glitch removal ->Click and crackle removal ->Independent normalization of channels ->"Dead space" noise reduction ->Apply fades, remove silence between tracks ->Complex EQ ->FLAC via TLH, level 6, sectors aligned and verified 1 Flac  
7. 04/14/73 Palazzo Azzarita - Bologna, Italy 7.5 Source: Audience Recording Lineage:AUD > Master Cassette(?) > .wav > .flac This concert was first released on YouTube by Sergio Pigo on November 10, 2022. Many people from Elton John's community requested a lossless file, and the taper kindly agreed and shared his tape in lossless format. This tape contains one of the earliest performances recorded in 1973 during Elton John's 'Don't Shoot Me I'm Only the Piano Player' tour. Elton John performed in Italy for the first time, as they couldn't play there the previous year (1972) due to cancellations. During this era, 'Goodbye Yellow Brick Road' was in its very early creative stages. The tape itself is most likely taken from a Master tape (Still unknown if it is). The taper insists that he recorded it on a "musicassette by a little portable recorder" in his own words. One fascinating aspect of the concert was the evolution of the song 'Love Lies Bleeding.' Originally intended as a separate composition from 'Funeral For a Friend,' it was later fused musically, resulting in the powerful combination we know today. The lyrics underwent significant changes during this period, with lines such as 'Everything about this house, have to live and die,' 'Oh, it was only about a year ago to this very day,' and 'Well, it kills me to think of you with another man.' The song 'Candle In The Wind' also evolved during this time. One fan, Anna, shared her memories of the show, recalling the magical moment when Elton John emerged from the 'lion's den' - the ladder from which the performers ascended onto the stage. Clad in a multicolored cape that cascaded down to his feet and adorned with a magnificent basket of flowers in the shape of an inverted cone on his head, Elton John epitomized the flamboyance and theatricality for which he became renowned. Anna also marveled at his ever-changing glasses, which she described as incredible and colorful, mirroring the vibrant personality that shone through his music and fashion choices. This concert is very special because it is the only recorded concert from the entire tour before the 'Goodbye Yellow Brick Road' tour! Happy 51th anniversary of this show! 1 Flac  
8. 08/31/73 Seattle Center Coliseum - Seattle, WA a- Lineage: Master Reels>Tandberg Model 11>Wavelab 96/24>wav 44.1/16>flac Taping Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic Taped and Transferred By: JEMS 2 flac  
9. 09/07/73 Hollwood Bowl - Los Angeles, CA B++   2 flac  
10. 12/22/73 Hammersmith Odeon - London, England AA Lineage: PRE-FM Reels>CDRW>CDWAV>masterCDR>WAV>FLAC 2 flac  
11. 02/02/74 Budokan Hall - Tokyo, Japan A Lineage: Silver CD>EAC>WAV>TLH>FLAC 2 flac  
12. 09/29/74 Civic Center - Baton Rouge, LA A CD>EAC>You 2 flac  
13. 10/05/74 The Forum - Inglewood, CA a- Lineage: Matrix EJ 1372 ->speed correction on turntable->click and crackle removal ->glitch cleanup-> FLAC via TLH, level 6, sectors aligned and verified, FLAC integrity checked. 1 flac  
14. 10/12/74 Seattle Center Coliseum - Seattle, WA a- Recording Gear: Sony ECM-22P Microphone > Tandberg Model 11 Portable Reel to Reel JEMS 2021 Transfer: Mono Master reels > Otari MX-5050 w/full track mono head stack > Sound Devices USBPre 2 capture (24/96) > iZotope RX and Ozone > Peak Pro 6 (post production) > xACT > FLAC 2 flac  
15. 10/13/74 Seattle Center Coliseum - Seattle, WA A- CASSETTE AUD MASTER > 2ND GEN CASSETTE > M-AUDIO TRANSIT > COOL EDIT > CD WAVE EDITOR > FLAC 2 flac  
16. 11/20/74 Boston Garden - Boston, MA A AUDIENCE ANALOG MASTER>CDR>EAC>FLAC 2 flac  
17. 11/20/74 Boston Garden - Boston, MA A A Joe Maloney Master Recording Transferred and Presented By Krw_co NEW 2018 TRANSFER LINEAGE AUDIENCE ANALOG MASTER CASSETTE>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) 2 flac  
18. 11/28/74 Madison Square Garden - New York, NY AA Soucre: DSBD Conversion: Liberated Boot CD>EAC>WAV>MKW>SHN 1 flac  
19. 12/24/74 Hammersmith Odeon - London, UK A   2 flac  
20. 06/21/75 Wembley Stadium - London, England a-   2 flac  
21. 09/29/75 Sports Arena - San Diego, CA AA Mike Millard Original Master Tapes via JEMS 1644 Edition The Lost and Found Mike the MICrophone Tapes Volume 28 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder JEMS 2020 Transfer: Mike Millard Master Cassettes > Nakamichi RX-505 (azimuth adjustment; Dolby Off) > Sound Devices USBPre 2 > Audacity 2.0 capture > iZotope RX6 > iZotope Ozone 6 > MBIT+ resample to 16/44> Audacity > TLH > FLAC 2 flac  
22. 10/16/75 Seattle Center Coliseum - Seattle, WA a- Source: Audience Lineage: Master Reels @ full track mono>Tandberg Model 11>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac Taping Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic Taped and Transferred By: JEMS 2 flac  
23. 10/17/75 Seattle Center Coliseum - Seattle, WA a- Source: Audience Lineage: Master Reels @ full track mono>Tandberg Model 11>Wavelab 96/24 1ch mono>wav 44.1/16 2ch mono>flac Taping Gear: Tandberg Model 11 R2R deck, Sony ECM-22P mic Taped and Transferred By: JEMS 2 flac  
24. 07/04/76 Schaefer Stadium - Foxboro, MA B+ Quality sound: POOR Audience, not very good quality but it´s all i´ve got. Source: Unknow > WAV > Flac8 Date: 1976-07-04 - Foxboro 2 flac  
25. 08/03/76 Cincinnati Gardens - Cincinnati, OH B+ Distant analogue recording, but with some EQ tweaks this is an enjoyable listen. 1 flac  
26. 08/15/76 Madison Square Garden - New York, NY A Source: Audience Recording Lineage: ?>CDR>WAV>FLAC8 Artwork: Yes 3 flac  
27. 09/17/76 Playhouse Theatre - Edinburgh, Scotland AA FM > ? CDR > EAC > WAV > TLH > FLAC 2 flac  
28. 12/24/76 Hammersmith Odeon - London, England AA PRE-FM Reels>CDRW>CDWAV>masterCDR>WAV>FLAC 2 flac  
29. 05/07/77 Rainbow Theatre - London, England AA Source: SBD > ? > Silver CDs > CDR > WAV (EAC) > FLAC Bootleg Title: "Rainbow Rock" Excellent SBD recording 2 flac  
30. 11/03/77 Wembley Empire Pool - London, England A+   2 flac  
31. 10/14/78 Century Plaza - Los Angeles, CA a-   1 flac  
32. 10/14/78 Century Plaza - Los Angeles, CA A Tittle: Return To The Century Label / Catalog: Shout To The Top - STTP125 Released: 2000 Type: SBD Quality: B++ (mono with hiss. the right channel is stronger than the left. cut and edit in "Rocket Man".) Lineage: Silver CD -> WAV Exact Audio Copy -> FLAC Trader's Little Helper 1 flac  
33. 03/10/79 Pavelló Joventud de Badalona - Barcelona, Spain B++ linage:master analog audio tape 2 flac  
34. 05/28/79 Russia Hotel - Moscow, Russia AA it could hardly be any better 2 flac  
35. 09/29/79 Universal Ampitheatre - Los Angeles, CA A Mike Millard First-Generation Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 153 Recording Gear: AKG 451E microphones (CK-1 cardioid capsules) > Nakamichi 550 cassette recorder JEMS 2022 Transfer: Mike Millard First-Generation Cassette made for Jim Ri > Nakamichi RX-505 (azimuth adjustment) > Sound Devices USBPre 2 > Audacity 2.0 capture 2496 > iZotope RX8 > iZotope Ozone 8 > MBIT+ resample to 1644 > Audacity > TLH > FLAC 2 flac  
36. 10/06/79 Universal Amphitheatre - Universal City, CA A+ Mike Millard First-Generation Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 179 Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder JEMS 2023 Transfer: Mike Millard First-Generation Cassettes > Nakamichi RX-505 (azimuth adjustment) > Sound Devices USBPre 2 > Audacity 2.0 capture 2496 > iZotope RX10 > iZotope Ozone 8 > MBIT+ resample to 1644 > Audacity > TLH > FLAC awesome 2 flac  
37. 10/16/79 Boston Music Hall - Boston, MA A Audience Stereo (most probably Nak Mics & Deck) Master Cassette > DAT > CDR > EAC secure > FLAC Nakamichi MR-1 > Tascam DA-20 > Tascam CD-RW900 Azimuth aligned; Dolby B decoded, no processing or EQ Total Time - 158:11 Thanks to FF for the cassettes Transfer and encoding by Steve Hopkins 2 flac  
38. 11/02/79 Tower Theatre - Philadelphia, PA B+ almost did not make it 2 flac  
39. 09/08/80 Maple Leaf Gardens - Toronto, ON A-   2 flac  
40. 09/13/80 Central Park - New York, NY A FM > unknown > FLAC 2 flac  
41. 09/19/80 Carolina Coliseum - Columbia, SC A-   2 flac  
42. 10/20/80 Memorial Coliseum - Portland, OR A- Lineage: ANA(M)>WAV [96kHz/24bit]>WAV [44.1kHz/16bit]>FLAC [Level 8] Transfer: Nakamichi CR-7A>PreSonus FireStudio Project>Adobe Audition 3.0>Cdwave editor>FLAC frontend 1.7.1 Taping Gear: Sony Mic>Sony TC-D5 Taped By: JEMS Transferred By: Mike Ziegler 2 flac  
43. 10/21/80 Seattle Center Coliseum - Seattle, WA A Lineage: ANA(M)>WAV [96kHz/24bit]>WAV [44.1kHz/16bit]>FLAC [Level 8] Transfer: Nakamichi CR-7A>PreSonus FireStudio Project>Adobe Audition 3.0>Cdwave editor>FLAC frontend 1.7.1 Taping Gear: Sony Mic>Sony TC-D5 Taped By: JEMS Transferred By: Mike Ziegler 2 flac  
44. 11/02/80 Convention Center - Anaheim, CA A+ Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 119 1644 Edition Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder Transfer: Mike Millard Master Cassettes > Nakamichi RX-505 (azimuth adjustment) > Sound Devices USBPre 2 > Audacity 2.0 capture 2496 > MBIT+ resample to 1644 > iZotope RX8 > iZotope Ozone 8 > Audacity > TLH > FLAC 2 flac  
45. 11/07/80 The Forum - Inglewood, CA B++ Mike Millard Master Tapes via JEMS The Lost and Found Mike the MICrophone Tapes Volume 204 16/44 Edition Recording Gear: AKG 451E Microphones (CK-1 cardioid capsules) > Nakamichi 550 Cassette Recorder JEMS 2023 Transfer: Mike Millard Master Cassettes > Nakamichi Cassette Deck 1 azimuth-adjusted playback > Sound Devices USBPre2 > Audacity 3.1 capture > iZotope RX > iZotope RX8 Advanced and Ozone 10 > MBIT+ resample to 16/44.1 > Audacity > xACT 2.50 > FLAC 2 flac  
46. 03/19/82 Hordern Pavilion - Sydney, Australia A   2 flac  
47. 04/30/82 Hovet - Stockholm, Sweden A-   2 flac  
48. 05/09/82 Vorste Nationale Centre - Brussels, Belgium A Lineage: Silver CD>EAC WAV>FLAC8 2 flac  
49. 05/17/82 Unknown - Unknown, Unknown A   2 flac  
50. 05/25/82 Tony Garnier Halle - Lyon, France B+   2 flac  
51. 05/29/82 Palais Des Sports - Nantes, France A-   2 flac  
52. 06/20/82 Irvine Meadonws - Irvine, CA A- source: nakamichi cm300 (cp1) > sony tcd-5m transfer from master cassettes taper: markp Bass reverb present still pretty good 2 flac  
53. 07/05/82 Arch Grounds - St. Louis, MO A Source: unknown Nakamichi mics > unknown reel to reel > cassette master > Sound Forge 8 > CD Architect 5.2 Notes: This was a free show at the 1982 VP Fair, under the Arch, in St. Louis, MO. I received a copy of this from a friend of the taper shortly after the show took place. The entire concert was recorded, but unfortunately, this is all that the taper would release. There were fades between some of the songs. Apparently, the taper only wanted to release certain songs. I took the liberty of fading the songs together (adding additional applause where necessary) to give the listener the impression of a contiguous recording. No EQ, compression, etc was performed on the recording. 1 flac  
54. 07/07/82 Starlight Theatre - Kansas City, MO A   2 flac  
55. 07/21/82 Capitol Centre - Largo, MD A LINEAGE FM BROADCAST ANALOG MASTER>NAKAMICHI DR-1>CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/48KHZ)>MAGIX AUDIO CLEANING LAB FOR TRACK MARKS AND EDITS WAV 16/44.1> TLH FLAC (LEVEL 8) 1 flac  
56. 07/25/82 Saratoga Performing Arts Center - Saratoga Springs, NY A Fm Broadcast CDR - Wav - Flac - MWP bofinken57 2 flac  
57. 08/07/82 Madison Square Garden - New York, NY A+ Taper : Steve T ''AKA'' Little Red Bag Editing : Joe D'Amico ''AKA'' Joebeacon Nak 300 W/CP4 Shootguns Mics > Sony D5 Master Tapes > Nak Dragon Tape Deck > Korg MR-1000 > Adobe Audition CS6 > Ozone 5 > Traders Little Helper 24/96 2 flac  
58. 11/02/82 City Hall - Newcastle upon Tyne, England A   1 flac  
59. 11/14/82 Empire Theater - Liverpool, UK A-   2 flac  
60. 11/18/82 Apollo Theatre - Manchester, UK A SONY TCS-310 cassette recorder (internal mic)-SONY PCM-A10-Adobe Audition/Audacity-CD Wave Editor. 2 flac  
61. 12/24/82 Hammersmith Odeon - London, England A Lineage - FM ----> Silver CD ("Leather Jacket Demos", bonus tracks are this show) -----> WAV (EAC) ----> FLAC (Level 8) 1 flac  
62. 12/??/82 Hammersmith Odeon - London, UK 8 XM Radio re-broadcast - CD Recorder - Magix (wave,track,increase volume) - CD-r - EAC 1 Flac  
63. 03/24/84 Sydney Entertainment Center - Sydney, Australia A Lineage: FM broadcast > n generation tape > Teac Tape Deck AD-RW900 > Creative Sound Blaster Audigy > HD > SoundForge 7.0 > CD Wave > FLAC Frontend (level 6) 2 flac  
64. 03/25/84 Sydney Entertainment Center - Sydney, Australia AA Lineage: FM broadcast > n generation tape > Teac Tape Deck AD-RW900 > Creative Sound Blaster Audigy > HD > SoundForge 7.0 > CD Wave > FLAC Frontend (level 6) 2 flac  
65. 04/30/84 Stockholm Isstadion - Stockholm, Sweden B++   2 flac  
66. 06/02/84 Sud West Stadium - Ludwigshafen, Germany A   2 flac  
67. 06/11/84 Teatro Tenda - Milan, Italy A Lineage: Master cassettes > Denon DRM-800 > Sony PCM-10 > WAV 24 bit 44.1 khz. Editing: tracking > Conversion to 16-bit/44.1khz > xACT > FLAC. I 2 flac  
68. 06/12/84 Teatro Tenda - Milan, Italy A Lineage: 1st gen cassettes > Denon DRM-800 > Sony PCM-10 > WAV 24 bit 44.1 khz. Editing: tracking > Conversion to 16-bit/44.1khz > xACT > FLAC. 2 flac  
69. 06/21/84 Playhouse Theater - Edinburgh, UK A-   2 flac  
70. 06/30/84 Wembley Stadium - London, UK a- Source : BBC Radio 1 broadcast > low gen cassette (courtesy of M.R. archive) Transfer : Zoom H4n (16/44) > Sound Forge (pitch, tracking & volume) > TLH (sbe aligned) Flac 8 Traders Den - January 22, 2021 pitched, tracked & posted by kingrue upload #2935 2 flac  
71. 08/10/84 Sporting club - Monte Carlo, Monaco A   1 flac  
72. 08/19/84 Sports Arena - San Diego, CA 8 Source : Sony ECM-939LT mic > Sony WM-D6C (Maxell XLII) Marco Moir Master Series Vol.107 Transfer : Nak BX-300 > Sony PCM M10 (24/48) CD Wave Editor > Transferred & tracked by Wes Meyette Editing : Sound Forge (volume) > Wave > dBpoweramp Flac 8 by kingrue Uploaded By; "Lucifer Burns" 2 Flac  
73. 09/18/84 St. Paul Civic Center - St. Paul, MN A-   2 flac  
74. 09/28/84 The Summit - Houston, TX A-   2 flac  
75. 11/03/84 Centrum Arena - Worcester, MA 8.5 Bill Graham Archives 1 Flac  
76. 11/04/84 The Centrum - Worcester, MA A Westwood One presentattion WAAF 107.3 FM live radio broadcast (not pre-recorded) > Sansui 8 reciever with wire FM antenna > unknown average quality cassette deck (dolby off) > Maxell XLII 90 min. master cassettes > (tracks 17-28 are 2nd gen copy, all from same master source) played on Nak. 300 into soundforge (wav) > flac (sb's aligned) > torrentially yours. a this and that production. (it's just missing a little of that, but not by my choice.) do not sell this recording. Share freely, losslessly and gaplessly. 2 flac  
77. 11/12/84 Madison Square Garden - New York, NY A- -Last show with Dee Murray on bass guitar. He died in 1991. -Last show with Nigel Olsson on drums until 2000. -Last show of the Tour Audience recording - Very good quality Unknow > CD > FLAC8 2 flac  
78. 10/12/86 Hollywood Bowl - Hollywood, CA A+ Source - Soundboard Lineage - Silver 2CD set ("Don't Dream It's Over...It's Starting Again") ----> EAC ----> WAV ----> FLAC (Level 8) 2 flac  
79. 11/17/86 Sports and Entertainment Center - Melbourne, Australia A Bough on cdr from Bob Shandoor This is the whole recording of this show from broadcast, sounds a little hissy but pretty good. 3 flac  
80. 10/22/88 Madison Square Garden - New York, NY a-   2 flac  
81. 08/02/89 Great Woods Center for the Performing Arts - Mansfield, MA A lineage: soundboard > ? > Maxell XLII cassette copy (probably 2nd or 3rd gen.) > played on tascam 112 with pitch adjustment into soundforge (wav) > flac (sb's aligned) > torrentially yours. 2 flac  
82. 08/20/89 Shoreline Ampitheatre - Mountain View, CA a- LINEAGE AUDIENCE ANALOG MASTER>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV(24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV(16/44.1KHZ)>TRADERS LITTLE HELPER FLAC (LEVEL 8) 2 flac  
83. 08/30/92 Dodger Stadium - Los Angeles, CA a- Lineage: Original Pro CD-Rs > XLD (secure and accurate ripper) > FLAC 2 flac  
84. 10/30/92 Oakland-Alameda County Coliseum - Oakland, CA A- LINEAGE AUDIENCE ANALOG MASTER>NAKAMICHI DR-1 (W/MANUAL AZIMUTH ADJUSTMENT)> CREATIVE SOUNDBLASTER X-FI HD MODEL #SB1240 WAV (24/96KHZ)>MAGIX AUDIO CLEANING LAB FOR KRW TRACK MARKS VOLUME ADJUSTMENT AND EDITS>WAV 16/44.1>TRADERS LITTLE HELPER FLAC (LEVEL 8) 2 flac  
85. 05/13/93 Earls Court Arena - London, England AA Source: Soundboard ("Mixing Desk" per liner notes) Lineage: Silver CD>EAC WAV>TLH FLAC 8 Artwork: Yes 2 flac  
86. 05/30/95 Palasport - Bologna, Italy a-   2 flac  
87. 04/21/98 Target Center - Minneapolis, MN A cdr bob shandoor - wav - flac8 - mwp bofinken57 Quality A++ Audience DAT Clone Great 2 flac  
88. 05/08/98 Lakewood Amphitheater - Atlanta, GA A+ audience>unknown recorder>trade>flacs 2 flac  
89. 05/15/98 Fleet Center - Boston, MA a-   3 flac  
90. 11/19/98 Koln Arena - Cologne, Germany a- audience>unknown recorder>flacs 2 flac  
91. 11/27/98 Evening News Arena - Manchester, England A xcellent digital audience recording. Shortly before the Nynex changed it's name to the Evening News Arena. Two sources, lineage unknown. Great Balls Of Fire omitted due to digital click. 2 flac  
92. 04/18/00 War Memorial Auditorium - Syracuse, NY A cdr from bob shandoor - wav - flac8 - mwp bofinken57 in 2014 3 flac  
93. 11/12/01 Castle Hall - Osaka, Japan A+ Lineage:Unknown > CDR > PC > FLAC Level 8 2 flac  
94. 06/25/02 Schoenbrunn - Vienna, Austria AA Source : Digital Audience Recording > CD-R (courtesy of M.R. archives) Editing : Soundforge (volume adjustment) > Wave (EAC tested) > TLH (SBE aligned) Flac level 8 2 flac  
95. 11/04/06 Air Canada Centre - Toronto, ON a- Core Sound Cardiods > Sound Pro. Preamp > Gmini 402 > Pc Soundforge 7 & cdwav for editing and fades etc... Recorded and processed by BurnBoy 2 flac  
96. 11/11/06 Bell Centre - Montreal, QC 8.5 Source: AUD > Trade CDR > EAC(Secure) > WAV > FLAC8(TLH) 2 Flac  
97. 03/25/07 Madison Square Garden - New York, NY AA Silver>?>Exact Audio Copy>Flac>to You Soundboard Scanned Artwork Included 3 flac  
98. 06/01/07 Odyssey Arena - Belfast, Ireland A Transfer: MiniDisc Master Transfer > Peak Pro 6 (pre-production) > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.39 > FLAC 2 flac  
99. 11/02/07 Caesar's Palace - Las Vegas, NV A (MRDR Master Series Volume 101) Recording: Sony ECM717 > Sony MZ-R700 MD Transfer: MiniDisc Master > .wave > iZotope RX / ozone 5 / 9 (mastered / edited) > xACT 2.39 > FLAC 2 flac  
100. 02/28/08 Cumberland County Civic Center - Portland, ME A+ Taper: Walkin' Dude Location: Left side of floor, 24 rows back Source: SP-CMC-8 > SP-SPSB-8 @95Hz > Edirol R-09 @ 24/48 Transfer: .wav @ 24/48 > Sound Forge > CD-WAV/FLAC v1.7.1 > .flac 2 flac  
101. 04/13/08 Washington State University - Pullman, WA 8 Notes (April 2025): -no previous record of this recording on dime or TTD -based on how the files were originally named I think I downloaded these files in 2022 through a link provided by a trader on guitars101 to their collection of Elton John recordings (I forget who this person was) -the trader probably did not record this -I recall that many of the recordings in the link provided by this trader had lossy lineage and/or were remastered by them, but these files are definitely lossless and I don't think this is remastered -the files were originally organized in two CD folders, named as "EJ0", "EJ1", etc. with the indexing starting from 0 and were without an info sheet or checksum -to satisfy dime's rules for file name indexing, I renamed the files as 01,02, etc., then put them in a single folder and made a ffp checksum -upon trying to reverify the checksum I created, I got errors of "failed verification (checksum in file header matches, but checksum of audio data does not match)." -according to this TTD thread (http://www.thetradersden.org/forums/showthread.php?t=134069), the issue is basically that the flac files from the trader didn't have a standard flac file header due to the program they used (perhaps to encode the WAV files from a CDR rip to FLAC?) but the audio itself was fine -my solution was to convert the files to WAV and then back to FLAC with TLH, and now the ffp checksum I create actually works 2 Flac  
102. 12/01/10 Forest National - Bruxelles, Belgium 9 Equipment: SP-CMC-8 microphones + Edirol Ro-09 The sound is excellent. Lineage: Edirol RO-09 > SD card > USB > harddisk Editing: Soundforge 4.5 + plugins using the Sonic Maximizer process / SEKD Red Roaster. Recording: Old Dutch Master Editing: Reel Records 2 Flac  
103. 11/09/13 Dunkin Donuts Center - Providence, RI 9 Taped, Transferred, and Shared by opsopcopolis Lineage: Sony ECM-907 > Tascam DR-05 > WAV > xACT > FLAC Needs volume boost 2 Flac  
104. 11/27/13 Wells Fargo Center - Philadelphia, PA A Schoeps MK41V's>Schoeps KCY 250/05I>Schoeps VST62IU>Marantz PMD661MKII (Oade Concert Mod) Recorded at 24/48 from Section 2 Row 12 PCM-M10>Soundforge Pro 11(Fades,iZotope 64 Bit Sample Rate Conversion/iZotope MBIT+ Bit depth conversion to 16 Bit/44.1khz)>CDWAV(Tracking)>Trader's Little Helper (FLAC) 2 flac  
105. 12/03/13 Madison Square Garden - New York, NY A Recorded by: Mr. Railing Source: AT943cards>SP-SPSB-10>MM-AT-1>H2n(24/48) Transfer: wavelab>r8b>cdwav>TLH(8)>flac Location: First row upper level behind/side stage, mics split 2ft placed on top of signage over plexiglass barrier on ledge 2 flac  
106. 12/04/13 Madison Square Garden - New York, NY A Lineage (TSS_Killer): Live sound output > Sound Professionals SP-BMC-2 mini binaural microphones w/ SP-EMC-1 croakie mounts > Microphone Madness MM-CBM-Mini miniature battery module > Roland R-05 (PCM @ 96/24) w/ a Sandisk 16GB Class 4 SDHC Card > PC via USB > Reaper (x64) > FLAC Lineage (inu-liger): FLAC > foobar2000 > WAV > Goldwave (volume normalization - max 2dB, fade in/out, track-splitting) > WAV > Adobe Audition 1.5 (minor glitch repair) > WAV > foobar2000 (with down-conversion to 44.1/16) > FLAC (Level 8) 2 flac  
107. 03/13/14 American Airlines Center - Dallas, TX A Recorded from the lower level, side stage (stage left) five rows up, directly under the speaker bank. Church Audio CA-14 > CA-UGLY PreAmp > Edirol R-09HR > SoundSaver for INport > Trader's Little Helper > FLAC Excellent, clear recording with minimal audience noise 2 flac  
108. 12/06/14 Barcelona Palau Sant Jordi - Barcelona, Spain 8.5 SOURCE: aud master recording QUALITY: 9- LENGHT:2h.30m.26 sec. LINAGE:WAV>PC>AUDACITY>CD WAVE EDIT>TLH>FLAC (8) EQUIPEMENT:EDIROL R-09 HR WITH EXTERNAL SONIC STUDIOS MIC. SITUATION:RECORDED ON THE PRESS AREA-202 ROW 28-SEAT 20 COMENTS: Another show from my private collection "Barcelona concert series".This show was recorded last night in Barcelona from the press area.There's not much to coment, nice show maybe the sound was a litle down in my opinion.Hope you enjoy the show.recorded and edited by carbobueno pictures by carbobueno (c). 2 Flac  
109. 12/31/14 Barclays Center - Brooklyn, NY A- Lineage: CA-14 (cardioid) > Sony M10 (24/44) > Audacity > TLH > FLAC 6 > foobar2000 (FLAC tags) 2 Flac  
110. 08/09/15 Outside Lands Music & Arts Festival - San Francisco, CA A Recorded by Hurricane Uploaded by Daspyknows Recorded from VIP section schoeps MK4Vs > tiny box > edirol R-09HR Received tracked files in 24 bit 48K aiff format. Converted using dbPoweramp to Wav Minor renaming, created md5 file and converted to flac using tlh Treasure Chest 2 flac  
111. 11/16/15 Osaka-Jou Hall - Osaka, Japan 9.5 Recording + Remastering Info MK4>Nbox+>Izzy Stereo Cables>Sony M-10(24bit/98kHz, line-in, Rec Level 4.0)>PC Wav Files (24bit/98kHz)>Transferred to Sound Forge Ver.10 Files (track split/Click&Crackle/Normalized/Dithered Down 16bit/44kHz)>Transferred to FLC files by TLH <<<<<<< NO EQ! NO COMPRESSION ! >>>>>>>> 2 Flac  
112. 12/19/15 sydney entertainment Center - Sydney, Australia A Source: Zoom H4 internal mics > sandisk pro SD extreme card > 16 bit/48kHz PCM WAV > MediaMonkey 4.1.31 Flac level 8 > SoundForge Audio Studio 12.6.0.361 song split Final concert ever held at Sydney Entertainment Centre which was demolished in January 2016. Elton played 46 shows there. The final song played Crocodile Rock is missing from this recording due to a stage rush as Elton returned to the stage. My recording accidently stopped in the mayhem. 2 flac  
113. 02/07/16 Olympia - Paris, France AA FM broadcast NDR 2 (Germany), 04.04.2016 lineage: Harman Kardon AVR 11 (cable) -> Realtek HD Audio -> AIMP-2 Recorder -> stream (flac level 8) -> edit, rework of gaps, reconstruction (begin) of two tracks (track 1, 11) and split with Audacity 1.3 -> tracks (flac level 8) -> final tag with foobar 2000 2 flac  
114. 03/23/16 Van Andel Arena - Grand Rapids, MI 9 Lineage: Roland R-05 (PCM @ 96/24 w/a Sandisk Class 4 32GB Class 10 SDHC Card > PC via USB > Audacity > Downsample to 44.1/16 > AIFF > Garageband (track splitting and EQ work) > AIFF > FLAC > DIME > You a little distant 2 Flac  
115. 05/26/16 Yarkon Park - Tel Aviv, Israel 8 First night of the "Wonderful Crazy Night Tour 2016" Source: Galgalatz 91.8 FM Radio Broadcast Lineage: FM -> Zoom H1 -> WAV (16bit, 44.1 kHz) -> PC -> Audacity -> TLH -> FLAC 2 Flac  
116. 07/12/16 Anfiteatro Romano - Pompei, Italy A If there was no comment by the Italian djs this would be rated much higher a Live and Direct FM radio broadcast by "Radio2Live", Radio2 RAI [second channel of italian national radio] from Anfiteatro Romano in Pompei, Italy, on monday 12 July 2016, 21:02 hours [CET] and that's the same settings where Pink Floyd shot "live at pompei" The usual band include Davey Johnstone (Musical Director, Guitars, Mandolin, Banjo, Vocals), Kim Bullard (Keyboards), Matt Bissonette (Bass and Vocals), John Mahon (Percussion and Drums, Vocals), Nigel Olsson (Drums and Vocals) WARNING: in italian radio customes the DJ speaks a lot in-between songs. And I mean a lot.. His/Her purpose is to introduce songs with bits of bio and translate what the artists say, or to describe to radio listeners what's happening on stage. It may gets VERY annoying, and trust me it does, thus we might consider this recording ONLY FOR COMPLETISTS. But the songs, the actual music, are (usually) not spoken over in the middle of them. It has to be noted that italian djs are on the whole adviced to talk that much by the same record companies to prevent bootlegging. there is a small signal droput along the set Lineage (FM > Hard Disc > web): ITT HiFi4060 Tuner > Audacity 2.0 via Asus A7S333 C-Media CMI8738/C3DX soundcard > 44100hz/16bit .aup > flac's (level 8) > webtorrenting folder size : 870 mb 2 flac  
117. 09/11/18 Wells Fargo Center - Philadelphia, PA AA Source: Shure MV88 > iPod Touch 6g (Shure Motiv app) Transfer: wav file (via iTunes file sharing) > Sound Studio (16/44.1) > xACT > FLAC (level 8) Recording location: Section 123 Recorded by: Tapehead2 2 flac  
118. 10/18/18 Madison Square Garden - New York, NY A very good 2 flac  
119. 12/14/18 American Airlines Center - Dallas, TX AA Source: AT853 Cards> AT943 bodies- > Church Audio Ugly Box /Roland R 05>24bit 48htz > HDD>Goldwave to split the file> Audacity to resample to 16 Bit /44.1> traders little helper flac level 2 flac  
120. 01/29/19 Pechanga Arena - San Diego, CA AA AT943 (w/ Church mod.)>Roland R-05@ 24/96>Amadeus Pro 2.4.2>16/44.1>FLAC 2 flac  
121. 02/13/19 Spring Center - Kansas City, KS 8.5 Lineage: iPhone 8 internal mics > wav (16/44) > exported to flac with audacity > Adobe Audition CC2020 (level decrease/save as wav) > CD Wave Editor (track) > flac8 Recorded by: LetsGoAway Tracked by: smores 2 Flac  
122. 02/15/19 Allstate Arena - Rosemont, IL a- Recorded by Roy Martin from the 5th Row Dead Center using Sound Professionals SP-CMC-8s (Audio Technica AT943 with hyper-cardioid capsules) & SP-SPSB-8 battery box (no bass roll-off) --> Zoom H2n (24-bit/96kHz). Adobe Acrobat used for the simple editing & downsampling to 16-bit/44.1kHz. No EQ added, so salt 'n' pepper to taste. CD Wave Editor used to split the large WAVs as appropriate. Trader's Little Helper used to encode to FLAC (Level 8). 2 flac  
123. 03/01/19 Times Union Center - Albany, NY A Lineage: (2) Audio Technica 933 cardioid mics > Illudium Q-36 MSYC > Edirol R-09 > Adobe Audition CC2017 (level boost) > CD Waveditor (track) > flac8 2 flac  
124. 05/12/19 Konig Pilsener Arena - Oberhausen, Germany AA Lineage: SP-CMC-25 with SP-EMC-1 Croakie Mount Option > SP-PREAMP - Sound Professionals - Low Noise Gain-Selectable Portable Stereo Preamp (0db gain) > Edirol R-09HR (16 bit, 44.1 kHz) > WAV to FLAC conversion with Foobar2000 - md5 checksum with Traders Little Helper - Torrent file with µTorrent 2 flac  
125. 05/29/19 Arena Di Verona - Verona, Italy a- (MRDR Master Series Volume 41) Recording: Sony ECM717 > Zoom Two patches come from: Recorder 2: Sony ECM717 > Sony MZ-R700 MD Master Transfer: .wav file (master) > Peak Pro 6 (pre-production) > iZotope RX / ozone 5 (mastered) > Peak Pro 6 (post production) > xACT 2.39 > FLAC 2 flac  
126. 11/08/19 Wells Fargo Arena - Philadelphia, PA A Edirol R-09 internal mics > Audacity to split into tracks and export as FLAC > You Here is Elton'92s first of two nights at the Philly stop of his Farewell Yellow Brick Road tour. Both shows were sold out and in fact a large banner displayed that Elton has sold out the last 39 times he has played in Philly! It has been a few years since I have seen him and he is truly one of the most talented musicians of our time (in my humble opinion!). Nothing like Philadelphia Freedom in Philly!! ** Please note- Unfortunately this upload is missing the two encores (Your Song, Goodbye Yellow Brick Road)'85my brother drove and wanted to leave early to beat the crowd'85. :( Hopefully someone will upload the whole show or feel free to add the encores to this if you are able. 2 flac  
127. 12/10/19 Rod Laver Arena - Melbourne, Australia A Recorded by eckythump from lower seat section right hand side Source: Nokia Lumia 930 (called Lumia Icon in North America) w/built-in HAAC mics > Audio Recorder Pro app > 16bit/48 KHz PCM/WAV Encoding: Trader's Little Helper > FLAC (Level 8) 2 flac  
128. 12/21/19 First State Super Theatre @ ICC - Sydney, Australia AA CA14cardioids>9200preamp>RolandR-05>24bit/48hz>sd card>harddisk>audacity to declick, inc level, dec aud & some whistles, woos, remove some woos>track split &-->16bit/44.1hz>tlh flac level8. 3 flac  
129. 12/23/19 ICC Theater - Sydney, Australia A Source: Zoom H4 internal mics > Sandisk Ultra SD card > 16 bit/48kHz PCM WAV > MediaMonkey 4.1.31 Flac level 8 > SoundForge Audio Studio 12.6.0.361 song split 2 flac  
130. 02/05/22 United Center - Chicago, IL A Farewell Yellow Brick Road: The Final Tour No opening band This was the second of two nights in Chicago. It was rescheduled from June 20, 2020. Lineage: Zoom iQ6 > iPhone XR > Audacity (track splitting, FLAC 8 encoding on sector boundaries) > xACT (ffp & md5) Recorded by: dcg955 Location: Sec. 303, Row 6, Seat 6 2 flac  
131. 02/23/22 Madison Square Garden - New York, NY A+ I am providing the highest quality file I have and these will convert back to 24/48 audio. Re-Convert as you need for CDs or other uses but please do not trade other then original files. (as if I could stop you) If you do not like the way I record or the equipment I use, wait for another upload. Beyond that, I hope you Enjoy! So not my usual kind of gig but I saw some day of show side stage seats at a good price, plus I knew the wife would love it. All in all this was a truly great show. All the hits, smoking band and tons of great piano playing. This is Elton's big Farewell Tour and this was his last headline performance ever at Madison Square Garden (Unless he changes his touring plans.) and he made it clear how much he loves to play in NYC and MSG particularly. 2 flac  
132. 03/02/22 Barclay Center - Brooklyn, NY A source : schoeps mk41 > nbob active cables > babynbox > sony m10 > 24/48 wav adobe audition > ozone advanced 8 > xact 2.45 > flac 16/44.1 taper : ghost 2 flac  
133. 03/05/22 Nassau Coliseum - Uniondale, NY A source : schoeps mk41 > nbob active cables > babynbox > sony m10 > 24/48 wav adobe audition > ozone advanced 8 > xact 2.45 > flac 16/44.1 taper : ghost 2 flac  
134. 04/12/22 Schottenstein Center - Columbus, OH A Source: Sound Professionals CMC-08s (AT943s)->SP-SB10->Roland R05-> Audacity->CDWave->TLH Taper: ironchef 2 flac  
135. 04/16/22 KFC Yum Center - Louisville, KY A Source: Sound Professionals CMC-08s (AT943s)->SP-SB10->Roland R05-> Audacity->CDWave->TLH Taper: ironchef Total time: 142:26 (2:22:26) 2 flac  
136. 06/24/22 Hyde Park - London, UK a- Source: DPA 4060 => Tascam DR-2d Conversion: WAV => Audio Cleaning Lab => FLAC (16-bit) 2 flac  
137. 07/27/22 Gillette Stadium - Foxborough, MA A+ Taper : Farve4 Lineage: SP-CMC-8c > SP-SPSB-11 > Sony PCM A-10 > Internal Memory Card > WAV 48kHz/32-bit 2 flac  
138. 09/22/22 Mercedes Benz Stadium - Atlanta, GA A Recorded on the floor next to the FOH mix positon SP - CMC-8 microphones > Sony PCM-M10 > SoundSaver for INport > Trader's Little Helper > FLAC 2 flac  
139. 09/24/22 Nationals Park - Washington, DC A Source: AudioReality Binaural Stealth Recording Microphones > Sony PCM-A10 (24/48) Transfer: File transfer > iMac. Tracked via Sound Studio, FLAC via xACT Recorded by Bzl. Processed and edited by vwmule. 2 flac  
140. 11/01/22 Allegiant Stadium - Las Vegas, NV a- AT853 to SONY A-10 -> Soundforge -> FLAC Master wav sent to me via anonymous source 2 flac  
141. 11/17/22 Dodger Stadium - Los Angeles, CA A Source: Audience recording > SP-CMC-4U > A10 > Soundforge > WAV. I received the show as an untracked WAV. I tracked it with CD Wave. Then I encoded to FLAC (level 6) with TLH & created a .ffp. Finally I set up a setlist. I didn't alter the audio; it is as ijwthstd had it. 2 flac  
142. 11/20/22 Dodger Stadium - Los Angeles, CA A stream captured 2 flac  
143. 01/13/23 AAMI Park - Melbourne, Australia A+ Recorded by eckythump Source: Nokia Lumia 930 (called Lumia Icon in North America) w/built-in HAAC mics > Audio Recorder Pro app > 16bit/48 KHz PCM/WAV -> iZotope RX10 Advanced -> Ozone 10 -> Audacity 3.2.3 (split tracks and FLAC Level 8) -> Foobar 1.6.16 (Files tagged) -> Traders Little Helper 2.8.4 2 flac  
144. 07/07/23 Tele 2 Arena - Stockholm, Sweden a- SONY ECM CS-10 > Roland R-05 > WavePad > CD Wave > TLH Recorded from section A103. This concert was Elton's second-to-last gig on the Farewell Yellow Brick Road-tour. ...and therefore also his (perhaps) second-to-last concert ever. The show was originally scheduled for 18 september 2020. Due to both the Covid 19 pandemic and Elton's health issues the show was postponed not only once, but three times. My seat in section A103 meant that the conditions for recording the concert were far from perfect and the sound is somewhat reverberated. Tele2 Arena is large arena and my seat was on the almost directly opposite short side from the stage. 2 flac  
145. 05/09/25 Petco Park - San Diego, CA 8 This is the CD compatible 16/44 version. Source (presumed): Audience recording > Audio Technica SP-CMC-4U Cardioid Stereo Microphones > Sony PCM-A10 Digital Recorder (24/48) > usb > WAV (untracked) I received the concert as an untracked WAV file (24/48) so I tracked everything with CD Wave, downsampled the tracks to 16/44 with Adobe Audition 1.5 & converted everything to FLAC (level 6) with TLH. 2 Flac  

Emerson, Lake & Palmer  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/17/71 Unknown - Düsseldorf, Germany A Lineage: ? > cdr trade in 1992 Transfer: EAC > Flac (level 8) > you ! 2 flac  
2. 04/21/74 Empire Pool Wembley - London, England A Linage :- ( c90+c60 Sony HF ) - Nakamichi 1000ZXL With Auto Alinement - Yamaha Reciever - Monster Phono Leads Into PC Soundcard - Nero Wave Editor - Wav - Tracks split - Traders Little Helper - Flac8 - SBE Checked - You. 2 flac  
3. 07/08/77 Madison Square Garden - New York, NY A   2 flac  
4. 07/12/77 Boston Garden - Boston, MA AA   2 flac  

Emmylou Harris & Friends  
  Date Venue - City, State Sound Rating Notes Media  
1. 12/04/99 University of California, San Diego - San Diego, CA A+ Benefit for Campaign for a Landmine-Free World source: Neumann KM140s >EAA PSP/2 >Sony SBM-1 >DAT lineage: DAT master >S/PDIF >computer >r8brain PRO >CD Wav >TLH >flac16 ************************************************************************ FLAC Tags Via xACT 2.53 By OldNeumanntapr (+ front cover artwork) 2 flac  

Eric Burdon  
  Date Venue - City, State Sound Rating Notes Media  
1. 06/25/86 westbury music fair - westbury, NY A Taper : Joe D'Amico ''AKA'' Joebeacon Editing : Joe D'Amico ''AKA'' Joebeacon Nak 300 Mics > Sony D5 Nak Dragon Tape Deck > Sony Sbm 1 > Creative Extigy Soundcard > Cool Edit > Master Files > Adobe Audition CS6 > Ozone 5 > Traders Little Helper 1 flac  
2. 11/20/86 Capitol Club - Mannheim, West Germany A Unknown Second Generation Audience Cassette Trade FLACs >WAV >Audacity (Combine Tracks To A One-Track File, Amplify 7.4db, Re-Track On Original Index Points) >FLAC (Level 8) + Tags By OldNeumanntapr 2 flac  
3. 11/17/96 Weissbierstadl - Abensberg, Germany A SBD > ? > Tape? > ? > CDr > EAC > WAV > FLAC 2 flac  
4. 09/05/14 Burghof - St. Veit, Austria A Lineage: Edirol R-09 (internal mics) > EAC > FlacFrontend The bonus tracks are maybe lossy, because they were recorded with my Samsung Galaxy S4. 2 flac  

Eric Burdon & The Animals  
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/68 Various - Unknown, Unknown A Audience > Bootleg casette > Passed casette with an Casette deck Telefunken CC 20 High-Com > PC sound card > WAV > FLAC > Trader's Little Helper Various different performances of Eric Burdon and The Animals,last year the band as such.With some lineup changes go in George Bruno (Zoot Money),later get out Vic Briggs and Danny McCulloch,and finally go in Andy Sommers.I got this many years ago on cassette, in a trade. 2 flac  
2. 03/12/84 Teatro Palladium - Rome, Italy a- Source : Audience Recording > low gen cassette (courtesy of M.R. archives) Editing : Zoom H4n (16/44) > Sound Forge (volume & tracking) > Wave > TLH (sbe aligned) Flac 8 2 flac  
3. 11/21/13 Parkstad Limburg Theater - Heerlen, Netherlands A+ L1 Radio, Hubert On The Air Broadcasted in two parts, 2013-12-14 (tr 1-7) and 2013-12-21 (tr 8-12) Fm (digital cable) -> HD 24/48 -> 16/44.1 -> Flac level 8 (TLH) In the beginning of 'River Is Rising' (48:15-48:30) a footballsong (olé, olé, olé) was mixed in. I don't know whether it had a purpose, or was done by accident, i've never experienced this before with L1 Radio. This part is replaced by 15 seconds of the mp3 podcast (48.000 Hz/ 128 Kbit/s) from that broadcast (website L1). Recorded, volume normalized, split in tracks, replaced the 'footballsong' and added a fade out at the end of track 7 and 12 with Magix ACL. Complete broadcast, and according to the review, complete concert. Eric Burdon had a problem with his voice (he was drinking a lot of hot tea) during the first songs. Also there was a technical problem with his mic at the start of 'Don't Let Me Be Misunderstood'. Eric Burdon - vocals Red Young- Hammond B3 Teresa James- keyboard & flute Eric McFadden - guitar Billy Watts- guitar Terry Wilson- bass Tony Braunagel- drums Wally Ingram op percussion 2 flac  

Evil Woman: ELO Tribute  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/28/22 Colonial Keene - Keene, NH A Zoom H1 > Wav (44.1/16) > Adobe Audition (minor edits/amplification) > Wav > Trader's Little Helper > FLAC 8 (no SBE) 2 flac  

A Flock of Seagulls  
  Date Venue - City, State Sound Rating Notes Media  
1. 05/29/82 The Peppermint Lounge - New York, NY A Lineage: first gen aud cassette -> Xitel -> hd -> Nero (tracking) -> flac 8 1 flac  

Foghat  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/04/09 Cooper River Park - Pennsauken, NJ A Schoeps MK41's> 15 ft in front of Soundboard on 8ft Mic Stand>Nbox>Edirol R-44>Soundforge 9(Fades, Sample/Bit Rate Conversion)>CDWAV>FLAC A Flying Gonz & Nicky C Production Special Thanks to Gonzo & Foghat's Front Of House Crew for working out permission to record 1 flac  

Gravenites/Cipollina Band  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/26/82 Alter Bahnhof - Hof, Germany A+ Klaus Wolf & mossa master Recording unknown Sony Deck & Sony mics (if I remember this correct) 2 flac  
2. 09/03/83 The Sweatbox Lounge (Fresno Saloon) - San Francisco, CA A Sony ECM-220T mics > Sony TC-D5M > Cassette (Fuji FR-II, Dolby B) 2 flac  

Groundhogs  
  Date Venue - City, State Sound Rating Notes Media  
1. ??/??/74 Liberty Hall - Houston, TX A+ I received this radio broadcast from Gordon Stewart around 1978 on a Maxell UD Cassette tape. The recording is excellent quality. Lineage: Maxell UD C90 tape > Tascam 302 > Sony PCM M-10 at 96/24 Wave files > Audacity for volume adjustment > CD Wave Editor V. 1.98 for tracking > 96/24 and converted to FLAC using Trader's Little Helper V2.8.3.182. Tape and conversion and editing by Michael Cariola. 1 flac  

The Guess Who  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/10/73 Ontario Motor Speedway - Ontario, CA 7.5   1 Flac  
2. 08/31/74 Toronto Exhibition Center - Toronto, ON 7.5   1 Flac  
3. 04/15/75 Winnipeg Playhouse Theatre - Winnipeg, MB 8   1 Flac  

Jeff Lynne's ELO  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/12/16 Hydro Arena - Glasgow, Scotland 8.5 Recorded from block 213..... high up to left of stage ZOOM H2 - Memory Card - PC - Adobe - Audacity - TLH Despite being quite far from stage and main PA in this enormo-dome the audio quality is not too bad. Once on my PC I put the raw file through Adobe Audition. I then tracked using Audacity before converting to FLAC using TLH. No fade out between CD 1 and CD 2 but I tracked so that the suggested split is not obtrusive. 2 Flac  
2. 05/07/16 3 Arena - Dublin, Ireland 8.5 CA11s(cards)>CA9100>R09HR>Wavepad(levels etc)>cdwav>tlh>you Block D, Row 16. Taped & transferred by Kagee. 2 Flac  
3. 10/25/18 3 Arena - Dublin, Ireland A+ CA14(Cards)>CA9200>Roland R05>Adobde Audition(levels Etc)>cdwave>tlh>you Taped & Transferred by Kagee with some assistance from Kagee Snr. The strings were so good I just could not give it an A so it got the A+ subjective but rare 2 flac  
4. 07/11/19 Capital One Arena - Washington, DC 8 Lineage: Audioreality John Ramsey signature series mic > Battery box > Roland R-9HR (24/96 Wave) > PC > Audacity 2.3.2 (24/96 FLAC8) Source: Audience Recorded by: elinter 2 Flac  
5. 07/13/19 Wells Fargo Center - Philadelphia, PA 8 source : microtech gefell m21 > nbob active cables > nbox platinum > sony m10 > 24/48 wav adobe audition > ozone advanced 8 > xact 2.45 > flac 16/44.1 2 Flac  
6. 09/14/24 Rocket Mortgage - Cleveland, OH 9 Source: Tascam DR-05 internal mics Lineage: DR-05 > USB > Adobe Audition > FLAC Recorded & Edited by Scott Plumer 2 Flac  
7. 09/25/24 Capital One Arena - Washington, DC A Source: Church Audio 14 > Sony PCM-A10 (24/48) Transfer: A10 > PC. Tracked and FLAC via CDWav 2 flac  

Joe Perry  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/18/18 House of Blues - Boston, MA A+ SP-CMC-8c===SP-SPSB-11 (12v) Bass Roll Off set @ 69hz to Zoom F1 (Line In)===SDHC SanDisk 16GB Memory Card @ 48/24(Downsampled to 44.1/16) 2 flac  

The Kinks  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/23/88 Universal Amphitheatre - Los Angeles, CA A Recorded by Rex Hamilton 2 Sennheiser MKH404 tu mics > Sony D5 w/ Dolby using 2 Maxell MX90 cassettes Transfer Nakamichi CR7A w/ Dolby B (azimuth aligned and bias @ 70usec) > Korg MR2000-S @ 1 bit 5.6 MHz DSDIFF Mastering by -M- Har-Bal 3.0 & iZotope RX6 advanced > CD Wave > AudioGate Aqua 16-44) > TLH 2 flac  

Ray Manzarek & Robby Krieger  
  Date Venue - City, State Sound Rating Notes Media  
1. 10/31/11 The Birchmere - Alexandria, VA 9 SOURCE: dpa 4061 > Church Audio batt box > edirol r09 (24/48) PROCESSING: soundforge 9.0 (tracking, fades, resample, dither) > traders little helper > flac level 8 Taped, Processed, Upped by Kubacheck 2 Flac  

Ric Ocasek  
  Date Venue - City, State Sound Rating Notes Media  
1. 11/17/97 Toad's Place - New Haven, CT A audience recording directly from master tape 1 flac  

VA - Concert For Social Justice  
  Date Venue - City, State Sound Rating Notes Media  
1. 04/08/15 The Fonda Theater - Los Angeles, CA A Mikes: Schoeps mk4 > Actives > Recorder: Sony M-10 Transfer: Goldwave (Volume Boost, Compression > Dither to 16b) > Media Monkey (Flac Transfer L8) Location: Right Center Recorded by Dannysmash 2 flac  

A Walk Down Abbey Road  
  Date Venue - City, State Sound Rating Notes Media  
1. 07/07/01 Tag's - Big Flats, NY A SourceLSony Stero Mic>Sony D8 Dat Master>Maxell HS-490 Meter DDS Dat Tape>Sony PCM R-300 Home Dat Deck(Playback)> Ediorl R-09 HR(24/44.1 KHZ)>CD Wav Editor>Traders Little Helper>Flac Level 8.Sector Boundaries Aligned Using Traders Little Helper.Taped By Boeditaper. 2 flac  

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